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Cavell, Stanley, --- Cavell, Stanley, - 1926 --- -Cavell, Stanley, --- -Cavell, Stanley, - 1926-

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Dans la suite de ses travaux, Stanley Cavell livre ici son éloge le plus personnel de l'inaperçu, du contingent, de l'accidentel. Cette autobiographie intellectuelle, peu habituelle, traite de l'esthétique, du langage, de la morale parallèlement à l'enfance et à la paternité, aux joies et aux malheurs du quotidien, aux problèmes de la vie domestique. Journal philosophique - daté du moment de l'écriture - et récit des événements - rapportés en décalé - alternent dans un balancement temporel où le recours constant à cette double subjectivité produit un effet inédit de distance et d'intimité. Dans la surprise sans cesse recommencée, l'ordinaire ouvre à des redécouvertes magistrales sur Shakespeare, Thoreau, Emerson, Kierkegaard, Wittgenstein ou Beckett. Jamais sans doute, autant n'avait été montré de la fabrique qui conduit à se découvrir, ou à se redécouvrir, philosophe.

Philosophers --- Philosophy, American --- Philosophes --- Philosophie américaine --- Biography --- Biographie --- Cavell, Stanley, --- Philosophie américaine --- Philosophy, American - 21st century --- Cavell, Stanley, 1926 --- -Philosophers --- -Philosophy, American --- Cavell, Stanley, 1926-

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"Stanley Cavell, just recently deceased, was, by many accounts America's greatest philosophical thinker of film. Like Bazin in France and Perkins in England, Cavell did not just transform the American capacity to take film seriously as a subject for philosophical criticism, he had first to invent that legitimacy. Part of his efforts involved the creation of several key-now canonical-texts in film studies, among them the seminal The World Viewed along with Pursuits of Happiness and Contesting Tears. The present collection offers a concerted group effort to analyze and reflect anew upon Cavell's still-scintillating contributions to the very thought of film-and its philosophical significance. Mounted by some of today's most compelling writers on cinema, these investigations take careful account of Cavell's legacy, once and ongoing. In these pages, seasoned scholars and emerging talent artfully and expertly explore what precisely Cavell bequeathed- what endures, what stands in need of revision or updating, and how his writing remains vital and essential to any contemporary approach to the philosophy of film"--

Cavell, Stanley, --- Criticism and interpretation. --- Performing arts --- Motion pictures --- Aesthetics --- Philosophy --- Criticism and interpretation --- Performing arts - Philosophy --- Motion pictures - Philosophy --- Cavell, Stanley, - 1926-2018 - Criticism and interpretation --- Cavell, Stanley, - 1926-2018

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Psychanalyse et philosophie --- Psychoanalyse en filosofie --- Psychoanalysis and philosophy --- Philosophy, Modern --- Literature --- Psychoanalysis and philosophy. --- Motion pictures --- Philosophy. --- -Literature --- -Psychoanalysis and philosophy --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Philosophy and psychoanalysis --- Philosophy --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Modern philosophy --- History and criticism --- Cavell, Stanley --- -Philosophy --- Philosophy [Modern ] --- 20th century --- Cavell, Stanley, - 1926 --- -Philosophy [Modern ] --- Literature and philosophy --- Philosophy and literature --- Theory --- Cavell, Stanley, --- -Philosophy, Modern - 20th century. --- Literature - Philosophy. --- Motion pictures - Philosophy. --- -Philosophy, Modern