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"For generations, Holocaust movies have become an important segment of world cinema and the de-facto holocaust education for many. They are so critically venerated that one-third of all American-produced Holocaust films have been nominated for at least one Oscar. Nonetheless, most Holocaust films have fallen through the cracks. In fact, few have even been commercially successful. This book explains these trends-and many others-in a complete guide to 300 Holocaust films and made-for-television movies. Here, Holocaust films from Anne Frank to Schindler's List to Jojo Rabbit are put into historical and artistic perspective and are discussed through many lenses: historically, chronologically, thematically, sociologically, geographically and individually. The filmmakers behind these films are also contextualized, including Charlie Chaplin, Sidney Lumet, Woody Allen, Steven Spielberg and Roman Polanski. This book also includes recommendations and reviews of the 50 best Holocaust films, an educational guide, and a detailed listing of each Holocaust film"-- Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends—and many others—with a comprehensive guide to hundreds of films and made-for-television movies.From Anne Frank to Schindler’s List to Jojo Rabbit, more than 400 films are examined from a range of perspectives—historical, chronological, thematic, sociological, geographical and individual. The filmmakers are contextualized, including Charlie Chaplin, Sidney Lumet, Steven Spielberg, Quentin Tarantino and Roman Polanski. Recommendations and reviews of the 50 best Holocaust films are included, along with an educational guide, a detailed listing of all films covered and a four-part index-glossary.--
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When representing the Holocaust, the slightest hint of narrative embellishment strikes contemporary audiences as somehow a violation against those who suffered under the Nazis. This anxiety is, at least in part, rooted in Theodor Adorno's dictum that "To write poetry after Auschwitz is barbaric." And despite the fact that he later reversed his position, the conservative opposition to all "artistic" representations of the Holocaust remains powerful, leading to the insistent demand that it be represented, as it really was . And yet, whether it's the girl in the red dress or a German soldier belt
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When representing the Holocaust, the slightest hint of narrative embellishment strikes contemporary audiences as somehow a violation against those who suffered under the Nazis. This anxiety is, at least in part, rooted in Theodor Adorno's dictum that "To write poetry after Auschwitz is barbaric." And despite the fact that he later reversed his position, the conservative opposition to all "artistic" representations of the Holocaust remains powerful, leading to the insistent demand that it be represented, as it really was . And yet, whether it's the girl in the red dress or a German soldier belt
Film --- World history --- Holocaust, Jewish (1939-1945), in motion pictures.
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This timely new monograph takes as its starting point the provocative contention that Holocaust film scholarship has been marginalized academically despite the crucial role Holocaust film has played in fostering international awareness of the Nazi genocide and scholarly understandings of cinematic power. The book suggests political and economic motivations for this seeming paradox, the ideological parameters of which are evident in debates and controversies over Holocaust films themselves, an...
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Holocaust, Jewish (1939-1945), in motion pictures. --- Motion pictures --- History.
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