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American literature --- Afro-American men --- Fiction. --- Afro-American men - Fiction.
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African American men --- African American men. --- Afro-American men --- Men, African American --- Men --- Afroamerykanie
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Spectrum: A Journal on Black Men is a multidisciplinary research journal whose articles focus on issues related to aspects of Black men’s experiences, including such topics as gender, masculinities, and race/ethnicity. Spectrum examines the social, political, economic, and historical factors that influence the life chances and experiences of African-descended males using disciplinary and interdisciplinary theoretical perspectives, empirical methods, theoretical analysis, and literary criticism.
African American men --- African American men. --- Afro-American men --- Men, African American --- Men
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African American men --- Afro-American men --- Men, African American --- Men --- Education (Higher)
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Presenting new interview and auto-ethnographic data, and drawing on an array of theoretical approaches methodologies, Hyper Sexual, Hyper Masculine? explores the formation of gendered and sexual identity in the lives of black men, shedding light on the manner in which these are affected by class and social structure. It examines the intersecting oppressions of race, gender and class, while acknowledging and discussing the extent to which black men's social lives differ as a result of their varying degrees of cumulative disadvantage.
African American men --- Masculinity --- Afro-American men --- Men, African American --- Men --- Sexual behavior. --- Attitudes.
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"i used to love to dream" is a mixtap/e/ssay that performs hip-hop scholarship, using sampled and live instrumentation; repurposed music, film, and news clips; and original rap lyrics. As a genre, the mixtap/e/ssay brings together the mixtape--a self-produced or independently released album issued free of charge to gain publicity--and the personal and scholarly essays. "i used to love to dream" names Decatur, Illinois--the author's hometown--as a reference point for place- and time-specific rapped ruminations about the ideas of growing up, moving away, and pondering one's life choices. At the same time, the tracks attempt to account for moral, philosophical, and ethical dimensions undergirding unease about authenticity, or staying true to oneself and to one's city or neighborhood, as well as the external factors that contribute to such feelings. Using the local to ask questions about the global, "i used to love to dream" highlights outlooks on Black life generally, and Black manhood in particular, in the United States. The tracks are presented along with liner notes and a short documentary about the making of the mixtap/e/ssay, and accompanying articles to provide context for the tracks for listeners both in classrooms and outside of them.
African American men. --- African Americans --- Social conditions. --- Afro-American men --- Men, African American --- Men
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Who are the "race men" standing for black America? It is a question Hazel Carby rejects, along with its long-standing assumption: that a particular type of black male can represent the race. A searing critique of definitions of black masculinity at work in American culture, Race Men shows how these defining images play out socially, culturally, and politically for black and white society--and how they exclude women altogether. Carby begins by looking at images of black masculinity in the work of W. E. B. Du Bois. Her analysis of The Souls of Black Folk reveals the narrow and rigid code of masculinity that Du Bois applied to racial achievement and advancement--a code that remains implicitly but firmly in place today in the work of celebrated African American male intellectuals. The career of Paul Robeson, the music of Huddie Ledbetter, and the writings of C. L. R. James on cricket and on the Haitian revolutionary, Toussaint L'Ouverture, offer further evidence of the social and political uses of representations of black masculinity. In the music of Miles Davis and the novels of Samuel R. Delany, Carby finds two separate but related challenges to conventions of black masculinity. Examining Hollywood films, she traces through the career of Danny Glover the development of a cultural narrative that promises to resolve racial contradictions by pairing black and white men--still leaving women out of the picture. A powerful statement by a major voice among black feminists, Race Men holds out the hope that by understanding how society has relied upon affirmations of masculinity to resolve social and political crises, we can learn to transcend them.
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African American boys --- African American men --- Services for --- Social conditions --- Afro-American boys --- Boys --- Afro-American men --- Men, African American --- Men
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Offering students and scholars a variety of interpretations from which to fashion their own views of the novel and the man who created it, this text takes the position that there can be no last word on "Invisible Man". The essays share a respect for the novel's fluidity and for every reader's encounter with its narrator, story, and meanings.
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