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Motion picture music --- Music --- Motion picture music.

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Motion picture music

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Motion picture music

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La musique navigue entre fonctionnalité et indépendance au cinéma comme dans l'opéra. L'idée d'une musique au service de l'image se retrouve tant dans les métaphores visuelles employées par les biographes de Beethoven que dans Alexandre Nevski et Ivan le terrible. Pourtant, élément de mémoire et de mystification émotionnelle du film, au coeur de la problématique du rythme et de la temporalité intrinsèque de l'oeuvre, la musique peut tant se rattacher à la vie intérieure des personnages, à la diégèse et à l'intrigue que s'accorder toute latitude par rapport aux images.

Motion picture music

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"Do you want to pick up a light saber when you hear John Williams' Star wars theme? Get the urge to ride into the desert and face down desperados to the refrain of Emilio Morricone's The good, the bad and the ugly? Does Hans Zimmer's Pirates of the Caribbean score have you talking like Jack Sparrow? From the Westerns of the 1960s to current blockbusters, composers for both film and television have faced new challenges--evermore elaborate sound design, temp tracks, test audiences and working with companies that invest in film score recordings all have led to creative sparks, as well as frustrations. Drawing on interviews with more than 40 notable composers, this book gives an in-depth analysis of the industry and reveals the creative process behind such artists as Klaus Badelt, Mychael Danna, Abel Korzeniowski, Walter Murch, Rachel Portman, Alan Silvestri, Randy Thom and others"--Book cover.

Motion picture music.