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In all of his works Blake struggled with the question of how chaos can be assimilated into imaginative order. Blake's own answer changed in the course of his poetic career. Christine Gallant contends that during the ten year period of composition of Blake's first comprehensive epic, The Four Zoas, Blake's myth expanded from a closed, static system to an open, dynamic process. She further argues that it is only through attention to the changing pattern of Jungian archetypes in the poem that one can discern this profound change. Using the depth psychology of Jung, Professor Gallant presents a comprehensive interpretation of Blake's poetry from his early "Lambeth" prophecies to his mature works, The Four Zoas, Milton, and Jerusalem. She offers a Jungian critical approach that respects the work's autonomy, but still suggests how literature is an ongoing imaginative experience in which archetypal symbols affect their literary contexts. What interests the author is the function that the very process of mythmaking had for Blake. Professor Gallant finds that the metaphysical opposition between God and Satan in Blake's earlier work gradually evolves into an interplay of these powers in the later works. The quality of Chaos changes for Blake from something unknown and feared, contrary to Order, to something intimately known and embraced.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Thematology --- English literature: authors --- Myth in literature --- Mythe dans la littérature --- Blake, William, --- Criticism and interpretation --- Myth in literature. --- Criticism and interpretation. --- Mythe dans la littérature --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם --- בלייק, ויליאם --- בליק, ויליאם, --- בלייק, ויליאם, --- Блейк, Уильям, --- Blake, William --- Blake, William, 1757-1827

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Revealing Bodies considers three thinkers not often read together in order to ask a question with continued relevance in the present: how is it that we claim to know the body? Reading their work in relation to their contemporary anatomical discourse as well as our own contemporary anatomical spectacle, the book explores a question with wide-ranging stakes both for those with specialized interest in eighteenth and nineteenth-century culture and with a broader interest in bodily representation.

Human body in literature. --- Human body (Philosophy) --- Blake, William, --- Burke, Edmund, --- Tighe, Mary, --- Body, Human (Philosophy) --- Body, Human, in literature --- Human figure in literature --- Tighe, Mary Blanchford, --- Tighe, Henry, --- Berḳ, Edmand, --- Berk, Ėdmund, --- Bŏŏkʻŭ, Edŭmŏndŭ, --- Late noble writer, --- ברק, אדמנד --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם --- בלייק, ויליאם --- בליק, ויליאם, --- בלייק, ויליאם, --- Philosophy --- Human body (Philosophy). --- Human body. --- Literature. --- Блейк, Уильям, --- Blake, William --- Blake, William, 1757-1827

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Apocalyptic nightmares that humanly-created intelligences will one day rise up against their creators haunt the western creative imagination. However, these narratives find their initial expression not in the widely disseminated Frankenstein story but in William Blake's early mythological works. This book looks at why we persistently fear our own creations by examining Blake's illuminated books of the 1790's through the lens of Kierkegaard's theories of personality and of anxiety. It offers a close examination of Kierkegaard's and Blake's similar, and to an extent shared, historical milieux as

Literature --- Anxiety in literature. --- Littérature --- Angoisse dans la littérature --- Philosophy. --- Philosophie --- Blake, William, --- Kierkegaard, Sren, --- Criticism and interpretation. --- Blake, William, --1757-1827 --Criticism and interpretation. --- Creation in literature. --- Kierkegaard, Søren, --1813-1855. --- Literature --Philosophy. --- Creation in literature --- Anxiety in literature --- English --- English Literature --- Languages & Literatures --- Philosophy --- Kierkegaard, Søren, --- Littérature --- Angoisse dans la littérature --- Literature and philosophy --- Philosophy and literature --- Theory --- Anti-Climacus, --- Bogbinder, Hilarius, --- Chʻi-kʻo-kuo, --- Climacus, Johannes, --- Constantius, Constantin, --- Eremita, Victor, --- Haufniensis, Vigilius, --- Johannes, Climacus, --- Johannes de Silentio, --- Kʹerkegor, Seren, --- Kierkegaard, S. --- Kierkegaard, Severino, --- Kierkegaard, Søren Aabye, --- Kierkegaard, Søren --- K'i︠e︡rkegor, Sʹoren, --- Kīrkajūrd, Sūrīn, --- Kirkegaard, Soeren, --- Kirkegor, Seren, --- Ḳirḳegor, Sern, --- Kirkegors, Sērens, --- Kirukegōru, Søren, --- Kjerkegor, Seren, --- Kʻo-erh-kʻai-ko-erh, --- Notabene, Nicolaus, --- Silentio, Johannes de, --- Sūrīn Kīrkajūrd, --- Victor, Eremita, --- Vigilius, Haufniensis, --- קירקגור, סרן --- קירקגור, סורן --- קירקגור, סירן --- קירקגור, סירן, --- קירקגורד, סרן, --- 克尓凯郭尓, --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם --- בלייק, ויליאם --- בליק, ויליאם, --- בלייק, ויליאם, --- Anti-climacus --- H. H. --- Блейк, Уильям, --- Blake, William --- Blake, William, 1757-1827