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The buildings erected in his native city by the Roman emperor Septimius Severus are amongst the most impressive and best-preserved in the Roman world. Because of their unique state of preservation, they give an unparalleled insight into what an architect with an imperial commission could do, when he had the building-materials and technical expertise of the entire empire at his disposal. The buildings excavated by Italian teams between the two World Wars were examined in detail by Ward-Perkins between 1948 and 1953. The study was never completed in his lifetime, though the drawings and much of the text existed at least in draft form. The present publication puts these in the public domain, together with Ward-Perkins' authoritative insights into the process by which such a grand project was executed.
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Roman amphitheatres are an interesting field of investigation and allow to analyze and classify structural instability, recurrent forms of degradation and anomalies related to their accessibility. These critical issues emerge, in particular, from the study of two interesting case studies, the Roman Amphitheatre in Tarragona, Spain, and the Roman Amphitheatre of Santa Maria Capua Vetere, Italy. Through a contextual interpretation of literary, historiographic and iconographic testimonies, in the light of the expertise of architectural restoration and an in situ cognitive campaign supported by surveys, the main theoretical and design nodes connected to the restoration and enhancement of these monumental complexes are identified: knowledge, conservation, use and management, understood as scheduled maintenance and constant monitoring.
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