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animatie --- film --- Japan --- anime --- Miyazaki Hayao --- Studio Ghibli --- twintigste eeuw --- 791.46 --- 791.471 MIYAZAKI --- Themes, Motives. --- J6848 --- Japan: Media arts and entertainment -- anime --- Animated films --- Miyazaki, Hayao, --- 宮崎駿, --- Themes, motives. --- 宮崎, 駿
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"This work considers the visual conventions of Japanese comic books and animated films, Miyazaki's early foray into comic books and animation, the Studio Ghibli era, and the company's development. It analyzes all of Miyazaki's productions between 1984 and 2004, including such hits as My Neighbor Totoro"--Provided by publisher.
Animation (Cinematography) --- Animators --- Animation (Cinéma) --- Animateurs (Cinéma) --- Miyazaki, Hayao, --- Criticism and interpretation --- animatie --- film --- Japan --- anime --- Miyazaki Hayao --- Studio Ghibli --- twintigste eeuw --- 791.46 --- 791.471 MIYAZAKI --- Animation (Cinéma) --- Animateurs (Cinéma) --- Criticism and interpretation. --- Anime (Cinematography) --- Japanese animation (Cinematography) --- Japanimation (Cinematography) --- 宮崎駿, --- 宮崎, 駿
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From the vaults of Academy Award-winning director, Hayao Miyazaki! Original watercolor illustrations used as concept sketches for both the manga and film versions of Nausica of the Valley of the Wind. Take a peek behind the curtain to see the creative process of the most acclaimed anime director in the world today. This full-color, over-sized, hardcover book also includes Miyazaki's earliest sketches that eventually became the basis for some of the most beloved anime movies of the past 20 years.
Comic books, strips, etc --- 799.92 --- studio Ghibli --- Japan --- aquarellen --- Manga --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- animatiefilm, productie (op naam) --- Miyazaki, Hayao, --- 宮崎駿, --- 宮崎, 駿 --- Manhua (Comic books) --- Manhwa (Comic books) --- Philosophy and psychology of culture --- Drawing --- Literature --- beeldverhalen
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The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.
Creation (Literary, artistic, etc.) --- Imitation in art. --- Art --- Pictures --- Appropriation (Art) --- Mimesis in art --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Reproduction --- Copying --- Kishida, Ryūsei, --- Kurosawa, Akira, --- Araki, Nobuyoshi, --- Miyazaki, Hayao, --- 宮崎駿, --- 荒木経惟, --- 荒木經惟, --- 荒木経帷, --- Heize, Ming, --- Kurosava, Akira, --- Kurōcāvā, Akirā, --- Kūrūsāvā, Ākīrā, --- کوروساوا، آکيرا, --- 黑沢明 --- 黑澤明, --- 黒沢明, --- 黒澤明, --- Ryūsei, Kishida, --- 岸田劉生, --- Criticism and interpretation. --- 宮崎, 駿 --- Akira, Kurosawa --- Heize, Ming --- Kurosava, Akira --- Kurōcāvā, Akirā --- Kūrūsāvā, Ākīrā
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"Hayao Miyazaki's career in animation has made him famous as not only the greatest director of animated features in Japan, the man behind classics as My Neighbour Totoro (1988) and Spirited Away (2001), but also as one of the most influential animators in the world, providing inspiration for animators in Disney, Pixar, Aardman, and many other leading studios. However, the animated features directed by Miyazaki represent only a portion of his 50-year career. Hayao Miyazaki examines his earliest projects in detail, alongside the works of both Japanese and non-Japanese animators and comics artists that Miyazaki encountered throughout his early career, demonstrating how they all contributed to the familiar elements that made Miyazaki's own films respected and admired among both the Japanese and the global audience."--Bloomsbury Publishing.
Animators --- Miyazaki, Hayao, --- Criticism and interpretation. --- Cartoon makers --- Animation (Cinematography) --- 宮崎駿, --- Animated films --- History and criticism. --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Anime (Cinematography) --- Japanese animation (Cinematography) --- Japanimation (Cinematography) --- History and criticism --- 宮崎, 駿 --- Film production: technical and background skills --- Film history, theory and criticism --- Japan. --- Empire du Japon --- Nihon-koku --- Zen-Nihon --- Zenkoku --- Nippon --- Japon --- Dainihon --- Dainippon --- Nihon --- Yapan --- Japão --- Japaner --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I͡Aponii͡ --- Japam --- Japani --- Japão --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihonkoku --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yīpun --- Zhāpān
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