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Cynthia Ozick's fiction
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ISBN: 0585001189 9780585001180 0253331293 9780253331298 Year: 1993 Publisher: Bloomington Indian University Press

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Abstract

Cynthia Ozick's emphasis on tradition has made her, paradoxically, one of the most innovative writers of our time. Elaine M. Kauvar illuminates the intricacies of Ozick's texts, explores the dynamics of her creativity, and excavates her sources, contexts, and allusions. She provides readings of all of Ozick's fiction, from her first published novel, Trust, through The Messiah of Stockholm. Working chronologically, Kauvar traces the development of the storyteller's thought and art, examines the themes that pervade Ozick's tales - the battle between Hebraism and Hellenism, the lure of paganism and the dangers of idolatry, the implications and consequences of assimilation, the perplexities of the artist and the besetting dangers of art - and demonstrates the dialectic existing between her tales, their shifting perspectives, and competing ideas. Precisely because Ozick draws on the resources in her heritage, Kauvar concludes, she transcends narrow categories and defies rigid ideologies.

The uncompromising fictions of Cynthia Ozick
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ISBN: 0826206352 Year: 1987 Volume: *5 Publisher: Columbia University of Missouri Press

Belonging too well
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ISBN: 143842518X 1441607838 9781441607836 9781438425184 1438425058 9781438425054 9781438425184 Year: 2009 Publisher: Albany SUNY Press

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Cynthia Ozick's comic art
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ISBN: 0585225672 9780585225678 0253313988 9780253313980 Year: 1994 Publisher: Bloomington Indiana University Press

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Bringing to bear insights from Jewish, literary, and cultural studies, Sarah Blacher Cohen sheds new light on the works of one of America's foremost writers. Arguing persuasively that Ozick's fiction is a form of comedy, Cohen interweaves religion and literature, skillfully illuminating the complex relationship between the comic and the sacred. Where others have emphasized Ozick's intellectualism and Jewish learning, Cohen foregrounds whimsicality, grotesque realism, irony, satire, and exuberance as the defining characteristics of Ozick's art in such works as Trust, The Cannibal Galaxy, The Messiah of Stockholm, "The Pagan Rabbi," and the Puttermesser stories.

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