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Film. --- Geschichte 1990-2010. --- Deutschland.
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BANDES DESSINEES --- Bandes dessinées --- FRANCE --- France --- Edition --- 1990-2010 --- HISTOIRE ET CRITIQUE --- 1990-....
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Zavŕšenie polstoročia vo vydavani Slovenskeho narodopisu je udalosťou, ktora ponukla možnosť rekapitulovať uplynule desaťročia nielen v živote tohto vedeckeho periodika, ale jeho prostrednictvom aj skupiny disciplin, formujucich sa na Slovensku od narodopisu, zastrešujuceho etnografiu a folkloristiku, k dnešnej etnologii, kulturnej a socialnej antropologii. Tieto prostrednictvom Slovenskeho narodopisu prezentovali svoje poznatky, komunikovali s vedcami z inych krajin, disciplin i s verejnosťou. Možnosť spoznať širku tem, ktore boli v uplynulych paťdesiatich rokoch predmetom zaujmu tohto vedneho odboru (bez ohľadu na jeho aktualny nazov), prehľad osobnosti, ktore vstupovali prostrednictvom časopisu do vedeckej komunikacie, i kvantitativny pohľad na ich vedecku produkciu na jeho strankach prinaša tato Bibliografia. Rovnako doležitympodnetom jej vzniku bola potreba vytvoriť komplexnu pomocku, umožňujucu vyhľadavať podľa viacerych kriterii v časopise publikovane texty ako pramene udajov a poznatkov pre ďalšie badanie. Bibliografia nadvazuje na pracu Milady Kubovej Register časopisu Slovenský národopis. Ročníky I – XXV (1953–1977), ktoru publikovala ako prilohu prveho čisla Slovenskeho narodopisu v roku 1978. Ide o tematicky usporiadanu bibliografiu prvych 25 ročnikov časopisu s autorskym registrom. Podnet na vytvorenie bibliografie 50 ročnikov Slovenskeho narodopisu vyšiel približne v roku 2002 od Hany Hloškovej, vtedajšej vedeckej pracovničky Ustavu etnologie SAV, redaktorky Slovenskeho narodopisu a sučasne externej pedagogičky na Univerzite Konštantina Filozofa v Nitre.
Cultural history --- Customs / Folklore --- Bibliography --- Ethnohistory --- Cultural Anthropology / Ethnology --- Post-War period (1950 - 1989) --- Transformation Period (1990 - 2010) --- Slovakia --- History.
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"This comprehensive mid-career survey features over 70 color photographs and five video installations by the Dutch artist Rineke Dijkstra. Rineke Dijkstra is organized by the Solomon R. Guggenheim Museum and the San Francisco Museum of Modern Art."--Publisher's website
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The presented publication brings knowledge about the cultural-historical development of the festival, dramaturgical concept, choice of artists, the character of concert instruments, etc. The first chapter contains a cross-section of the 40-year history of the festival (Judita Kučerová). The historical study is followed by 3 chapters, first including the personal memories and experiences of the contemporary dramaturg and festival organizer Hana Bartošová. The essay on the organist's mission as a concert artist was contributed by the founder of the organ festival, prof. Alena Veselá, former rector of the Janáček Academy of Performing Arts in Brno and still active concert organist. The chapter on the concert organs, which the individual music evenings are played, was prepared by P. Jan Martin Bejček, OSB. The last part of the collective monograph consists of overviews of concerts held since the first years of the festival (Hana Bartošová), then in the period when the artistic and financial patronage of the Brno Organ Festival was taken over by the Club of Moravian Composers (Marek Sedláček) and an overview of non-Brno concerts (Hana Bartošová). The text has a source nature, the authors draw on preserved written documents and interviews with witnesses and festival organizers.
Keyboard instruments --- organ festival --- musical history --- dramaturgy of programme --- Cultural history --- Music --- Post-War period (1950 - 1989) --- Transformation Period (1990 - 2010) --- Present Times (2010 - today) --- Brněnského varhanního festivalu
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I nakon petnaest godina od višemesečne opsade Dubrovnika, u Srbiji još uvek nema spremnosti da se prihvati istina o učešću srpske strane u napadu na ovaj grad, posebno kada je reč o učešću JNA u njemu. Svako pominjanje razaranja Dubrovnika nailazi na rezervu i nevericu u pogledu razmera razaranja, a često sledi i sumnja da je to ipak bila “hrvatska ujdurma” koja je imala za cilj sticanje nezavisnosti. Zbog toga je ova knjiga namenjena, pre svega, srbijanskoj i crnogorskoj javnosti. Pred čitaocem je kompilacija tekstova koje je priredio Branko Vojčić, novinar iz Podgorice. Namera je izdavača da upozna čitaoca sa hronologijom i pripremama za rat, ne samo na dubrovačkom ratištu, već i u celoj Hrvatskoj. Krajem avgusta 1991. godine, JNA je zauzela Kijevo (hrvatsko selo okruženo teritorijom pod srpskom kontrolom u blizini Knina) i krenula ka Vukovaru. Hrvatska je, potom, blokirala kasarne i druge objekte JNA širom svoje teritorije. Zatim je JNA opkolila Vukovar i bombardovala ga dva meseca, dok nije pao, u novembru 1991. godine. Opsada Vukovara postala je simbol hrvatske borbe za nacionalno oslobođenje i privukla je pažnju međunarodne zajednice. Istovremeno, granatiranje Dubrovnika uzbudilo je celokupnu svetsku javnost. Reagujući na to, Matija Bećković na Drugom kongresu srpskog ujedinjenja u Čikagu kaže: “... iz oplakivanja gradova koji nisu postradali vidi se ravnodušnost prema hiljadama ljudi koji su pobijeni. Ispada da bi Hitler, da se sklonio u Dubrovnik, bio pod zaštitom UNESCO”.
Yugoslav War, 1991-1995 --- Dubrovnik (Croatia) --- History --- Media studies --- Military history --- Political history --- Transformation Period (1990 - 2010) --- Peace and Conflict Studies --- Wars in Jugoslavia
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