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ISBN: 0335152678 0335152686 9780335152681 Year: 1987 Publisher: Milton Keynes, Pa
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ISBN: 0333417186 0333417178 Year: 1989 Publisher: Basingstoke Macmillan
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ISBN: 0710811578 0710811438 9780710811431 9780710811578 Year: 1988 Publisher: New York Harvester
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ISBN: 0838715737 Year: 1975 Publisher: Lewisburg
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ISBN: 9780415732840 9781315817682 9781317814412 9781317814429 9781138975651 Year: 2014 Volume: 2 Publisher: New York London : Routledge,
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ISBN: 2700703081 9782700703085 Year: 1983 Publisher: Paris : Aubier,
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ISBN: 9782749812731 2749812739 Year: 2014 Volume: 1356 Publisher: Paris : Avant-Scène,
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À Vérone, deux illustres familles qu’opposent de vieilles rancunes ne cessent de se provoquer et de se battre à la moindre occasion, malgré les injonctions à la paix du prince de la ville. Or le jeune Roméo, de la famille des Montaigus, et la belle Juliette, de celle des Capulets, tombent amoureux lors d’une fête au palais de cette dernière, et se jurent un amour éternel. Mariés en secret, leur tragique histoire n’a d’autre issue que la mort dès lors que les parents de Juliette lui imposent un autre époux.
Book
ISBN: 0713150777 9780713150773 Year: 1975 Volume: 13 Publisher: London Arnold
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ISBN: 9780812253740 Year: 2022 Publisher: Philadelphia, Pa University of Pennsylvania Press
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In his own time, Shakespeare was not a monument, but a man of the theater whose plays were less finished artifacts than works in process. In contrast to a book, a thing we have come to think of as final and achieved, a play is a work for performance, with each performance based only in part on a text we call a script. That script may well have had imperfections that the actors may or may not have noticed as they turned it into a performance. There were multiple versions of the scripts and never a "final" one. Every revival of a play—indeed, every subsequent performance—was and always will be different. Nevertheless, when we study Shakespeare, we are likely to come to him via printed texts that are scripts masquerading as books, and the impulse is to turn them into finished artifacts worthy of their author's dignity.In The Invention of Shakespeare, and Other Essays Stephen Orgel brings together twelve essays that consider the complex nature of Shakespearean texts, which often include errors or confusions, and the editorial and interpretive strategies for dealing with them in commentary or performance. "There is always some underlying claim that we are getting back to 'what Shakespeare actually wrote,'" Orgel writes, "but obviously that is not true: we clarify, we modernize, we undo muddles, we correct or explain (or explain away) errors, all in the interests of getting a clear, readable, unproblematic text. In short, we produce the text that we want him to, or think he must have written. But one thing we really do know about Shakespeare's original text is that it was hard to read."
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Year: 1950 Publisher: Urbana : University of Illinois Press,
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