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When in 1893 the Quechan Indians of Fort Yuma, California, gave up tracts of fertile farmland in the Colorado River basin in return for Federal aid, they hardly could have anticipated the ensuing deterioration of their economic, political, and cultural self-determination. Their circumstances devolved as has often been the case with Federal Indian policy. This intriguing book, original published in 1981, considers the Quechans as a case history of the frequent discrepancy between benevolently phrased national intention and exploitative local action. The story of their changing life is traced through the anti-poverty programs of the 1960s and '70s—showing how the implementation of these programs was affected by features of community life that had evolved over preceding decades—and culminates in the Quechans’ forging a self-sustaining though fragile economy despite their status as Federal wards. This book is more than a product of archival research. Author Robert Bee attended Quechan public gatherings, canvassed the community, and conducted intensive interviews over a thirteen-year period to attain an intimate understanding of this people’s perseverance in the face of age-old frustration. In presenting their story, Bee focuses on the behavior and actions of individuals thrust into key decision-making roles to provide more than just abstract analysis. What emerges is not only a unique ethnohistorical approach to economic development, but a model history of a modern tribe.
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By focusing on the social and cultural life of post-1965 Taiwan immigrants in Queens, New York, this book shifts Chinese American studies from ethnic enclaves to the diverse multiethnic neighborhoods of Flushing and Elmhurst. As Hsiang-shui Chen documents, the political dynamics of these settlements are entirely different from the traditional closed Chinese communities; the immigrants in Queens think of themselves as living in "worldtown," not in a second Chinatown. Drawing on interviews with members of a hundred households, Chen brings out telling aspects of demography, immigration experience, family life, and gender roles, and then turns to vivid, humanistic portraits of three families. Chen also describes the organizational life of the Chinese in Queens with a lively account of the power struggles and social interactions that occur within religious, sports, social service, and business groups and with the outside world.
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This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Duke University.A portrait of the game of capoeira and its practice across borders Originating in the Black Atlantic world as a fusion of dance and martial art, capoeira was a marginalized practice for much of its history. Today it is globally popular. This ethnographic memoir weaves together the history of capoeira, recent transformations in the practice, and personal insights from author Katya Wesolowski’s thirty years of experience as a capoeirista.Capoeira Connections follows Wesolowski’s journey from novice to instructor while drawing on her decades of research as an anthropologist in Brazil, Angola, Europe, and the United States. In a story of local practice and global flow, Wesolowski offers an intimate portrait of the game and what it means in people’s lives. She reveals camaraderie and conviviality in the capoeira ring as well as tensions and ruptures involving race, gender, and competing claims over how this artful play should be practiced. Capoeira brings people together and yet is never free of histories of struggle, and these too play out in the game’s encounters.In her at once clear-sighted and hopeful analysis, Wesolowski ultimately argues that capoeira offers opportunities for connection, dialogue, and collaboration in a world that is increasingly fractured. In doing so, capoeira can transform lives, create social spheres, and shape mobile futures.Katya Wesolowski is lecturing fellow of cultural anthropology and dance at Duke University.Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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