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Thematology --- Drama --- Wedekind, Frank --- Hofmannsthal, von, Hugo --- Dance in literature.
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Dance in literature. --- Polish literature --- History and criticism.
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Argentine literature --- Tango (Dance) in literature. --- History and criticism.
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Argentine literature --- Tango (Dance) in literature. --- History and criticism.
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Argentine literature --- Tango (Dance) in literature. --- History and criticism.
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This "what is" rather than "how to" volume proposes a theoretical framework for understanding dance leadership for dancers, leaders, and students of both domains, illustrated by portraits of leaders in action in India, South Africa, UK, US, Brazil and Canada. What is dance leadership? Who practices it, in what setting, and why? Through performance, choreography, teaching, writing, organizing and directing, the dance leaders portrayed herein instigate change and forward movement. Illustrating all that is unique about leading in dance, and by extension the other arts, readers can engage with such wide-ranging issues as: Does the practice of leading require followers? How does one individual?s dance movement act on others in a group? What does ?social engagement? mean for artists? Is the pursuit of art and culture a human right?
Dance. --- Dance in literature. --- Dancers. --- Leadership. --- Dance. --- Dancers. --- Leadership. --- Dance in literature. --- Danse --- Danseurs --- Leadership --- Danse dans la littérature
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Tango (Dance) in literature --- Tangos --- #KVHA:Muziek; Spanje --- #KVHA:Muziek; Latijns-Amerika --- #KVHA:Tango --- Argentine literature --- History and criticism --- Tango (Dance) in literature - Congresses. --- Tangos - Congresses.
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Featuring new chapters from thirty leading scholars, The Oxford Handbook of Shakespeare and Dance examines the relationship between William Shakespeare - his life, works, afterlife - and dance.
Dance in literature. --- Shakespeare, William, --- Knowledge --- Dance. --- Dramatic production. --- Tanz. --- Theater. --- Shakespeare, William, 1564-1616 - Knowledge - Dance --- Shakespeare, William, 1564-1616 - Dramatic production --- Dance in literature
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"Ancient Greek dance" traditionally evokes images of stately choruses or lively Dionysiac revels - communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world.
Greek literature --- Dance in literature. --- Dancing in literature --- History and criticism. --- Dance in literature --- History and criticism --- Danse traditionnelle -- Grèce --- Littérature et danse --- Littérature antique
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Écrire la danse relève tout d'abord de la mimétique, de l'ekphrasis, de la description : il s'agit de saisir et de reproduire la nature spécifique d'un corps en mouvement, dans ses aspects extérieurs comme dans l'intimité d'un vécu original. La complexité est rehaussée par le fait de la multiple variété des formes de danse : danse populaire, danse de courballet, bal, danse de couple. Et la description précise du mouvement des danseurs se heurte à des questions à la fois d'emplacement, d'espace, de temps, de rythme, d'enchaînement, que la notation écrite peine à saisir ; les systèmes de notation décomposent la danse en ses parties et sont peu aptes à rendre compte de l'ensemble du phénomène. La trace écrite n'est alors que la stèle ou l'épitaphe d'un corps vivant ; elle ne produit que du mécanique, incapable de restituer quelque chose qui se passe dans l'espace et dans le temps, dtans et par le corps, l'expressivité des mouvements, et relève d'une rêverie exhibant dans la distance ce qui a été. L'écriture est nostalgie devant cette tradition d'efforts singuliers et éphémères qui disparaîtront sans laisser aucune trace, impalpable poussière de la plus périssable des architectures : la danse. Mais l'écriture elle-même, dans ses métaphores et sa pratique, animée du mouvement comme ronde de la vie ou danse macabre, faisant place aussi bien au processus de civilisation qu'aux pulsions érotiques, s'exhibe également comme mouvement dansant avec flexibilités, courbes, rythmes, vertiges, enchaînements, arabesques, comme graphe sautillante, serpentine, onomatopéique. Avec Nietzsche, Mallarmé ou la chorégraphie derridienne, la danse est prise comme modèle d'une écriture, non pas dans l'imitation de son anecdote, mais de son essentiel mouvement.
Thematology --- French literature --- Theatrical science --- Dance --- Dance in literature. --- Philosophy. --- History and criticism --- Dance - Philosophy.
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