Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is the first part of a critical edition of the complete dramatic works by Apostolo Zeno. Vol. I.2 offers 9 librettos: Il Venceslao, Aminta, Pirro, Il Teuzzone, L’Amor generoso, Atenaide, Scipione nelle Spagne, Merope, Alessandro Severo.Parte I Volume 1: https://e-book.fwf.ac.at/o:1587Parte I Volume 2: https://e-book.fwf.ac.at/o:1588 Die vorgelegte Textausgabe enthält den ersten Teil einer kritischen Edition des Gesamtwerks der dramatischen Dichtungen von Apostolo Zeno. Band I.2 enthält 9 Libretti: Il Venceslao, Aminta, Pirro, Il Teuzzone, L’Amor generoso, Atenaide, Scipione nelle Spagne, Merope, Alessandro Severo.Parte I Volume 1: https://e-book.fwf.ac.at/o:1587Parte I Volume 2: https://e-book.fwf.ac.at/o:1588

Baroque music (c 1600 to c 1750) --- Musical scores, lyrics & libretti --- Libretto; Musikgeschichte --- ÖFOS 2012, Romanistik --- ÖFOS 2012, Musikwissenschaft --- Libretto; History of Music --- ÖFOS 2012, Romance studies --- ÖFOS 2012, Musicology

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The New Senfl Edition (NSE) begins with the publication of those works which have not yet been available in a modern edition: the motets for four voices. The first volume includes the innovative motet cycle Quinque Salutationes for the private devotion of DukeWilhelm IV of Bavaria and the well-known Ecce quam bonum for the Imperial Diet in Augsburg 1530 in addition to many hitherto unknown motets. The Critical Reports accompanying the editionsoffer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on the history of each composition. Die New Senfl Edition (NSE) eröffnet mit der Publikation jener Werke, die bislang kaum in einer Edition zugänglich waren: den vierstimmigen Motetten. Zusammen mit zahlreichen bislang unbekannten Werken enthält Band 1 so außergewöhnlicheKompositionen wie den Zyklus der Quinque Salutationes Domini Nostri Jesu Christi für die private Andacht von Herzog Wilhelm IV. von Bayern, oder das berühmte Ecce quam bonum für den Augsburger Reichstag von 1530. Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jederMotette mit Blick auf die Texte, Choralvorlagen, einerQuellenbewertung (inkl. einer synoptischen Darstellung derLesarten), sowie einen werkgeschichtlichen Kontext.

Medieval & Renaissance music (c 1000 to c 1600) --- Choral music --- Sacred & religious music --- Musical scores, lyrics & libretti --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The second volume of the New Senfl Edition (NSE) provides thesecond half of the motets for four voices and includes manyhitherto unknown works by Senfl (some of them fragments),renowned motets, such as Senfl’s Nisi Dominus, or thepolyphonic setting of Non moriar sed vivam, which Senfl sent to Martin Luther in 1530 as a consolation. Editions will also render three Salve settings (including a Christological adaption), a multitextedRegina caeli, as well as nearly all of Senfl’s humanist motets (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni)accessible. The Critical Reports accompanying the editions offer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on thehistory of each composition. Der zweite Band der New Senfl Edition (NSE) stellt die zweiteHälfte der vierstimmigen Motetten zur Verfügung und beinhaltet zahlreiche bislang unbekannte Werke (darunter mehrere fragmentarisch erhaltene Stücke), bekannte Motetten wie Senfls Nisi Dominus oder das als Trostmotette an Martin Luther 1530 gesandte Non moriar sed vivam. Darüber hinaus macht die Edition drei Salve-Vertonungen zugänglich (darunter eine christologische Adaption des marianischen Textes), ein mehrtextiges Regina caeli, und nahezu Senfls sämtliche humanistische Motetten (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni). Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jeder Motette mit Blick auf die Texte, Choralvorlagen, einer Quellenbewertung (inkl. einer synoptischen Darstellung der Lesarten), sowie einenwerkgeschichtlichen Kontext.

Medieval & Renaissance music (c 1000 to c 1600) --- Choral music --- Sacred & religious music --- Musical scores, lyrics & libretti --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The New Senfl Edition (NSE) begins with the publication of those works which have not yet been available in a modern edition: the motets for four voices. The first volume includes the innovative motet cycle Quinque Salutationes for the private devotion of DukeWilhelm IV of Bavaria and the well-known Ecce quam bonum for the Imperial Diet in Augsburg 1530 in addition to many hitherto unknown motets. The Critical Reports accompanying the editionsoffer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on the history of each composition. Die New Senfl Edition (NSE) eröffnet mit der Publikation jener Werke, die bislang kaum in einer Edition zugänglich waren: den vierstimmigen Motetten. Zusammen mit zahlreichen bislang unbekannten Werken enthält Band 1 so außergewöhnlicheKompositionen wie den Zyklus der Quinque Salutationes Domini Nostri Jesu Christi für die private Andacht von Herzog Wilhelm IV. von Bayern, oder das berühmte Ecce quam bonum für den Augsburger Reichstag von 1530. Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jederMotette mit Blick auf die Texte, Choralvorlagen, einerQuellenbewertung (inkl. einer synoptischen Darstellung derLesarten), sowie einen werkgeschichtlichen Kontext.

Medieval & Renaissance music (c 1000 to c 1600) --- Choral music --- Sacred & religious music --- Musical scores, lyrics & libretti --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book is the first collection of research articles dedicated exclusively to the life and works of the Renaissance composer Gaspar van Weerbeke. While the basic facts of Gaspar’s life have long been known, the book fleshes out the details, presenting a more differentiated and complex picture of his biography. Analysis of a wider range of Gaspar’s compositional output leads to new interpretations of his approach to different genres: masses, motets, and motet cycles. Dieses Buch ist die erste wissenschaftliche Publikation, die ausschließlich dem Leben und Werk des Renaissance-Komponisten Gaspar van Weerbeke gewidmet ist. Während die grundlegenden Fakten von Gaspars Leben seit langem bekannt sind, werden in diesem Buch die Details vertieft und ein differenzierteres und komplexeres Bild seiner Biografie gezeichnet. Die Analyse eines breiteren Spektrums von Gaspars kompositorischem Schaffen führt zu neuen Interpretationen seines Gattungsverständnisses von Messen, Motetten und Motettenzyklen.

Weerbeke, Gaspar van, --- Composers --- Sacred vocal music --- Music --- Biography --- Analysis, appreciation --- History and criticism --- Weerbeke, van, Gaspar --- Musique --- Medieval & Renaissance music (c 1000 to c 1600) --- Sacred & religious music --- Individual composers & musicians, specific bands & groups --- Musical scores, lyrics & libretti --- Biography: historical, political & military --- Renaissance, Gaspar van Weerbeke, Messe, Motette --- ÖFOS 2012, Ethnologie --- ÖFOS 2012, Musikgeschichte --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Ethnology --- ÖFOS 2012, Music history --- ÖFOS 2012, Musicology --- Renaissance, Gaspar van Weerbeke, Mass, Motet --- Criticism and interpretation. --- Netherlands. --- Van Weerbeke, Gaspar, --- Weerbecke, Gaspar van, --- Werbeck, Gaspar van, --- Werbeke, Gaspar van, --- Austrian Netherlands --- Aynacha Jach'a Markanaka --- Batavia --- Belanda --- Beulanda --- Çheer Injil --- Çheer y Vagheragh --- Eben Eyong --- Háland --- Herbehereak --- Herbehereetako Erresumaren --- Hò-làn --- Holand --- Holanda --- Holandija --- Holandska --- Hōlani --- Holenda --- Holland --- Holland Királyság --- Hollandi --- Hollandia --- Hōrana --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Huland --- Hulanda --- Iseldiroedd --- Iseldiryow --- Ísiltír --- Izelvroio --- Karaleŭstva Nidėrlandy --- Katō Chōres --- Kē-tē-kok --- Keninkryk fan 'e Nederlannen --- Kerajaan Landa --- Kéyah Wóyahgo Siʼánígí --- Keyatiya Nederlandan --- Kingdom of the Netherlands --- Koninkrijk der Nederlanden --- Konungsríkið Holland --- Kraljevina Holandija --- Kralojstwo Nederlandow --- Kralstvo Holandija --- Kralstvo Niderlandii͡ --- Landa --- Madalmaad --- Mamlakat Hūland --- Mamlekhet Artsot ha-Shefelah --- Nederilande --- Nederlaand --- Nederlân --- Nederland --- Nederlande --- Nederlandene --- Nederlandia --- Nederlando --- Nederlands --- Néderlandzk --- Nederlatt --- Nederlendin Nutg --- Nedŏlland --- Neerlande --- Nethiland --- Niadaland --- Niderland --- Niderland Krallığı --- Niderlanddar --- Niderlande --- Nīderlandeja --- Nīderlandes Karaliste --- Niderlandʺi͡as --- Niderlandʺi͡as Korolʹuv --- Niderlandii͡ --- Niderlandla --- Niderlandlany Korolevstvosu --- Niderlandsem --- Niderlandsen Patshalăkh --- Niderlandtæ --- Niderlandtar --- Niderlandtar Korollege --- Niderlandty Kʺarolad --- Niderlandy --- Niderlandyn Vant Uls --- Niðurlond --- Niederlande --- Nirlan --- Nižozemska --- Nizozemsko --- Nyderlandai --- Nyderlandų Karalyst --- Olanda --- Ollandia --- Oostenrijkse Nederlanden --- Oranda --- Oranda Ōkoku --- Ot͡si͡azorksshi Nederlatt --- Paes Bass --- Paesi Bassi --- Paîs Bas --- Pais Basse --- Países Baixos --- Países Bajos --- Países Baxos --- Paisis Bajus --- Països Baixos --- Paixi Basci --- Pajjiżi l-Baxxi --- Payis-Bâs --- Payises Bashos --- Pays-Bas --- Pays-Bas autrichiens --- Pays-Bas espagnols --- Pays-Bas méridionaux --- Peyiba --- Reeriaght ny Çheer Injil --- Reĝlando Nederlando --- Regni Nederlandiarum --- Regno del Paises Basse --- Regnu di i Paesi Bassi --- Reino di Hulanda --- Reino dos Países Baixos --- Ríocht na hÍsiltíre --- Royaume des Pays-Bas --- Southern Netherlands --- Spanish Netherlands --- The Netherlands --- Tìrean Ìsle --- Tlanitlālpan --- Ubuholandi --- Ubuhorandi --- Ufalme wa Nchi za Chini --- Uholanzi --- Ulanda --- Ulanna --- Vasileio tōn Katō Chōrōn --- Walanda --- Zuidelijke Nederlanden --- Weerbeke, Gaspar van, approximately 1445 --- -Composers --- -Medieval & Renaissance music (c 1000 to c 1600)