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Bij het grote publiek is de Weense neuroloog Sigmund Freud (1856-1939) tot op heden bekend als een belangrijk wetenschapper, die baanbrekende ontdekkingen deed over de geest en over het menselijk gedrag. De psychoanalyse, de theorie waarvan hij de grondslag legde, beïnvloedde niet enkel de academische psychologie en psychiatrie, maar evenzeer de letterkunde, de filosofie, de filmkritiek en de algemene cultuur. Velen zijn vertrouwd met Freudiaanse begrippen zoals het onderbewuste, verdringing, droomanalyse, Oedipuscomplex, het Über-ich, penisnijd enzovoort. Een ontelbaar aantal mensen was de voorbije honderd jaar in analyse, voor de behandeling van een mentale problematiek of gedragsstoornis.Ondanks de enorme populariteit van Freuds gedachtegoed, rezen van meet af aan kritische vragen over de wetenschappelijkheid van zijn opvattingen. Zo kon de psychoanalyse niet zinvol getest worden en leiden de vaak zeer langdurige analyses niet tot verbetering . Onderzoek toonde aan dat Freud vaak een loopje met de waarheid nam en zich dogmatisch opstelde over de grondbeginselen van de psychoanalyse, ook al bleken die niet te kloppen.https://www.standaardboekhandel.be/p/over-freud-9789461171283

Freud, Sigmund --- Psychoanalyse --- Kritiek en interpretatie --- Depth psychology --- Sigmund Freud (1856-1939) --- de menselijke geest --- psychoanalyse --- academische psychologie --- psychiatrie --- letterkunde --- filosofie --- filmkritiek --- algemene cultuur --- het onbewuste --- verdringing --- droomanalyse --- Oedipuscomplex --- Über-ich --- penisnijd --- therapie

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The relational paradigm, as a present-day development, is also particularly relevant to contemporary literature. Essays on John Updike, Toni Morrison, Ann Beattie, and Alice Hoffman examine self-other relational dynamics in their texts that reflect larger cultural patterns characteristic of our time. While psychoanalytic relational perspectives have had a major impact on the clinical world, their value for the field of literary study has yet to be fully recognized. This important book offers a broad overview of relational concepts and theories, and it examines their implications for understanding literary and aesthetic experience. The author reviews feminist applications of relational-model theories, and considers D.W. Winnicott's influential ideas about creativity and symbolic play. The eight incisive essays in this volume apply these concepts to a close reading of various nineteenth- and twentieth-century literary texts: an essay on Wordsworth, for instance, explores the poet's writing on the imagination in light of Winnicott's ideas about transitional phenomena, while an essay on Woolf and Lawrence compares identity issues in their work from the perspective of feminist object relations theories.

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