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What if Demeter, the timeless fertility goddess of ancient Greek myth, slipped through a crack into the twenty-first century, shook off her ankle bracelets, corn tassels, and garlands, and began a tour of our improbable culture? Award-winning poet Susan McCaslin exercises the profound mother-daughter trauma forged in the Demeter-Persephone myth with unapologetic modernity. This sequence takes on a novel life all its own: Hades steals away the maiden into a cult/culture of distorted body image, addiction, high anxiety, and rampant consumerism. Mother Demeter must negotiate this alien world of health clubs, paparazzi, and so-called reality shows locked in spiritual winter. McCaslin's lyrics are by turns profound, hilarious, and devastating as she journeys to the heart of a mother's love for her daughter. Here is poetry that seeks ties to the past inside the present, poetry that speaks to us all.
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The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter’s loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts’s case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades, The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.
Literature. --- Persephone (Greek deity) in literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Persephone --- Demeter --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- In literature. --- Demeter (Greek deity) in literature.
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Demeter (Greek deity) --- Persephone (Greek deity) --- Déméter (Divinité grecque) --- Perséphone (Divinité grecque) --- Cult --- Culte --- Turkey --- Turquie --- Shrines --- Demeter --- Persephone --- İzmir (Turkey) --- Religion --- Antiquities --- Déméter (Divinité grecque) --- Perséphone (Divinité grecque) --- Demeter, --- Perséphone --- Sacred space --- Pilgrims and pilgrimages --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- Ionia (Turkey and Greece) --- Religion. --- Antiquities. --- Ceres --- Turkey.
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For more than one thousand years, people from every corner of the Greco-Roman world sought the hope for a blessed afterlife through initiation into the Mysteries of Demeter and Kore at Eleusis. In antiquity itself and in our memory of antiquity, the Eleusinian Mysteries stand out as the oldest and most venerable mystery cult. Despite the tremendous popularity of the Eleusinian Mysteries, their origins are unknown. Because they are lost in an era without written records, they can only be reconstructed with the help of archaeology. This book provides a much needed synthesis of the archaeology of Eleusis during the Bronze Age and reconstructs the formation and early development of the Eleusinian Mysteries. The discussion of the origins of the Eleusinian Mysteries is complemented with discussions of the theology of Demeter and an update on the state of research in the archaeology of Eleusis from the Bronze Age to the end of antiquity.
Bronze age --- Eleusinian mysteries. --- Sacred space --- Age du bronze --- Eleusis, Mystères d' --- Lieux sacrés --- Demeter (Greek deity) --- Eleusis (Greece) --- Eleusis (Grèce) --- Antiquities. --- Religion. --- Antiquités --- Religion --- Eleusinian mysteries --- Antiquities --- Cults --- Mysteries, Religious --- Demeter --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- Ceres --- Elevsís (Greece) --- Eleusina (Greece) --- Eleusi (Greece) --- Ελευσίνα (Greece) --- Elefsina (Greece) --- Elevsina (Greece) --- Holy places --- Places, Sacred --- Sacred places --- Sacred sites --- Sacred spaces --- Sites, Sacred --- Space, Sacred --- Holy, The --- Religion and geography --- Civilization
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The Homeric Hymn to Demeter, composed in the late seventh or early sixth century B.C.E., is a key to understanding the psychological and religious world of ancient Greek women. The poem tells how Hades, lord of the underworld, abducted the goddess Persephone and how her grieving mother, Demeter, the goddess of grain, forced the gods to allow Persephone to return to her for part of each year. Helene Foley presents the Greek text and an annotated translation of this poem, together with selected essays that give the reader a rich understanding of the Hymn's structure and artistry, its role in the religious life of the ancient world, and its meaning for the modern world.
Hymns, Greek (Classical) --- Demeter (Greek deity) in literature. --- Eleusinian mysteries in literature. --- Demeter (Greek deity) --- Translations into English. --- History and criticism. --- Poetry. --- Demeter (Greek deity) in literature --- Eleusinian mysteries --- Hymnes grecs anciens --- Eleusis, Mystères d' --- Hymn to Demeter. --- Eleusis, Mystères d' --- Eleusinian mysteries in literature --- Poetry --- History and criticism --- Translations into English --- Homeric hymns --- Homeric hymn to Demeter --- Homeric hymns. --- Hymnos eis Dēmētra --- Inni omerici --- Homērikoi hymnoi --- Hymni Homerici --- Traductions anglaises --- Histoire et critique --- Demeter --- In literature. --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- Ceres --- Hymns, Greek (Classical) - Translations into English --- Hymns, Greek (Classical) - History and criticism. --- Demeter (Greek deity) - Poetry.
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"Early-20th-century explorations of the Roman Forum at Ancient Corinth revealed a massive early imperial building now known as the Julian Basilica. The structure stood on a podium over four meters high, and it dominated the east end of the forum in size, aspect, and function until its destruction in the 4th century A.D. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia. The basilica housed 11 or more large-scale statues most likely to members of the Julio-Claudian family (including Augustus, Augustus's heirs Gaius and Lucius, and arguably Divus Iulius, Germanicus, Nero Caesar, and Claudius), as well as an altar to Divus Augustus and dedications to the numen and genius of Augustus, the Gens Augusta, and other family members. This richly illustrated volume provides a thorough, contextual study of this important building, the remains of which were first published by Saul Weinberg in 1960 (Corinth I.5). Scotton treats the architectural remains, Vanderpool the sculptural remains, and Roncaglia the epigraphical material, each providing extensive catalogues with new photos, in addition to color reconstructions of the basilica and its grand interior"--
Excavations (Archaeology) --- Pottery, Hellenistic --- Corinth (Greece) --- Antiquities. --- Pottery, Greek --- Fouilles (Archéologie) --- Céramique grecque --- Corinthe (Grèce) --- Antiquités --- Terra-cotta --- Material culture --- Culture --- Folklore --- Technology --- Terracotta --- Building materials --- Decoration and ornament --- Pottery --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Archaeology --- Demeter --- Persephone --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- Ceres --- Cult. --- Sanctuary of Demeter and Persephone (Corinth, Greece) --- Corinth, Greece --- Kórinthos (Greece) --- Corinto (Greece) --- Corinthe (Greece) --- Sculpture, Roman --- Inscriptions, Latin --- Latin inscriptions --- Latin language --- Latin philology --- Roman sculpture --- Julian Basilica (Corinth, Greece) --- Basilica Giulia (Corinth, Greece) --- Antiquities, Roman.
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A continuation of Josephine Donovan's exploration of American women's literary traditions, begun with New England Local Color Literature: A Women's Tradition, which treats the nineteenth-century realists, this work analyzes the writing of major women writers of the early twentieth century—Edith Wharton, Willa Cather, and Ellen Glasgow.The author sees the Demeter-Persephone myth as central to these writers' thematics, but interprets the myth in terms of the historical transitions taking place in turn-of-the-century America. Donovan focuses on the changing relationship between mothers and daughters—in particular upon the ";new women's"; rebellion against the traditional women's culture of their nineteenth-century mothers (both literary and literal). An introductory chapter traces the male-supremacist ideologies that formed the intellectual climate in which these women wrote.Reorienting Wharton, Cather, and Glasgow within women's literary traditions produces major reinterpretations of their works, including such masterpieces as Ethan Frome, Summer, My Antonia, Barren Ground, and others.
American fiction --- Mothers and daughters in literature. --- Myth in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism. --- Demeter --- Persephone --- Wharton, Edith, --- Cather, Willa, --- Glasgow, Ellen, --- Glasgow, Ellen Anderson Gholson, --- Glazgou, Ėllen, --- Glāzgova, E. --- Glāzgova, Elena, --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- In literature. --- Characters. --- Ceres
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