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Artists' preparatory studies --- Classical antiquities in art --- Exhibitions --- Exhibitions. --- David, Jacques Louis, --- Italy --- In art

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Sculpture, Classical --- Classical antiquities in art --- Art, Renaissance --- Reproduction of classical sculpture --- Classical sculpture --- Reproduction --- Classical influences --- Classical antiquities in art. --- Sculpture, Classical. --- Civilization, Classical --- Classical antiquities --- Sculpture --- Art styles --- anno 1400-1499 --- anno 1500-1599 --- Antiquity --- Classical influences. --- Reproduction.

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"Jacob Jordaens (1593-1678) was a Flemish Baroque painter whose work has largely been overshadowed by his contemporaries Peter Paul Rubens and Anthony van Dyck. Providing new insight on the artist as well as art historical context for his works, Jacob Jordaens and Antiquity emphasizes his strategic intelligence with respect to imagery and the art market and challenges the common characterization of Jordaens as a bourgeois artist of genre scenes. Jordaens's work is examined as an example of classical culture being introduced into the commercial and intellectual life of Antwerp. He was an artist with an unusual talent for conveying imagery from classical literature, ranging from Satyr and Peasant to Diogenes Searching for an Honest Man. Focusing on the theme of antiquity, this volume features eighty paintings, drawings, tapestries, and sculptures from private collections and major museums, including the Museo Nacional del Prado in Spain and the Statens Museum for Kunst in Denmark."--Publisher's website.

Jordaens, Jacob --- Jordaens, Jacques --- Art, Flemish --- Civilization, Classical, in art --- Classical antiquities in art --- Themes, motives --- Jordaens, Jacob,

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In this bold book, Jonas Grethlein proposes a new dialogue between the fields of Classics and aesthetics. Ancient material, he argues, has the capacity to challenge and re-orientate current debates. Comparisons with modern art and literature help to balance the historicism of classical scholarship with transcultural theoretical critique. Grethlein discusses ancient narratives and pictures in order to explore the nature of aesthetic experience. While our responses to both narratives and pictures are vicarious, the 'as-if' on which they are premised is specifically shaped by the form of the representation. Form emerges as a key to how narratives and pictures constitute an important means of engaging with experience. Combining theoretical reflections with close readings, this book will appeal to art historians as well as to textual scholars.

Form. --- Aesthetics, Ancient. --- Arts, Classical --- Classical antiquities in art. --- Classical antiquities in literature. --- Classical literature --- Ästhetik. --- Antike. --- Kunst. --- Literatur. --- Philosophy. --- History and criticism. --- HISTORY / Ancient / General. --- Classical arts

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Drawing, Italian --- Inscriptions, Latin --- Classical antiquities in art --- Dessin italien --- Inscriptions latines --- Antiquités gréco-romaines dans l'art --- Dosio, Giovanni Antonio, --- Biblioteca nazionale centrale di Firenze.