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Bernhardt, Sarah, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah --- Paris (France)
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Actors --- Bernhardt, Sarah, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah
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Actors --- Acteurs --- Biography --- Biographie --- Bernhardt, Sarah, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah --- 960 --- levensbeschrijvingen --- biographies et mémoires
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Actors --- Stage actors --- Theater actors --- Theatrical actors --- Artists --- Entertainers --- Theater --- Biography&delete& --- Congresses --- Bernhardt, Sarah, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah --- Congresses. --- Acting --- Bernhardt, Sarah --- Biography
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Duse, Eleonora --- Ziegler, Clara --- Bernhardt, Sarah --- Actresses --- CDL --- 792 --- Ziegler, Clara, --- Bernhardt, Sarah, --- Duse, Eleonora, --- Duze, Ėleonora, --- דוזה, אליאונורה --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah
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77.041 --- CDL --- Bernhardt, Sarah, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah --- Theatre --- XIXth-XXth centuries --- Biography --- Bernhardt, Sarah (1844-1923) --- Théâtre français --- Actrices --- 19e siècle --- France --- Histoire et critique --- Biographies
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The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film 'Queen Elizabeth' vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the centre of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities.
Motion picture industry --- Silent films --- Cinéma --- Films muets --- History. --- History and criticism. --- Industrie --- Histoire --- Histoire et critique --- Bernhardt, Sarah, --- Career in motion pictures. --- Bernhardt, Sarah --- Cinéma --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah
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Bernhardt, Sarah, --- 763 --- Theorie van het theater - Biografieën --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah --- Bernhardt, Sarah --- Theorie van het theater en de film - Biografieën --- Theorie van het theater en de film - Monografieën
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. At the forefront of the entertainment industries of the late nineteenth and early twentieth centuries were singular actors: Sarah Bernhardt, Gabrielle Réjane, and Mistinguett. Talented and formidable women with global ambitions, these performers forged connections with audiences across the world while pioneering the use of film and theatrics to gain international renown. Transnational Trailblazers of Early Cinema traces how these women emerged from the Parisian periphery to become world-famous stars. Building upon extensive archival research in France, England, and the United States, Victoria Duckett argues that, through intrepid business prowess and the use of early multimedia to cultivate their celebrity image, these three artists strengthened ties between countries, continents, and cultures during pivotal years of change.
Motion pictures and transnationalism --- PERFORMING ARTS / Film & Video / General. --- History --- Transnationalism and motion pictures --- Transnationalism --- Bernhardt, Sarah, --- Réjane, --- Mistinguett, --- Influence. --- Bourgeois, Jeanne, --- Mistenguett, --- Mistinguette, --- Réju, Gabrielle Charlotte, --- Réju, Gabrielle, --- Réjane, Gabrielle Charlotte Réju, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah
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"In fin-de-siecle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new woman," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered non-traditional marriages, and some took up with the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home." "Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newpaper La Fronde; the journalists Severine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for play acting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men - even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny."--Jacket.
Feminism --- Sex role --- History --- CDL --- 305 --- Féminisme --- Rôle selon le sexe --- Histoire --- Durand, Marguerite, --- Bernhardt, Sarah, --- Gyp, --- Séverine, --- Dreyfus, Alfred, --- Influence. --- France --- Intellectual life --- Vie intellectuelle --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Emancipation --- Draifus, Alfred, --- Drayfūs, Alfrīd, --- Drīfūs, Alfrīd, --- Dreĭfus, Alifred, --- Dreĭfus, Alʹfred, --- Dreyfus, Alfredo, --- דרייפוס, אלפרד --- דרייפוס, אלפרד, --- דרייפוס, אלפרעד, --- דרײפוס, אלפרד, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah --- Guébhard, Caroline Rémy, --- Guébhard, Caroline, --- Rémy, Caroline, --- Martel de Janville, Sibylle-Gabrielle-Marie-Antoinette de Riquetti de Mirabeau, --- Mirabeau, Sibylle-Gabrielle-Marie-Antoinette de Riquetti de, --- Mirabeau, Gabrielle de, --- Riquetti de Mirabeau, Sibylle-Gabrielle-Marie-Antoinette de, --- Martel, Gabrielle de Mirabeau, --- Gyp --- Martel de Janville, Sibylle-Gabrielle-Marie-Antoinette de Riquetti de Mirabeau --- de Mirabeau, Sibylle-Gabrielle-Marie-Antoinette de Riquetti --- Mirabeau, Gabrielle de --- de Riquetti de Mirabeau, Sibylle-Gabrielle-Marie-Antoinette --- de Martel, Gabrielle de Mirabeau --- Dreyfus, Alfred --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles
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