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Thanks to his part in the rediscovery of Lucretius in the Renaissance Poggio Bracciolini has been much in academic news recently. But he was always there as a part of the histories of that moment, in all its twists and turns, as an example of what it was to be a Renaissance humanist in the earlier part of the XVth century. He was born in 1380 and educated first in Arezzo. But he soon moved to Florence to become a notary and from his intellectual contacts there a little after 1403 he became a member of the entourage of Pope Benedict IX to remain all his life a member of the Papal court. But, in true humanist fashion, he was busy always with his writings, taking on a range of general subjects, nobility, the vicissitudes of Fortune and many others. Also, again in true humanist fashion, he was often involved in dispute with other scholars, most notably Lorenzo Valla. Yet, amidst all this activity, he had time to travel throughout Europe, scouring libraries to uncover, as with Lucretius, long neglected texts. But perhaps his most notable achievement was the design of a new script, moving away from the less legible texts of medieval copyists to provide one, far easier to read, that was to become the model in Italy for the first printed books - as it is a model still for publishers. Few scholars of that moment can claim to have had so profound and persistent an influence on the spread of culture in Europe and beyond.
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Thanks to his part in the rediscovery of Lucretius in the Renaissance Poggio Bracciolini has been much in academic news recently. But he was always there as a part of the histories of that moment, in all its twists and turns, as an example of what it was to be a Renaissance humanist in the earlier part of the XVth century. He was born in 1380 and educated first in Arezzo. But he soon moved to Florence to become a notary and from his intellectual contacts there a little after 1403 he became a member of the entourage of Pope Benedict IX to remain all his life a member of the Papal court. But, in true humanist fashion, he was busy always with his writings, taking on a range of general subjects, nobility, the vicissitudes of Fortune and many others. Also, again in true humanist fashion, he was often involved in dispute with other scholars, most notably Lorenzo Valla. Yet, amidst all this activity, he had time to travel throughout Europe, scouring libraries to uncover, as with Lucretius, long neglected texts. But perhaps his most notable achievement was the design of a new script, moving away from the less legible texts of medieval copyists to provide one, far easier to read, that was to become the model in Italy for the first printed books - as it is a model still for publishers. Few scholars of that moment can claim to have had so profound and persistent an influence on the spread of culture in Europe and beyond.
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"This collection draws strength from its cross-disciplinarity, featuring contributions by scholars who investigate Bracciolini's contribution to many fields of knowledge in the Western tradition, spanning across politics and historiography, material and print culture, philology and manuscript studies, calligraphy and paleography. The essays touch upon intertwined aspects of early Renaissance in its recovery of the classical tradition where the concept of humanitas extends to the manuscript itself. 'This distinguished collection of essays adds a wealth of scholarly detail to our understanding of the myriad-minded Renaissance humanist Poggio Bracciolini. And, in doing so, it also manages to capture much of the range and flavor of this extraordinary figure: his learning, his passionate interest in antiquity, his civic pride, and his brilliance in calligraphic design, as well as his ceaseless self-promotion, his enmities, his taste for obscenity, and his penchant for moralizing. Poggio's startling energy and the energy of the whole period course through these pages.' (Stephen Greenblatt)."-- Provided by publisher.
Humanism --- Bracciolini, Poggio, --- Italy --- Intellectual life
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"This collection draws strength from its cross-disciplinarity, featuring contributions by scholars who investigate Bracciolini's contribution to many fields of knowledge in the Western tradition, spanning across politics and historiography, material and print culture, philology and manuscript studies, calligraphy and paleography. The essays touch upon intertwined aspects of early Renaissance in its recovery of the classical tradition where the concept of humanitas extends to the manuscript itself. 'This distinguished collection of essays adds a wealth of scholarly detail to our understanding of the myriad-minded Renaissance humanist Poggio Bracciolini. And, in doing so, it also manages to capture much of the range and flavor of this extraordinary figure: his learning, his passionate interest in antiquity, his civic pride, and his brilliance in calligraphic design, as well as his ceaseless self-promotion, his enmities, his taste for obscenity, and his penchant for moralizing. Poggio's startling energy and the energy of the whole period course through these pages.' (Stephen Greenblatt)."-- Provided by publisher.
Humanism --- Bracciolini, Poggio, --- Italy --- Intellectual life
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