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"The social, political, and legal struggles that made up the civil rights movement of the mid-twentieth century produced and refined a wide range of rhetorical strategies and tactics. Arguably the most astonishing and certainly the least understood are the sit-in protests that swept the nation at the beginning of the 1960s. A companion to Like Wildfire: The Rhetoric of the Civil Rights Sit-Ins, this concentrated collection of essays examines the origins and rhetorical methods of five distinct civil rights sit-ins of 1960, in Greenville, South Carolina; Charlotte, North Carolina; and neighboring Rock Hill, South Carolina; Louisville, Kentucky; and New Orleans, Louisiana. While these protests shared common influences and intentions, each demonstration was singular in its execution and reception. For students of rhetoric, protest, and sociopolitical movements, this volume demonstrates how by using lenses of rhetorical somatics, "bodily rhetoric," constitutive rhetoric, Christian rhetoric, and visual rhetoric, we can read the sit-ins as essentially persuasive conflicts in which participants invented and deployed arguments and actions in attempts to change segregated communities and the attitudes, traditions, and policies that maintained segregation"--
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American civil rights literature has largely been associated with speeches, letters, and non-fiction works produced by African-American activists of the 1950s and 60s such as Dr. Martin Luther King, Jr. and Malcolm X. This volume not only examines key works of the African-American civil rights debate past and present, it also explores issues of gender equality and sexual orientation integral to civil rights studies. This new addition to the Critical Insights series aims to critically engage with the existing plethora of canonized literature while contemporizing the conversation with topics currently affecting our nation. Edited by Christopher Allen Varlack from the University of Maryland, Baltimore County, Critical Insights" Civil Rights Literature, Past and Present begins with two introductory essays from the editor that detail the intersection of Race, Gender, and Orientation in American civil rights literature. The remainder of the text is then split up into two sections of essays; Critical contexts, which gives users a background of the material, and Critical Readings, a selection of in-depth, theoretical examinations of civil rights literature.
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"Août 1969, à El Barrio, le quartier portoricain de New York, des jeunes gens descendent dans la rue, en treillis et bérets à la Che Guevara. Dans leurs mains, pas de fusils, mais des balais. Ils nettoient les rues délaissées par les pouvoirs publics. Une émeute éclate. L'embrasement menace, la mairie accepte d'envoyer plus souvent ses éboueurs. El Barrio vient de découvrir ses Black Panthers, les jeunes membres du Young Lords Party. Ils ont entre 16 et 25 ans, sont les enfants de l'immigration portoricaine, arrivée en masse depuis la colonisation de l'île par les États-Unis. Inspirés par les Black Panther et les nationalistes portoricains, ils veulent remplacer l'État capitaliste et raciste par des alternatives communautaires et politisées. Ainsi, ils défilent pour l'indépendance de Porto Rico mais sont surtout très actifs dans les quartiers, où ils développent notamment des programmes autour de la santé. Pour eux, la révolution est aussi une transformation personnelle. Sous l'influence des femmes, qui font comprendre aux hommes qu'on ne peut être révolutionnaire et machiste, les membres du parti travaillent ensemble à se libérer du sexisme, de l'homophobie et de leur propre racisme. En 1971, ils sont quelques milliers sur la côte Est. Leur presse est lue, leur action efficace. Mais le parti, déchiré par des luttes internes, affaibli par des erreurs stratégiques, déstabilisé par le Cointelpro, se sépare en 1976. L'histoire trépidante des Young Lords est un moment essentiel de l'imaginaire politique des Latinos aux États-Unis, et un pan méconnu des luttes des années 1960."--Page 4 of cover.
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Carolina Currents: Studies in South Carolina Culture is an annual peer-reviewed publication that explores the diverse cultural, historical, and social aspects of South Carolina. Edited by Christopher D. Johnson and published by the University of South Carolina Press, the volume connects academic research with the practical concerns of South Carolinians. It includes essays on topics such as the multicultural nature of cooking in British America, the influence of youth activists during the Civil Rights Movement, and the legacy of Confederate heritage. The book aims to provide new directions for the common good by examining the state's history, culture, and societal changes. It serves as a resource for scholars, students, and those interested in Southern culture and history.
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"It may seem odd that a very short book should have incurred such a long list of people to whom I am endebted, but most of these debts were acquired long before this project was even conceived. Some are owed to my maternal grandmother Carrie for the stories she shared during idle moments on our back porch about the history of the place we inhabited and in other more emotionally charged moments when she silently modeled for a preadolescent boy how one might negotiate its hostile terrain with dignity. Others are owed to my father, whose stories about how our family's history evolved in that hostile place and about the different worlds he had seen far beyond its confining and sometimes confounding boundaries somehow enabled me to think differently about my own place in the world. Growing up in a hostile world can make one self-destructive, but somehow these stories delegitimized its rule and suggested that building a very different world was possible"--
African Americans --- Civil rights movements --- African Americans
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Alors que le mouvement des droits civiques commence à embraser l'Amérique des années 1950, les hôpitaux psychiatriques attestent d'une étrange évolution du diagnostic de la schizophrénie : jusque-là réservée aux intellectuels et aux femmes au foyer blanches, la maladie devient soudain l'apanage d'une nouvelle catégorie d'individus - majoritairement des hommes noirs et en colère. C'est en se plongeant dans les archives de l'hôpital d'État d'Ionia (Michigan) que le psychiatre Jonathan Metzl a fait cette découverte stupéfiante. D'inhibés qu'ils étaient, les « nouveaux» schizophrènes se voient qualifiés de belliqueux ou de paranoïaques et, parallèlement, sous la plume des grands psychiatres de l'époque, la schizophrénie devient une « psychose de révolte ». Plus encore, l'abus diagnostique s'immisce dans le langage courant au point que même Martin Luther King ou Stokely Carmichael le reprendront à leur compte, faisant de la schizophrénie une image de l'identité afro-américaine scindée en deux par l'hégémonisme blanc. Dans cet ouvrage passionnant, J. Metzl met au jour un racisme institutionnel d'un genre nouveau : l'instrumentalisation de la psychiatrie à des fins de domination des populations. Un ouvrage plus que jamais nécessaire, à l'heure où l'urgence de déconstruire toute forme de racialisation apparaît de façon toujours plus éclatante.
Psychiatry --- Schizophrenia --- Civil rights movements --- Psychiatric hospitals
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"Few places are more notorious for civil rights-era violence than Philadelphia, Mississippi, the site of the 1964 "Mississippi Burning" murders. Yet in a striking turn of events, Philadelphia has become a beacon in Mississippi's racial reckoning in the decades since. Claire Whitlinger investigates how this community came to acknowledge its past, offering significant insight into the social impacts of commemoration. Whitlinger expands our understanding of how commemorations both emerge out of and catalyze associated memory movements"--
Civil rights movements --- Memorialization --- Philadelphia (Miss.) --- History
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