Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Innovantes et provocantes, les sculptures, peintures et installations emblématiques de Judy Chicago ont permis de rapprocher le féminisme de l'art au cours des années 1960, 70 et au-delà. En utilisant des images inspirées du corps féminin et des références à des personnages féminins historiques, Chicago a forgé un nouveau langage visuel axé sur les femmes qui continue d'influencer l'esthétique de l'art féministe aujourd'hui. Ce livre retrace la carrière de Chicago depuis son apparition sur la scène artistique de Los Angeles dans les années 1960 jusqu'à son travail abouti dans les années 1990. Présentant des illustrations de six œuvres distinctes, ce livre comprend le chef-d'œuvre de Chicago, le dîner, ainsi que d'autres œuvres moins connues. Avec des essais informatifs qui situent l'œuvre de Chicago dans le contexte de l'art contemporain californien du sud et de l'érudition qui reflète le travail actuel de Chicago, ce livre complet offre un regard à couper le souffle sur l'une des figures par excellence de l'art féministe américain. (d'après l'éditeur). Groundbreaking and provocative, Judy Chicago’s iconic sculptures, paintings, and installations helped bridge the gap between feminism and art during the 1960s, 70s, and beyond. Using imagery inspired by the female body and references to historical female figures, Chicago forged a new, women-focused visual language that continues to influence the aesthetics of feminist art today. This book traces Chicago’s career from her emergence on the Los Angeles art scene in the 1960s through her mature work in the 1990s. Featuring illustrations of six distinct bodies of works, this book includes Chicago’s masterpiece The Dinner Party as well as other lesser-known works. With informative essays that situate Chicago’s oeuvre in the context of contemporary Southern Californian art and scholarship that reflects Chicago’s current work, this comprehensive book provides a breathtaking look at one of the quintessential figures of American feminist art.

Art --- sculpture [visual works] --- installations [visual works] --- embroidering --- spray painting --- art [fine art] --- drawing [image-making] --- painting [image-making] --- feminism --- births --- performance art --- gender issues --- fireworks [explosive equipment] --- genitals [animal components] --- Chicago, Judy --- Feminism in art --- ART / Individual Artists / Monographs. --- ART / History / Contemporary (1945-) --- Feminism in art. --- Exhibitions. --- Chicago, Judy, --- Feminism in art - Exhibitions. --- Chicago, Judy, - 1939- - Exhibitions. --- Chicago, Judy, - 1939 --- -Feminism in art - Exhibitions. --- -Art --- art [discipline] --- -Chicago, Judy, - 1939 --- -Chicago, Judy --- -Chicago, Judy, - 1939-

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Founded in 1970 by Walt Disney, CalArts was envisioned as a place where students could exchange ideas and learn multiple means of self-expression along the lines of the Bauhaus School and Black Mountain College. Disney’s original impetus was to revive the moribund field of animation; he likely never dreamed that the school would become a trailblazing educational model. This multi- faceted exhibition catalog focuses on the school’s early years as it brings together for the first time the parallel development of the Conceptual Art, feminism, and Fluxus movements. Chronologically arranged, the catalog traces how CalArts created fertile ground for situations in which, as founding teacher John Baldessari put it, “art can happen.” It follows the institutional establishment of Baldessari’s “Post-Studio” course and Miriam Schapiro and Judy Chicago’s Feminist Art Program. It explores the school’s unique pedagogy, which placed students and teachers on equal footing, and illustrates how the school reflected social issues of the time by challenging authority and patriarchal power structures. Over one hundred works–many never before published–from forty-one artists, along with several enlightening oral history interviews with CalArts protagonists, edited by Verena Kittel, capture a unique and important moment in American arts education.

Art --- art [fine art] --- Shaw, Jim --- Lacy, Suzanne --- Welling, James --- Knowles, Alison --- Beckman, Ericka --- Brauntuch, Troy --- Cypis, Dorit --- Forti, Simone --- Levrant de Bretteville, Sheila --- Martinez, Daniel Joseph --- Mogul, Susan --- Noël, Ann --- Palestine, Charlemagne --- Schapiro, Miriam --- Schor, Mira --- Stoerchle, Wolfgang --- Syrop, Mitchell --- Weems, Carrie Mae --- Wilding, Faith --- Rosenbach, Ulrike --- Chicago, Judy --- Ramos, Anthony --- Stahl, Mark --- Kelley, Mike --- Bleckner, Ross --- Huene, von, Stephan --- Fischl, Eric --- Mullican, Matt --- Askevold, David --- Baldessari, John --- Bloom, Barbara --- Bruch, vom, Klaus --- Huebler, Douglas --- Miller, John --- Oursler, Tony --- Prina, Stephen --- Salle, David --- Williams, Emmett --- Goldstein, Jack --- Kaprow, Allan --- Williams, Christopher --- Asher, Michael --- California Institute of the Arts [Valencia, Calif.] --- Conceptual art --- Feminism and art --- Art. --- Conceptual art. --- Feminism and art. --- Study and teaching --- Study and teaching. --- Baldessari, John, --- Chicago, Judy, --- Disney, Walt, --- California Institute of the Arts --- California Institute of the Arts. --- History. --- California. --- Chicago, Judy °1939 (°Chicago, Illinois) --- Fischl, Eric °1948 (°New York, Verenigde Staten) --- Mullican, Matt °1951 (°Santa Monica, Californië, Verenigde Staten) --- Baldessari, John 1931-2020 (°National City, California, Verenigde Staten) --- Kaprow, Allan 1927-2006 (°Atlantic City, Verenigde Staten) --- Disney, Walt --- Kunstonderwijs ; 20ste eeuw ; CalArts --- Experimenteel kunstonderwijs --- California Institute of the Arts ; CalArts --- 373.67.03(73) --- Onderwijs ; kunst- architectuuronderwijs ; geschiedenis ; jaarboeken ; Verenigde Staten --- Fluxus (Group of artists) --- art [discipline]