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Brahms, Johannes --- -Analysis, appreciation --- Chamber music --- -Consort music --- Consorts (Music) --- Vocal chamber music --- Analysis, appreciation --- Brahms, Johannes, --- Analysis, appreciation.
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Chamber music --- -Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Analysis, appreciation --- Zemlinsky, Alexander --- -Analysis, appreciation --- Zemlinsky, Alexander,
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Chamber music --- -Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Analysis, appreciation --- Brahms, Johannes --- -Analysis, appreciation --- Brahms, Johannes,
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muziekanalyse --- muziekgeschiedenis --- muziek --- kamermuziek --- Chamber music --- Musique de chambre --- Analysis, appreciation. --- Analyse et appréciation --- -Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Analysis, appreciation --- -Analysis, appreciation --- Analyse et appréciation
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Chamber music --- -Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Analysis, appreciation --- -Analysis, appreciation --- Muziek --- kamermuziek --- muziekgeschiedenis --- 78.21 --- Music --- Muziekgeschiedenis --- Kamermuziek
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Bartok, Bela --- Chamber music --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- History and criticism --- Bártok, Béla, --- 78.21.1 Bartók
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Internationally renowned scholars and performers present a wide range of new analytical, historical and critical perspectives on some of Mozart's most popular chamber music: his sonatas with violin, keyboard trios and quartets and the quintet with wind instruments. The chapters trace a broad chronology, from the childhood works, to the Mannheim and Paris sonatas with keyboard and violin, and the mature compositions from his Vienna years. Drawing upon the most recent research, this study serves the reader, be they a performer, listener or scholar, with a collection of writings that demonstrate the composer's innovative developments to generic archetypes and which explore and assess Mozart's creative response to the opportunities afforded by new and diverse instrumental combinations. Manners of performance of this music far removed from our own are revealed, with concluding chapters considering historically informed practice and the challenges for modern performers and audiences.
Musique de chambre --- Chamber music --- History and criticism. --- Mozart, Wolfgang Amadeus, --- History and criticism --- Histoire et critique --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Mozart, Johann Chrysostom Wolfgang Amadeus,
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This is a volume of scenes for two characters, hence duologues. The authors have selected meaty scenes from major plays, as well as from a few wonderful ones not well known. Here Jack and Algernon in The Importance of Being Earnest, Yvan and Marc in Art, Cecile and the Marquise de Merteuil in Les Liaisons Dangereuses, Mozart and Constanze in Amadeus, as well as two-character scenes from The Killing of Sister George, Kindertransport, The Crucible, and dozens of other works. Duologues provide a concentrated way of practicing skills and encourage actors to listen and respond. Helpful advice is given in the book by contributors such as Tom Stoppard, April De Angelis and Don Taylor.
Chamber music --- 525 --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- History and criticism --- Theorie: improvisatie --- Muziekgeschiedenis (20e - 21e eeuw) --- Chamber Music --- Music
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Music --- muziekgeschiedenis --- triosonates --- kamermuziek --- anno 1600-1699 --- Italy --- Trio sonata. --- Chamber music --- History and criticism. --- -Trio sonata --- Trio sonata --- Trio sonatas --- Musical form --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- History and criticism --- Chamber music - Italy - 17th century - History and criticism. --- 78.25
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"An unabridged republication of Serie 6 (Volumes 1 and 2) : Quartette für 2 Violinen, Bratsche und Violoncell of Ludwig van Beethoven's Werke. Vollständige kritisch durchgesehene überall berechtigte Ausgabe. Mit Genehmigung aller Originalverleger, originally published by Breitkopf & Härtel, Leipzig, n.d."
opus-18 --- zakpart. --- 381 --- zakpartituren --- Canons, fugues, etc. (String quartet) --- String quartets --- Chamber music --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Quartets, String --- String quartets (Violins (2), viola, cello) --- zakpart --- Strijkkwartet --- Fuga's --- Duitsland --- 18e eeuw --- 19e eeuw
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