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New English Art Club (Londen) (1888-1917). --- 19de eeuw. --- 20ste eeuw.
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Art --- Royal Society of British Artists --- New English Art Club --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Great Britain --- Royal Society of British Artists (Londen) (1824-1893) --- New English Art Club (Londen) (1888-1917) --- tentoonstellingen --- 1824 - 1917 --- 19de eeuw --- 20ste eeuw --- Groot-Brittannië --- 1824 - 1917. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië.
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The noble Cavendishes were one of the most influential families in the politics and culture of early modern England and beyond. A Companion to the Cavendishes offers a comprehensive account of the Cavendish family's creative output and cultural significance in the seventeenth century. It discusses the writings of individuals including William and Margaret Cavendish, and William's daughters Jane and Elizabeth; family members' work and patronage in other media such as music, architecture, and the visual arts; their participation in contemporary developments in politics, philosophy, and horsemanship; and the networks in which they moved both in England and in continental Europe. It also covers the work of less well-known family members such as the poet and biographer George Cavendish and the composer Michael Cavendish. This volume combines path-breaking scholarship with discussion of existing research, making it an invaluable resource for all those interested in this fascinating and diverse group of men and women.
Art, English --- Cavendish family. --- Great Britain --- Intellectual life --- History --- aristocratic life. --- closet drama. --- iconography. --- literary culture. --- women's writing. --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists)
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Art styles --- Whistler, James Abbott McNeill --- anno 1800-1899 --- impressionisme --- Royal Society of British Artists (Londen) (1824-1893) --- vrouwenportretten --- New English Art Club (Londen) (1888-1917) --- Sickert, Walter Richard --- Groot-Brittannië --- Frankrijk --- vrouw --- impressionisme. --- Royal Society of British Artists (Londen) (1824-1893). --- vrouw. --- New English Art Club (Londen) (1888-1917). --- Whistler, James Abbott McNeill. --- Sickert, Walter Richard. --- Groot-Brittannië. --- Frankrijk. --- Whistler, James McNeill --- christelijke iconografie. --- Christus.
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Art --- anno 1800-1899 --- France --- Great Britain --- geschiedenis --- romantiek --- classicisme --- symbolisme --- Barbizon --- New English Art Club (Londen) (1888-1917) --- kunstkritiek --- vrouwelijke kunstenaars --- mecenas --- verzamelaars --- Scheffer, Ary --- Rodin, Auguste --- Whistler, James Abbott McNeill --- 18de eeuw --- 19de eeuw --- Frankrijk --- Groot-Brittannië --- Rome --- Art [English ] --- French influences --- 19th century --- Art [French ] --- Influence --- persoon die de kunsten ondersteunt; kunstliefhebber, connaisseur, mecenas, beschermheer --- geschiedenis. --- romantiek. --- classicisme. --- symbolisme. --- Barbizon. --- New English Art Club (Londen) (1888-1917). --- kunstkritiek. --- vrouwelijke kunstenaars. --- persoon die de kunsten ondersteunt; kunstliefhebber, connaisseur, mecenas, beschermheer. --- verzamelaars. --- Scheffer, Ary. --- Rodin, Auguste. --- Whistler, James Abbott McNeill. --- 18de eeuw. --- 19de eeuw. --- Frankrijk. --- Groot-Brittannië. --- Rome. --- literatuur. --- poëzie. --- Valéry, Paul.
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Art --- -Art --- -Art patronage --- -Artists and patrons --- -Art, English --- -English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- Patrons and artists --- Art patrons --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Commissioning --- -History --- -Marketing --- History --- -Themes, motives --- Art patronage --- -Commissioning --- Art, English --- Artists and patrons --- English art --- Themes, motives --- Marketing --- Art, Primitive
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Burgin, Victor, --- Art, English --- kunst --- 7.071 BURGIN --- 791.471 BURGIN --- 791.45 --- video-installaties --- video --- videokunst --- film --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- Burgin Victor --- English art --- Burgin, Victor --- Exhibitions --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- Burgin, Victor. --- Burgin, Victor, - 1941 --- -Art, English --- -Burgin, Victor --- -Burgin, Victor, - 1941-
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The noble Cavendishes were one of the most influential families in the politics and culture of early modern England and beyond. A Companion to the Cavendishes offers a comprehensive account of the Cavendish family's creative output and cultural significance in the seventeenth century. It discusses the writings of individuals including William and Margaret Cavendish, and William's daughters Jane and Elizabeth; family members' work and patronage in other media such as music, architecture, and the visual arts; their participation in contemporary developments in politics, philosophy, and horsemanship; and the networks in which they moved both in England and in continental Europe. It also covers the work of less well-known family members such as the poet and biographer George Cavendish and the composer Michael Cavendish. This volume combines path-breaking scholarship with discussion of existing research, making it an invaluable resource for all those interested in this fascinating and diverse group of men and women.
Art, English --- Cavendish family. --- Great Britain --- Intellectual life --- History --- aristocratic life. --- closet drama. --- iconography. --- literary culture. --- women’s writing. --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- Cavendish, Michael --- Cavendish, Margaret [Duchess of Newcastle] --- Cavendish, Jane --- Brackley, Elizabeth --- Cavendish, William --- Cavendish, George --- women's writing. --- History of civilization --- United Kingdom
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Art, English --- Manors in art --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- London (England) --- Londen (England) --- Londinium (England) --- Londres (England) --- Londýn (England) --- Lunnainn (England) --- In art --- Exhibitions --- Art --- topography [image-making] --- landscapes [representations] --- Londen, Marble Hill --- Londen, Ranger's House --- London
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This text is an analysis of the assimilation of visual modernism in England between 1910 and 1939 and looks at, in detail, the life of Frank Pick, director of the London Underground.
Modernism (Art) --- Art, English --- Avant-garde (Aesthetics) --- Aesthetics --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- History --- Pick, Frank.
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