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History in literature --- Russian literature --- Russian literature --- History and criticism --- History and criticism --- Шаров, Владимир Александрович --- Шаров, Владимир Александрович --- Criticism and interpretation. --- Themes, motives.

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Dal', Vladimir Ivanovich --- -Criticism and interpretation --- Dalʹ, Vladimir Ivanovich, --- Criticism and interpretation. --- Dalʹ, Vladimir, --- Dalʹ, Volodymyr Ivanovych, --- Даль, В. И. --- Даль, Володимир Іванович, --- Даль, Владимир, --- Даль, Владимир Иванович, --- Luganskīĭ, Vladimīr,

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Whereas literary criticism has mainly oscillated between "the death of the author" (Barthes) and "the return of the author" (Couturier), this work suggests another perspective on authorship through an analysis of Nabokov's prefaces. It is here argued that the author, being neither dead nor tyrannical, alternates between authoritative apparitions and receding disappearances in the double gesture of mastery without mastery which Derrida calls 'exappropriation', that is, a simultaneous attempt t.

Nabokov, Vladimir Vladimirovich, --- Sirin, Vladimir, --- Sirin, Vl. --- Sirin, V. --- Nabokoff-Sirin, Wladimir, --- Sirin, Wladimir Nabokoff-, --- Nabokov, Vladimir, --- Shishkov, Vasiliĭ, --- Набоков, Владимир Владимирович, --- Набоков, Владимир, --- נאבוקוב, ולאדימיר ולאדימירוביץ׳, --- נאבוקוב, ולאדימיר, --- נבוקוב, ולדימיר, --- 納布可夫, --- Godunov-Cherdynt︠s︡ev, Fedor --- Criticism and interpretation.

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This book offers a comparative analysis of three versions of Vladimir Nabokov's Lolita: namely, the original novel (1955), the script written by the novelist himself and published as Lolita: A Screenplay (1974), and Stanley Kubrick's film based on Lolita's storyline (1962). Kubrick's final product oscillates between adaptation and interpretation, as it draws from both Nabokov's novel and script, but also uses the improvisational talents of the cast, eventually rendering the director's firm auteurial hand clearly visible throughout the film. The book analyses how various additions and subtraction

Nabokov, Vladimir Vladimirovich, --- Film adaptations. --- Nabokoff-Sirin, Wladimir, --- Nabokov, Vladimir, --- Shishkov, Vasiliĭ, --- Sirin, V. --- Sirin, Vl. --- Sirin, Vladimir, --- Sirin, Wladimir Nabokoff-, --- Набоков, Владимир Владимирович, --- Набоков, Владимир, --- נאבוקוב, ולאדימיר ולאדימירוביץ׳, --- נאבוקוב, ולאדימיר, --- נבוקוב, ולדימיר, --- 納布可夫, --- Godunov-Cherdynt︠s︡ev, Fedor

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Mayakovsky, Vladimir, --- Criticism and interpretation. --- Маяковский, В. --- Mai︠a︡kovskiĭ, V. --- Majakovskis, Vladimiras, --- Majakowski, Wladimir, --- Ma-ya-kʻo-fu-ssu-chi, --- Majakovski, Vladimir, --- Маяковський, Володимир, --- Mai︠a︡kovsʹkyĭ, Volodymyr, --- Маяковский, Владимир, --- Mai︠a︡kovskiĭ, Vladimir Vladimirovich, --- Majakovskij, Vladimir, --- Majakowski, Włodzimierz, --- Маяковский, Владимир Владимирович, --- Mayakovsky, Vladimir Vladimirovich, --- Mayakovsky, V. --- Maiakóvski, Vladímir, --- Magiakovskē, Vlantimir, --- Magiakovski, Vlantimir, --- Maiakovsky, Vladimir, --- Magiakophski, Vladimir, --- מאיאקובסקי, ו.ו --- מיקובסקי, ולדימיר --- מיקובסקי, ולדימיר, --- Маяковський, Володимир, --- Маяковский, В. --- Маяковский, Владимир, --- Маяковский, Владимир Владимирович, --- מאיאקובסקי, ו.ו,