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We bekijken de wereld door beelden en voorstelling die wij zelf van de wereld maken. Deze beelden zijn in hoge mate cultureel bepaald, we interpreteren de wereld doorheen onze eigen voorstelling ervan. Wat gebeurt er nu wanneer door de processen van globalisering de diversiteit van culturen die ons interpretatiekader vormen, verdwijnt? Op deze vraag trachten een aantal kunstenaars, filosofen en kunsthistorici uit verschillende culturele achtergronden een antwoord te geven

Aesthetics --- Art --- Art and society --- Art, East Asian --- 846 Identiteit --- 860 (Vredes)cultuur --- 865 Kunst --- Art, Far Eastern --- East Asian art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects

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Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries explores women’s and men’s contributions to the arts and gendered visual representations in China, Korea, and Japan from the premodern through modern eras. A critical introduction and nine essays consider how threads of continuity and exchanges between the cultures of East Asia, Europe, and the United States helped to shape modernity in this region, in the process revealing East Asia as a vital component of the trans-Pacific world. The essays are organized into three themes: representations of femininity, women as makers, and constructions of gender, and they consider examples of architecture, painting, woodblock prints and illustrated books, photography, and textiles.

Women in art. --- Women artists --- Modernism (Art) --- Art, East Asian --- East and West. --- Art, Far Eastern --- East Asian art --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Artists, Women --- Women as artists --- Artists --- Civilization, Western --- Civilization, Oriental --- Occident and Orient --- Orient and Occident --- West and East --- Eastern question --- Themes, motives. --- Asian influences --- Oriental influences --- Western influences

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This richly illustrated book is a comparative study, which shows how motifs and images travelled throughout Eurasia from Rome to Tokyo. It covers a period from around the early fifth century BC up until today. It is likely that already in the fifth century BC there was some indirect cultural exchange between the Black Sea region and China. From the second to the sixth century AD elements of Greco-Buddhist culture gradually found their way to China and subsequently, from the mid-sixth century AD on, reached Japan. This book is the first comprehensive work to provide a critical and compelling study of the cultural flow across this extensive area. It shows convincingly how Greek images and motifs travelled East, were adopted and preserved in Chinese art and how they spread to Japan.

Art, Greek --- Art --- Art, Japanese --- Civilization --- Civilization, Classical --- Art grec --- Art japonais --- Civilisation --- Civilisation ancienne --- Influence --- Themes, motives --- Japanese influences --- Greek influences --- Thèmes, motifs --- Influence japonaise --- Influence grecque --- Greece --- Japan --- Grèce --- Japon --- Relations --- European influences. --- Art, East Asian --- Japanese art --- Art, Far Eastern --- East Asian art --- Nihon --- Nippon --- Iapōnia --- Zhāpān --- I︠A︡ponii︠a︡ --- Yapan --- Japão --- Japam --- Mư̄ang Yīpun --- Prathēt Yīpun --- Yīpun --- Jih-pen --- Riben --- Government of Japan --- Art, Ancient --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Greek influences. --- East Asia --- 日本 --- 日本国 --- Nipponkoku --- Nippon-koku --- Nihonkoku --- Nihon-koku --- State of Japan --- Япония --- Japani --- اليابان --- al-Yābān --- يابان --- Yābān --- Japonsko --- Giappone --- Japonia --- Japonya --- Asia, East --- Asia, Eastern --- East (Far East) --- Eastern Asia --- Far East --- Orient --- Civilization. --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс

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"Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories."--publisher description.

Art, East Asian --- Art museums --- International travel --- Collectors and collecting --- History --- Social aspects --- Paris (France) --- Europe --- East Asia --- Asia, East --- Asia, Eastern --- East (Far East) --- Eastern Asia --- Far East --- Orient --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Parijs (France) --- Pařiž (France) --- Parizh (France) --- Париж (France) --- Parigi (France) --- Bārīs (France) --- باريس (France) --- Lutetia (France) --- Paryż (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Παρίσι (France) --- Parys (France) --- Parij (France) --- Parĩ (France) --- Bali (France) --- Pa-lí (France) --- 巴黎 (France) --- Horad Paryz︠h︡ (France) --- Горад Парыж (France) --- Paryz︠h︡ (France) --- Парыж (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- Lutèce (France) --- Paris --- Seine (France) --- Civilization --- Relations --- Travel --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Art, Far Eastern --- East Asian art --- Galleries and museums --- City of Paris