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Stéphane Mallarmé was a radically innovative poet of the 19th century, in English as well as in French. This text contains his poetry and his Poesies in the last arrangement known to have been approved by the author and provides a wide-ranging survey of his work.
Mallarmé, Stéphane, --- Mallarmé, Stéphane --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Mallarme, Stephane,
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Phenomenology and literature --- Literature --- Philosophy --- Mallarmé, Stéphane, --- Mallarmé, Stéphane --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Criticism and interpretation.
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The influence of photography and visual culture on the French poet, journalist, and critic.
Aesthetics, French --- Mallarmé, Stéphane, --- Mallarmé, Stéphane --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Criticism and interpretation. --- Aesthetics. --- Mallarme, Stephane,
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Sublime, The, in literature. --- Mallarmé, Stéphane, --- Mallarmé, Stéphane --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Criticism and interpretation.
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Mallarmé, Stéphane --- Mallarmé, Stéphane, --- 82-1 --- Poëzie --- 82-1 Poëzie --- Mallarmé, Stéphane, --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Criticism and interpretation. --- Mallarmé, Stéphane --- Mallarmé, Stéphane.
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Mallarmé, Stéphane --- Mallarmé, Stéphane, --- Criticism and interpretation --- Criticism and interpretation. --- Mallarmé, Stéphane, --- Poets, French --- French poets --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Mallarmé, Stéphane
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Romance Literatures --- Languages & Literatures --- French Literature --- Mallarmé, Stéphane, --- Criticism and interpretation. --- Mallarmé, Stéphane --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- histoire de la littérature --- poésie européenne --- romantisme
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The enigmatic nature of Mallarmé's works disconcerted his first readers and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print, some were laudatory, others claimed that he wished to found a poetic School of the Unintelligible. Today's reader will find gathered here reviews published when individual works first appeared and critical texts on his work in general. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the first performances of Debussy's Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé's name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here.
Romance Literatures --- Languages & Literatures --- French Literature --- Mallarme, Stephane, --- Mallarmé, Stéphane --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- 1842-1898 --- history and criticism --- french poetry --- influence --- 19th century
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"Le monde est fait pour aboutir à un beau livre, parfois à un beau vers : "nuit, désespoir et pierreries", "solitude, récif, étoile". Pour cela, il fallait reprendre à la musique son bien, suggérer, voilà le rêve. Toute la poésie d'une vie est enfermée en un court volume. Les poèmes, denses jusqu'à l'hermétisme, que l'on sait maintenant décrypter, enferment le sens du monde, ou plutôt le suggèrent. Dans ces lettres pour la première fois réunies en entier, on trouvera l'histoire toute simple d'un homme qui a écrit "mon incompétence, je l'exhibe, sur autre chose que l'absolu". À ses amis, il lui est arrivé de révéler le sens de sa recherche, de commenter certains poèmes, de montrer toutes les facettes de son esprit. C'est dans l'espoir de recueillir ces confidences qu'on lit ces lettres. Elles constituent un extraordinaire document sur les réseaux de sociabilité littéraire, en même temps que le meilleur démenti des clichés qui ont encore cours sur la solitude d'un poète résolument hors du monde. Car cette correspondance peut se lire comme une autobiographie poétique, intellectuelle autant que quotidienne. Le poète s'y fait homme du monde en sacrifiant à l'activité épistolaire. Ce faisant, celle-ci témoigne de l'évolution de l'esthétique de Mallarmé et nous fait pénétrer dans les coulisses de l'oeuvre où nous découvrons, parmi d'autres secrets, le principe de fabrication de "L'Azur" ou la genèse du sonnet en ix. L'humour n'est pas en reste puisque le motif récurrent ici est l'horreur des lettres : Mallarmé écrit une lettre pour dire qu'il n'écrit pas de lettre. Au terme d'une correspondance qui compte plus de trois mille pièces, Mallarmé peut ainsi signer : "Celui qui n'écrit pas de lettres"."--Page 4 of cover.
Authors, French --- Mallarmé, Stéphane, --- Mallarmé, Stéphane --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- French poetry --- Symbolism (Art movement) --- Mallarmé, Stéphane
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Mallarmé, Stéphane --- Poetry. --- Literature --- Aesthetics. --- Mallarm©♭, St©♭phane, --- Knowledge --- -Literature. --- Mallarmé, Etienne --- Literature and philosophy --- Philosophy and literature --- Philosophy --- Theory --- Mallarmé, Stéphane, --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Literature. --- Mallarmé, Stéphane
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