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Wright, Frank Lloyd --- Architecture, Modern --- -72.036 <73> --- Modern architecture --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72.036 <73> --- Wright, Frank Lloyd, --- Criticism and interpretation.
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Buckminster Fuller's fame reached its peak in the 1960s and 1970s, when his visionary experiments struck a chord with the counterculture and his charismatic personality provided the media with a good story—that of a genius who could play the role of artist, scientist, and entrepreneur all at once. In Becoming Bucky Fuller, Loretta Lorance shows that Fuller's career did not begin with the lofty goals hailed by his admirers, and that, in fact, Fuller's image as guru and prophet was as carefully constructed as a geodesic dome. Fuller (1895-1983) determined early on how the story of his life in the 1920s and 1930s should be portrayed. But, drawing on a close reading of Fuller's personal papers (in particular, the multivolume scrapbook, Chronofile), Lorance looks at Fuller's first independent project, the Dymaxion House, and finds that what really happened differs from the authorized version. According to Fuller himself and most secondary sources, after a series of personal crises in the 1920s—including the death of his young daughter, thoughts of suicide, and a "year of silence" during which he pondered his purpose in life—Fuller resolved to devote himself to the betterment of society by offering the public economical, efficient, modern manufactured housing. But the private papers tell a different story; one of his initial motivations for designing the Dymaxion House was simply to make money from its manufacture. When that didn't work, Fuller began to emphasize its possibilities rather than its practicalities. By the mid-1930s, Lorance shows, Fuller the public figure had gone from being an entrepreneur with a product to being a visionary with an idea. He had become Bucky Fuller.
Fuller, R. Buckminster --- Psychology. --- -72.036 <73> --- Criticism and interpretation --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Criticism and interpretation. --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Fuller, R. Buckminster, --- 72.036 <73> --- Fuller, Buckminster, --- Fuller, Bucky, --- Fuller, Richard Buckminster, --- 72.07 --- Fuller, R. Buckminster 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Architectuur ; 20ste eeuw ; R. Buckminster Fuller --- Architecten. Stedenbouwkundigen A - Z --- Fuller, Richard Buckminster --- Fuller, Buckminster --- Fuller, Bucky
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By 1920, there were over two hundred women practicing architecture in the United States, actively working on major design and building projects before they were even given the right to vote. These women designed thousands of buildings nationwide: apartments in Kansas City, hotels in the nation's national parks, churches in Michigan, and mansions on the coast of California, to name a few. In The First American Women Architects, Sarah Allaback chronicles the lives and careers of more than seventy pioneering female architects practicing in the United States in the late nineteenth and early twentieth centuries, nearly all of whom have been forgotten--until now.Organized alphabetically as a reference guide, this volume provides a biographical sketch of each architect's life, education, and professional career, and a list of known works and sources for further research. Many of these remarkable women have never before appeared in any other history, making The First American Women Architects a unique and invaluable reference for students and scholars interested in women's history and architecture. As an instructive record of the legacy of women in architectural history, this book will also serve as a stimulating indicator of the broadening potential for women and other minorities within the field of architecture.
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Banham, Reyner --- 72.036 <73> --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Banham, Peter Reyner --- Banham, P. Reyner --- Criticism and interpretation. --- Architecture --- toekomst (kunst)
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Modern [styles and periods] --- Architecture --- architecture [discipline] --- Johnson, Philip --- anno 1900-1999 --- anno 2000-2099 --- United States --- Johnson, Philip, --- 72.036 <73> --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Modern [style or period] --- History --- Johnson, Philip Cortelyou, --- United States of America
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The Museum of Fine Arts, Houston, is a unique collection of architectural works -- the Caroline Wiess Law Building, comprising the original William Ward Watkin Building of 1924 and the 1958 and 1974 additions designed by Ludwig Mies van der Rohe; the Lillie and Hugh Roy Culien Sculpture Garden created by Isamu Noguchi in 1986; the Central Administration and Glassell Junior School Building designed by Carlos Jimenez in 1994; and now the Audrey Jones Beck Building by Rafael Moneo. Moneo, winner of the 1996 Pritzker Architecture Prize, has proposed a four-storey facility directly facing the Law Building and connected to it via an underground walkway. The limestone building occupies the whole site, thereby reinforcing its urban character. On the inside, visitors can assemble in the dramatic atrium before proceeding to the upper level galleries to begin their itinerary. The Beck Building is a natural progression of some of the ideas put forth by the architect in previous museum projects, especially the Museo Thyssen-Bornemisza in Madrid and the complex of the Moderna Museet and the Arkitekturmuseet in Stockholm. A collection of rooms is the underlying concept for the gallery spaces. The galleries may seem conventional, but their organisation within the building is guided by the desire for freedom. The exhaustive studies undertaken to help design the skylights allow for optimum lighting conditions combining natural and artificial light. Climate, light, circulation through the space, dialogue between building and art, and simplicity and elegance of materials are once again concerns that Moneo has addressed thoughtfully and successfully in the new Beck Building.
Architecture --- Moneo, Rafael --- Museum architecture --- Moneo, José Rafael, --- 72 MONEO, RAFAEL --- 72.036 <73> --- 727.7 --- Architectuur. Bouwkunst--MONEO, RAFAEL --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Museumarchitectuur. Kunstmusea --- Museum architecture. --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72 MONEO, RAFAEL Architectuur. Bouwkunst--MONEO, RAFAEL
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Kahn, Louis I. --- 72.036 <73> --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Architecture --- architecture [discipline] --- architects --- United States of America
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