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Television plays, American --- Dramatiques américaines --- History and criticism. --- Histoire et critique --- Television authorship --- -Television plays, American --- -American television plays --- American drama --- Television programs --- Television scripts --- Television writing --- Authorship --- History --- History and criticism --- -History --- Dramatiques américaines --- American television plays
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This book examines how television has been transformed over the past twenty years by the introduction of new viewing technologies including DVDs, DVRs and streaming services such as Netflix, Hulu and Amazon Prime. It shows that these platforms have profoundly altered the ways we access and watch television, enabling viewers to pause, rewind, record and archive the once irreversible flow of broadcast TV. JP Kelly argues that changes in the technological landscape of television has encouraged the production of narrative forms that both explore and embody new industrial temporalities. Focusing on US television but also considering the role of TV within a global marketplace, the author identifies three distinct narrative temporalities: “acceleration” (24; Prison Break), “complexity” (Lost; FlashForward), and “retrospection” (Mad Men). Through industrial-textual analysis of television shows, this cross-disciplinary study locates these na rrative temporalities in their socio-cultural contexts and examines connections between production, distribution, and narrative form in the contemporary television industry.
Television plays, American. --- American television plays --- American drama --- Motion pictures. --- Culture. --- Technology. --- United States-Study and teaching. --- Digital media. --- Film/TV Technology. --- Culture and Technology. --- American Culture. --- Digital/New Media. --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Performing arts --- Social aspects --- History and criticism --- United States—Study and teaching.
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'Beyond Representation' poses the question as to whether over the last 30 years there have been signs of progress in the representation of 'marginalised' or subaltern identity categories, within television drama in Britain and the US.
Television. --- Politics. --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Optical communication systems --- Multiculturalism --- Television plays, American --- Television plays, English --- Television plays, English. --- Television plays, American. --- English television plays --- English drama --- American television plays --- American drama --- Cultural diversity policy --- Cultural pluralism --- Cultural pluralism policy --- Ethnic diversity policy --- Social policy --- Anti-racism --- Ethnicity --- Cultural fusion --- Political aspects. --- History and criticism. --- Government policy --- Pluralism (Social sciences) --- Marxist-socialism. --- aesthetics. --- anti-racism. --- feminism. --- politics of identity. --- postmodernism. --- progress. --- progressiveness. --- subaltern identity categories. --- television drama.
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