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Cette monographie d'Olafur Eliasson contient une étude de la démarche d'un artiste qui mêle innovation technologique à l'art, un entretien avec l'artiste, une lettre ouverte de l'artiste intitulée "Chers tous" adressée à tous les observateurs de ses oeuvres, une chronologie des principaux projets et expositions.
Olafur Eliasson, --- Lumière-architecture --- Structure métallique --- Ólafur Elíasson, --- Eliasson, Olafur --- Critique et interprétation --- Ólafur Elíasson, - 1967- - Critique et interprétation --- Ólafur Elíasson, - 1967- - Entretiens --- Ólafur Elíasson, - 1967 --- -Ólafur Elíasson, - 1967 --- -Lumière-architecture --- -Olafur Eliasson, --- -Ólafur Elíasson, - 1967-
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In his installations, Olafur Eliasson, the Danish-Icelandic artist focuses on the factors that influence human perception in the age of technology--an approach that is more timely today than ever before. In an era in which our relationship to the world around us is shaped by the mediatization of human perception and our awareness of fundamental environmental loss, the juxtaposition of the natural and the artificial in Eliasson's art compels us to reassess our notions about the authentic experience of nature. Works concerned with the phenomenon of light play an important role within his oeuvre, and they are the subject of this publication. Featuring an index of the 138 light and mirror installations completed between 1991 and 2004, this splendidly illustrated volume describes all of the essential aspects of this complex work.
Eliasson, Olafur --- Installation-art --- Lumière --- Ólafur Elíasson, --- Ólafur Elíasson, 1967 --- -Installation-art --- -Eliasson, Olafur --- Ólafur Elíasson, 1967-
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Artists and designers are now defined not by their discipline but by the fluidity with which their practices move between the fields of architecture, art, and design. This volume delves into four pioneering transdisciplinary studios-Jorge Pardo Sculpture, Konstantin Grcic Industrial Design, Studio Olafur Eliasson, and Åbäke-by observing and interviewing the practitioners and their assistants. A further series of interviews with curators, critics, anthropologists, designers, and artists serves to contextualize the transdisciplinary model now at the fore of creative practice. Including interviews with Jorge Pardo, Konstantin Grcic, Olafur Eliasson, and Åbäke; and Vito Acconci, Gui Bonsiepe, James Clifford, Dexter Sinister, Martino Gamper, Ryan Gander, Caroline Jones, Ronald Jones, Maria Lind, Alessandro Mendini, Rick Poynor, and Andrea Zittel.
Pardo, Jorge, --- Grcic, Konstantin, --- Ólafur Elíasson, --- Åbäke (Artist group)
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One of the most wide-ranging and ambitious creative minds of his generation, Icelandic-Danish artist Olafur Eliasson has produced a dizzying spectrum of work around the world. Perhaps best known in the United States for his "upside-down waterfall" installation in New York, his constant inventiveness and public projects have entranced huge numbers of people. Working in a variety of fields and media, there is no end to his creative ambition and the delight his works elicit. Olafur Eliasson is an artist living and working in Copenhagen and Berlin. His work ranges from installations and sculpture to photography, film, pavilions, and other built environments, and has been exhibited worldwide in institutions such as MoMA, Tate Modern, and the Venice Biennale.
Land art --- Installation-art --- Installations (Art) --- Environment (Art) --- Site-specific installations (Art) --- Eliasson, Olafur --- Ólafur Elíasson, - 1967 --- -Ólafur Elíasson, - 1967 --- -Danemark
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Après la spectaculaire présentation de son travail à Londres, Olafur Eliasson (1967) expose début 2020 une installation entièrement et spécialement revue pour la Kunsthaus Zürich. Ce sont ces oeuvres de l'artiste islando-danois qui attirent comme par magie les spectateurs/trices. Olafur Eliasson, lorsqu'il en parle, explique que ce qui lui importe avant tout c'est l'expérience de la rencontre physique avec l'oeuvre elle-même.Lui qui compte depuis des années parmi les plus grands artistes contemporains a commencé très tôt à traiter le sujet de la durabilité et ses thèmes sur fond d'écologie parlent aujourd'hui à de nombreux visiteurs/trices. C'est pourquoi le livre comme l'exposition tournent aussi autour de notre rapport aux autres espèces et formes de vie sur Terre. Le plaidoyer d'Olafur Eliasson pour une conception d'un monde de coexistence et de collaboration est particulièrement manifeste lorsqu'il transforme l'espace muséal en une seule installation immersive.
Art --- installations [visual works] --- color [perceived attribute] --- light art --- ecological art --- generative art --- earth [soil] --- water [inorganic material] --- ice --- mushrooms --- Eliasson, Olafur --- Olafur Eliasson, --- Olafur Eliasson, - 1967- - Exhibitions --- ice [water by form] --- mushrooms [fungi] --- Olafur Eliasson, - 1967 --- -Art --- -Olafur Eliasson, - 1967-
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Art museums --- Art --- Musées --- Olafur Eliasson, --- Adjaye, David, --- Exhibitions. --- Lopud Island (Croatia) --- Lopud (Croatie : Ile) --- Buildings, structures, etc. --- Constructions
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Unspoken Spaces is the first major book on Olafur Eliasson’s architectural projects and works in public spaces around the globe. The book explores, often in Eliasson’s own words, the artist’s driving interest in finding visionary shapes to represent abstract ideas, and presents an extraordinary visual journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings realized by Eliasson and his studio since the late 1990s. Eight essays by writers across a variety of fields―from geologists and historians of art and science to architects, artists and philosophers―give further insight into the work of Olafur Eliasson.Works in Unspoken Spaces range from small-scale experiments to largescale projects in the public realm, among them striking buildings such as the Serpentine Gallery Pavilion 2007 in London (with Kjetil Thorsen), Your rainbow panorama (2006–2011) in Aarhus, Denmark, the crystalline façades for Harpa Concert Hall and Conference Centre in Reykjavik (2005–11), and Cirkelbroen (The circle bridge) in Copenhagen, Denmark, 2015. Each work is presented with vivid photographs and accessible in-depth project descriptions as well as Eliasson’s more personal statements.Unspoken Spaces includes a range of Eliasson’s creations―"reality machines," as he calls them―many of which have never appeared in print. A section of the book explores unrealized and unfinished projects.
ecology --- Art --- installations [visual works] --- ecological art --- public spaces --- climate change --- sculpture [visual work] --- light [energy] --- Architecture --- site-specific works --- architecture [discipline] --- Eliasson, Olafur --- Installations (Art) --- Art, Modern --- 7.07 --- 73.07 --- 73.039 --- Beeldende kunst ; installaties ; 1996-2016 ; Olafur Eliasson --- Environments ; atmosferische aspecten --- Beeldhouwkunst ; in en op openbare plaatsen --- Landschappen ; kunstzinnige ingrepen --- Kunst en natuur --- Licht en water --- Beweging en reflectie --- Eliasson, Olafur °1967 (°Kopenhagen, Denemarken) --- 7.071 --- kunstenaars --- beeldhouwkunst --- architectuur --- Installation art --- Environment (Art) --- Catalogs. --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Beeldhouwkunst ; 2000 - 2050 --- Ólafur Elíasson, --- Elíasson, Ólafur, --- Studio Olafur Eliasson --- sculpture [visual works] --- Conceptual art --- Art conceptuel --- Ólafur Elíasson --- Conceptual art. --- Art conceptuel. --- Catalogs --- Elíasson, Ólafur --- Installations (Art) - 21st century - Catalogs. --- Art, Modern - 21st century - Catalogs. --- Ólafur Elíasson, - 1967- - Catalogues raisonnés. --- Olafur Eliasson, --- kunst in de openbare ruimte --- kunst en wetenschap --- Ólafur Elíasson, - 1967 --- -Art --- -Installations (Art) --- Ólafur Elíasson, - 1967-
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Le Studio Olafur Eliasson est un laboratoire expérimental installé à Berlin. Espace interdisciplinaire qui se propose d'ouvrir des dialogues d'un type nouveau entre l'art et son environnement, il est dirigé et animé par le célèbre artiste dano-islandais Olafur Eliasson. Cet ouvrage de référence permet au lecteur de pénétrer au coeur des multiples projets du Studio. Les concepts clé à l'origine des oeuvres sont présentés par ordre alphabétique et développés lors de conversations avec l'artiste. Il présente la majorité des installations, photographies, sculptures et projets architecturaux d'Eliasson à ce jour, ainsi que des éléments sur le processus de recherche du Studio.
Eliasson, Olafur --- Couleur --- Design --- Installation-art --- Lumière --- Perception de l'architecture --- Perception de l'espace --- Rapport architecture-nature --- Rapport architecture-sculpture --- Rapport art-architecture --- Ólafur Elíasson, --- Themes, motives --- Studio Olafur Eliasson --- Olafur Eliasson, --- Studio Olafur Eliasson. --- Encyclopedieën --- Kunsten --- Experimentele kunst --- kunst --- Denemarken --- Ijsland --- installaties --- ateliers --- Eliasson Olafur --- 7.071 --- 7.07 --- Eliasson, Olafur °1967 (°Kopenhagen, Denemarken) --- Beeldende kunst ; installaties ; 1990-2008 ; Olafur Eliasson --- Environments ; atmosferische aspecten --- Ingrepen in de architecturale ruimte --- Landschappen ; kunstzinnige ingrepen --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Encyclopedie --- Kunst --- Ólafur Elíasson, - 1967- - Themes, motives --- Ólafur Elíasson, - 1967 --- -Encyclopedie
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Installations (Art) --- Light in art. --- Rainbows in art --- Lumière dans l'art --- Arc-en-ciel dans l'art --- Olafur Eliasson, --- Interviews. --- Aarhus kunstmuseum.
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