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Horror tales, American --- American horror tales --- American fiction
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Features a collection of writings across different genres by the mid-twentieth-century author. "The world of Shirley Jackson is eerie and unforgettable," writes A. M. Homes. "It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse." Jackson's characters-mostly unloved daughters in search of a home, a career, a family of their own-chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters' dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson's suggestion that there are unseen powers-"demons" both subconscious and supernatural-malevolently conspiring against human happiness. In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid 1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson's only collection of short fiction, whose disquieting title story-one of the most widely anthologized tales of the 20th century-has entered American folklore. Also among these early works are "The Daemon Lover," a story Oates praises as "deeper, more mysterious, and more disturbing than 'The Lottery,' " and "Charles," the hilarious sketch that launched Jackson's secondary career as a domestic humorist. Here too are Jackson's masterly short novels: The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson ^in all her many modes, and the essay "Biography of a Story," Jackson's acidly funny account of the public reception of "The Lottery," which provoked more mail from readers of The New Yorker than any contribution before or since. -- Publisher description
Horror tales, American --- American horror tales --- American fiction
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"Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction. Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favour of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question the integrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem `mysterious' in the first place. Attentiveto the historical and political dimensions of these very American tales, this new critical edition selects twenty-four tales and places the most popular - `The Fall of the House of Usher', `The Masque of the Red Death', `The Murders in the Rue Morgue; and `The Purloined Letter' - alongside lesswell-known travel narratives, metaphysical essays and political satires. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more."-- This critical edition selects 24 of Poe's tales and places the most popular ones alongside less well-known travel narratives, metaphysical essays and political satires.
Horror tales, American --- English --- Languages & Literatures --- American Literature --- American horror tales --- American fiction --- Horror tales, American. --- Short stories, American --- American short stories --- Short stories.
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As both an introductory guide for librarians just dipping their toes into the brackish water of scary fiction, as well as a fount of new ideas for horror-aware reference staff, Spratford's book is infernally appropriate.
Fiction in libraries --- Libraries --- Readers' advisory services --- Horror tales, American --- Horror tales, English --- Documentation --- Public institutions --- Librarians --- American horror tales --- American fiction --- Special collections --- Horror tales.
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820 <73>-3 --- Gothic revival (Literature) --- -Horror tales, American --- -American horror tales --- American fiction --- Amerikaanse literatuur: proza --- History and criticism --- -Amerikaanse literatuur: proza --- 820 <73>-3 Amerikaanse literatuur: proza --- Horror tales, American --- Horror tales [American ] --- United States
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Gothic revival (Literature) --- Horror tales, American --- Horror tales, English --- Study and teaching --- Study and teaching. --- English horror tales --- English fiction --- American horror tales --- American fiction --- Literary movements --- Revival movements (Art) --- Romanticism
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Richard Matheson (1926-2013) was a prolific author and screenwriter whose career of more than 60 years has shaped the horror and fantasy genres in literature, film, and television. This volume examines seven of Matheson's full-length novels, a sampling of short stories, and several film adaptations. The chapters, which are arranged in three thematic sections, emphasize Matheson's historical prominence, consider his precursors and successors, and situate him within narrative traditions of mythology, cinema, genre, and memory studies.
Science fiction, American --- Horror tales, American --- Gothic revival (Literature) --- American horror tales --- American fiction --- History and criticism. --- Matheson, Richard, --- Матесон, Ричард, --- Swanson, Logan, --- Criticism and interpretation. --- Mėtson, Richard, --- Мэтсон, Ричард, --- Mėtson, R. --- Мэтсон, Р.
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Horror tales, American --- American fiction --- Récits d'horreur américains --- Roman américain --- History and criticism --- Histoire et critique --- King, Stephen, --- Criticism and interpretation --- Critique et interprétation --- 82-312.9 --- -American horror tales --- Fantastische literatuur --- King, Stephen --- -קינג, סטיבן --- -Fantastische literatuur --- -Criticism and interpretation --- 82-312.9 Fantastische literatuur --- -82-312.9 Fantastische literatuur --- American horror tales --- Récits d'horreur américains --- Roman américain --- Critique et interprétation --- Criticism and interpretation.
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H. P. Lovecraft has come to be recognised as the leading author of supernatural fiction in the twentieth century. But how did a man who died in poverty, with no book of his stories published in his lifetime, become such an icon in horror literature? S. T. Joshi, the leading authority on Lovecraft, traces in detail the course of Lovecraft's life and shows how Lovecraft was engaged in the political, economic, social and intellectual currents of his time.
Horror tales, American. --- Authors, American --- American horror tales --- American fiction --- Lovecraft, H. P. --- Lovecraft, Howard Phillips, --- Lavkraft, Govard Pillips, --- Jones, David J., --- Appleton, Lawrence, --- Littlewit, Humphrey, --- Paget-Lowe, Henry, --- Phillips, Ward, --- Raleigh, Richard, --- Rowley, Ames Dorrance, --- Softly, Edgar, --- Softly, Edward, --- Swift, Augustus, --- Theobald, Lewis, --- Willia, Frederick, --- Houdini, --- Jones, John J., --- Zoilus, --- Лавкрафт, Говард Филлипс,
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Philosophy and psychology of culture --- Sociology of culture --- General ecology and biosociology --- Film --- Literature --- TV (televisie) --- Gothic --- cultuur --- literatuur --- ecologie --- Horror tales, American --- Gothic fiction (Literary genre), American. --- Horror tales, American. --- American horror tales --- American fiction --- American gothic fiction (Literary genre) --- History and criticism.
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