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Ladino literature --- Ladino philology --- Sephardim --- ספרדים (יהודים יוצאי ספרד) --- السفاراديم --- פילולוגיה לדינו --- ספרות לדינו
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Cabala --- Judaism --- Rabbinical literature --- ספרות רבנית --- أدب الحاخامات --- כתבי עת רבניים --- יהדות --- اليهوديّة --- קבלה --- القبلاة --- اليهودية
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The Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then, however, they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Shklovsky's pioneering "Art as Technique" (1917) defines the literary as a way to make us see familiar things as if for the first time. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Boris Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927), Boris Eichenbaum defends Russian Formalism against various attacks. An able champion, he describes Formalism's evolution, notes its major figures and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
Formalism (Literary analysis) --- Literature, Modern. --- ספרות מודרנית --- الأدب، الحديث --- Modern literature --- Arts, Modern --- פורמליזם (ניתוח ספרותי) --- Formalism (Russian literature) --- Russian formalism (Literary analysis) --- Criticism
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Latin American literature --- Latin America --- Civilization --- ספרות אמריקנית לטינית --- אמריקה הלטינית --- أمريكا اللاتينيّة --- ציביליזציה --- الحضارة --- Arts and Humanities --- Literature --- أمريكا اللاتينية
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russian-israeli literature --- russian-jewish literature --- jewish culture --- "russian" israel --- russian jews --- russian aliyah --- Jewish literature --- Jews --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- Judaica --- Hebrew literature --- History and criticism --- Literature --- Jews. --- Jewish literature. --- Russia. --- Jewish question --- 1917 --- Rosja --- Rossīi͡ --- Rossīĭskai͡a Imperīi͡ --- Ṛusastan --- Russian Empire --- Russie --- Russland --- Rossīi︠a︡ --- Rossīĭskai︠a︡ Imperīi︠a︡ --- Russia --- Israeli literature (Russian) --- ספרות יהודית --- יהודים --- اليهود --- ספרות ישראלית (רוסית) --- Russian literature --- Israeli literature --- היסטוריה וביקורת
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An introduction to women writers of the English Renaissance which takes up 44 works, many as thumbnail sketches; shows how women's writing was hampered by the assumption that poets were male, by restriction to pious subject matter, by the doctrine that only silent women are virtuous, by criticism that praised women as patrons or muses and ignored their writing, and above all by crippling educational theories.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
English literature --- Women and literature --- Authors, English --- Women --- Women authors, English --- Renaissance --- History and criticism. --- Women authors --- History --- Biography. --- anno 1500-1599 --- ספרות אנגלית --- נשים וספרות --- النساء في الأدب --- סופרים אנגליים --- נשים --- נשים סופרות אנגליות --- רנסנס --- היסטוריה וביקורת --- נשים סופרות --- היסטוריה --- التاريخ --- النساء والأدب --- History and criticism
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The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and other media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama.
Formalism (Literary analysis) --- Russian literature --- History and criticism. --- Formalism (Russian literature) --- Russian formalism (Literary analysis) --- Criticism --- LITERARY CRITICISM --- Language. --- Literature & literary studies. --- Media studies. --- SOCIAL SCIENCE / Media Studies --- Russian & Former Soviet Union. --- Media Art. --- literary approach. --- language. --- History and criticism --- פורמליזם (ניתוח ספרותי) --- ספרות רוסית --- היסטוריה וביקורת
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"Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera. This book explores the diverse ways that ancient Greek myth has been used in fiction internationally since 1989. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. Yet their engagement with it has been by no means homogeneous, and this volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. While Greek myth and literature were key constituents in nineteenth-century realist and early twentieth-century modernist fiction, they faded in significance mid-century, at a time when V.S. Pritchett warned that the novel as a form would be inadequate to the cultural 'processing' of recent atrocities. However, the creative energies released by the end of the Cold War, the rise of the postcolonial novel, and the terrible recent conflicts in the Balkans, Iraq, Afghanistan, and Africa, which the collapse of the Soviet Union helped to engender, contributed to a remarkable renaissance of significant fiction which engaged once more with the Greeks. By drawing out this dimension, the volume challenges the conventional categorisation of works of fiction according to national tradition, even while the geographical range of the book includes works by Brazilian, French, German, Japanese, Indian, North American, Maori, African, Russian, Greek, Irish, and Arabic writers."--Bloomsbury Publishing Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera
Mythology, Greek, in literature. --- Literature, Modern --- Classical influences. --- Modern literature --- Arts, Modern --- Literature --- Mythology, Classical, in literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- ספרות מודרנית --- الأدب، الحديث --- השפעות קלסיות --- Classics --- Literary Studies --- Ancient Greek Myth --- Classical Literature --- Fiction
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"Borders, Territories, and Ethics: Hebrew Literature in the Shadow of the Intifada by Adia Mendelson-Maoz presents a new perspective on the multifaceted relations between ideologies, space, and ethics manifested in contemporary Hebrew literature dealing with the Israeli-Palestinian conflict and the occupation. In this volume, Mendelson-Maoz analyzes Israeli prose written between 1987 and 2007, relating mainly to the first and second intifadas, written by well-known authors such as Yehoshua, Grossman, Matalon, Castel-Bloom, Govrin, Kravitz, and Levy. Mendelson-Maoz raises critical questions regarding militarism, humanism, the nature of the State of Israel as a democracy, national identity and its borders, soldiers as moral individuals, the nature of Zionist education, the acknowledgment of the Other, and the sovereignty of the subject. She discusses these issues within two frameworks. The first draws on theories of ethics in the humanist tradition and its critical extensions, especially by Levinas. The second applies theories of space, and in particular deterritorialization as put forward by Deleuze and Guattari and their successors. Overall this volume provides an innovative theoretical analysis of the collage of voices and artistic directions in contemporary Israeli prose written in times of political and cultural debate on the occupation and its intifadas."--
Arab-Israeli conflict --- Al-Aqsa Intifada, 2000 --- -Intifada, 1987-1993. --- Israeli literature --- Hebrew literature --- Jews --- Jewish literature --- First Palestinian Intifada, 1987-1993 --- Intifāḍah, 1987-1993 --- Palestinian Uprising, 1987-1993 --- Aqsa Intifada, 2000 --- -Intifada, 2000 --- -Intifada II, 2000 --- -New Intifada, 2000 --- -New Palestinian Uprising, 2000 --- -Palestinian Uprising, 2000 --- -Second Intifada, 2000 --- -Second Palestinian Uprising, 2000 --- -Second Uprising, 2000 --- -Arab-Israeli conflict --- Arab-Israeli conflict in literature --- Israel-Arab conflicts in literature --- Literature and the conflict. --- History and criticism. --- Literature --- Israel --- West Bank --- Gaza Strip --- Qiṭāʻ Ghazzah --- Retsuʻat ʻAzah --- Palestine --- Ḍaffah al-Gharbīyah --- Gadah ha-maʻaravit --- Judaea and Samaria --- Judea and Samaria --- West Bank of the Jordan River --- Yehudah ṿeha-Shomron --- Dawlat Isrāʼīl --- Država Izrael --- Dzi︠a︡rz︠h︡ava Izrailʹ --- Gosudarstvo Izrailʹ --- I-se-lieh --- Israele --- Isrāʼīl --- Isŭrael --- Isuraeru --- Izrael --- Izrailʹ --- Medinat Israel --- Medinat Yiśraʼel --- Stát Izrael --- State of Israel --- Yiselie --- Yiśraʼel --- Ισραήλ --- Израиль --- Государство Израиль --- Дзяржава Ізраіль --- Ізраіль --- מדינת ישראל --- ישראל --- إسرائيل --- دولة إسرائيل --- イスラエル --- 以色列 --- In literature. --- -Hebrew literature, Modern --- Intifada, 1987-1993 --- Castel-Bloom, Orly, --- Yehoshua, Abraham B. --- Criticism and interpretation. --- ספרות ישראלית --- אינתיפאדה, 1987-1993 --- الانتفاضة، 1987 - 1993 --- ספרות עברית מודרנית --- الأدب العبريّ، الحديث --- אינתיפאדה, 2000 --- -انتفاضة الأقصى، 2000 --- -הסכסוך הערבי-ישראלי --- الصراع العربيّ الإسرائيليّ --- היסטוריה וביקורת --- בספרות --- في الأدب --- تاريخ ونقد --- ספרות והסכסוך --- الأدب والصراع --- In literature --- יהושע, א.ב. --- يهوشع، ابراهام ب. --- קסטל-בלום, אורלי, --- كاستل-بلوم، أورلي، --- ביקורת ופרשנות --- النقد والتفسير --- Criticism and interpretation --- Иегошуа, Авраам Б. --- Yehoshua, A. B. --- Jehoschua, Abraham B. --- Ieoshua, A.B. --- Yehoshua, Avraham B. --- Iehoshua, Abraham B. --- Jehosua, Avraham Ben --- Yehoshoua, Abraham B. --- Йегошуа, Авраам Б. --- Иегошуа, А. Б. --- Иехошуа, Аврахам Б. --- Иегошуа, Аврахам Б. --- יהושע, א. ב. --- יהושע, א. ב., --- יהושע, אברהם גבריאל, --- יהושע, אברהם ב., --- يهوشواع، ابراهام ب. --- الصراع العربي الإسرائيلي --- הסכסוך הערבי-ישראלי --- Yehoshua, Abraham B., --- Иегошуа, Авраам Б., --- Israeli Litrature --- Intifada in literature --- Intifada, 1987- in literature --- Israel-Arab relations in literature --- History and criticism
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