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Latin drama (Tragedy) --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism --- History --- -Ennius, Quintus --- -Ennio, Quinto --- Tragedies --- Theses --- Theater --- History and criticism. --- Ennius, Quintus --- Tragedies. --- -History and criticism --- -Tragedies --- Ennio, Quinto

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Latin language --- Glossaries, vocabularies, etc. --- -Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Glossaries, vocabularies, etc --- Ennius, Quintus --- -Pacuvius, Marcus --- -Pacuvio, Marco --- Ennio, Quinto --- Language --- -Glossaries, etc --- -Glossaries, vocabularies, etc --- -Language --- -Ennio, Quinto --- Pacuvius, Marcus --- Glossaries, etc. --- Latin language - Glossaries, vocabularies, etc.

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Latin poetry --- Lost literature --- Poésie latine --- Oeuvres perdues (Littérature) --- History and criticism. --- Histoire et critique --- Ennius, Quintus --- Criticism and interpretation. --- Ennius, Quintus. --- Poésie latine --- Oeuvres perdues (Littérature) --- History and criticism --- Ennio, Quinto

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The Loeb Classical Library series Fragmentary Republican Latin continues with oratory, an important element of Roman life from the earliest times, essential to running public affairs and for advancing individual careers long before it acquired literary dimensions, which happened once orators decided to write up and circulate written versions of their speeches after delivery. Beginning with Appius Claudius Caecus (340-273 BC), this three-volume edition covers the full range of speech-making--political, juridical, and epideictic (display)--and with the exceptions of Cato the Elder and Cicero includes all individuals for whom speech-making is attested and for whose speeches quotations, descriptive testimonia, or historiographic recreations survive. Such an overview provides insight into the typical forms and themes of Roman oratory as well as its wide variety of occasions and styles. By including orators from different phases within the Republican period as well as men given high or low rankings by contemporaries and later ancient critics, the collection offers a fuller panorama of Roman Republican oratory than a selection guided simply by an orator's alleged or canonical quality, or by the amount of evidence available. This edition includes all the orators recognized by Malcovati and follows her numbering, but the texts have been drawn from the most recent and reliable editions of the source authors and revised in light of current scholarship; additional material has been included with its own separate numbering. Faithful translations, informative introductions, and ample annotation guide readers.

Ennius, Quintus. --- Latin poetry --- Translations into English --- Ennius, Quintus --- Latin poetry. --- Latin drama --- Ennio, Quinto --- Latin language, Preclassical to approximately 100 B.C. --- Latin literature --- Speeches, addresses, etc., Latin --- Oratory, Ancient --- Speeches, addresses, etc., Latin. --- Oratory, Ancient. --- Rhetoric, Ancient. --- Politics and government. --- 265-30 B.C. --- Rome --- Rome (Empire) --- Politics and government --- Latin poetry - Translations into English

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Horacio y la poesía gastronómica antigua es un estudio sobre la influencia de la poesía griega y romana de contenidos culinarios sobre las Sátiras 2.4 y 2.8 de Horacio. Tomando como punto de partida la definición de poesía gastronómica adoptada por Enzo Degani para la literatura griega, se lleva a cabo, en la primera parte, una panorámica general de este género o subgénero en Grecia desde el yambo arcaico (Ananio e Hipónax) a las obras de Arquéstrato de Gela y Matrón de Pítane, pasando por la Comedia Antigua y Media; se atiende especialmente a la forma como se presentan dichos contenidos en verso y a otras implicaciones ideológicas relevantes para el estudio de sus continuadores romanos. En la segunda parte, se analiza la introducción de este tipo de poesía en Roma en tres capítulos dedicados, respectivamente, a los Hedyphagetica de Ennio, las Sátiras de Lucilio y la Menipea de Varrón, tomando en consideración los posibles elementos heredados de la literatura griega precedente y los elementos originales. Finalmente, se estudian las citadas sátiras de Horacio a la luz de los precedentes griegos y romanos; además de los aspectos formales, se analiza la cuestión de la interpretación de las dos sátiras y su relación con lo jocoserio.-

Horatius Flaccus, Quintus --- Ennius, Quintus --- Lucilius, Caius --- Varro, Marcus --- Terentius --- Terentius Afer, Publius --- Terentius, P. --- Terence --- Afer, Publius Terentius --- Afro, Publio Terencio --- Terenz --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Varro, Marcus Terentius --- Varron --- Varrón, --- Varrone, Terenzio, --- Varrone, Marco Terenzio, --- Varron, Mark Terent︠s︡iĭ, --- Varron Reatinskiĭ, Mark Terent︠s︡iĭ, --- Varrón, Marco Terencio, --- Warron, Marek Terencjusz, --- Lucilius, Gaius, --- Lucilio, Gaio, --- Lucilius, C. --- Lucilius, Caius, --- Ennio, Quinto --- Horace --- Horatius Flaccus, Q. --- Horacij Flakk, Kvint --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Gastronomie --- Poésie grecque --- Poésie latine