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Voor het theatergezelschap De Parade ontwikkelt auteur en regisseur Rudi Meulemans al meer dan vijfentwintig jaar documentair toneel van uitgepuurde soberheid en essentie. Meulemans onderzoekt de biografie van grensverleggende kunstenaars en wetenschappers en botst daarbij op de problematiek van de Einzelgänger, het discours over kunst en de band met de westerse canon en het maatschappelijk engagement. --
Dutch literature --- Flemish drama --- 82.07 --- 82-2 --- Biografieën ; Caravaggio --- Charles Darwin --- Edouard Manet --- Francis Bacon --- Susan Sontag --- Robert Mapplethorpe --- Literaire auteurs --- Literatuur ; drama, toneel --- Flemish literature
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Manet, Edouard --- Manet, Edouard 1832-1883 (°Parijs, Frankrijk) --- Schilderkunst ; Frankrijk ; 19de eeuw ; Edouard Manet --- Schilderkunst ; Impressionisme --- Marineschilderkunst ; E. Manet en invloeden --- Thema's in de schilderkunst ; zeegezichten ; marines --- Tentoonstellingscatalogi ; Amsterdam ; Van Gogh Museum --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Exhibitions --- Influence --- Marine painting [French ] --- 19th century
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"In America today there is no lyric work more compelling and well made than To the Center of the Earth," Allen Grossman wrote ten years ago of Michael Fried's last collection of poetry. Fried's new book, The Next Bend in the Road, is a powerfully coherent gathering of lyric and prose poems that has the internal scope of a novel with a host of characters, from the poet's wife and daughter to Franz Kafka, Paul Cézanne, Osip Mandelstam, Sigmund Freud, Gisèle Lestrange, and many others; transformative encounters with works of art, literature, and philosophy, including Heinrich von Kleist's "The Earthquake in Chile," Giuseppe Ungaretti's "Veglia," and Edouard Manet's Le Déjeuner sur l'herbe; and, running through the book from beginning to end, a haunted awareness of the entanglement of the noblest accomplishments and the most intimate joys with the horrors of modern history.
American poetry. --- American literature --- poetry, collection, creative writing, literature, contemporary, poetics, gisele lestrange, sigmund freud, osip mandelstam, paul cezanne, franz kafka, wife, daughter, family, joy, horror, humanity, le dejeuner sur lherbe, edouard manet, veglia, giuseppe ungaretti, earthquake in chile, heinrich von kleist, art, philosophy, prose poems, lyric, nobility, noble, good and evil, terror, vice.
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From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art's history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century's most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist's struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.
Art, European --- Art and society --- Art and revolutions --- Realism in art. --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art --- Revolutions and art --- Arts and revolutions --- Politics in art --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- Realism in art --- 19th century, art history, transformation, transformational, european, europe, america, american, french commune, civil war, independence, karl marx, charles darwin, civic, upheaval, change, science, technology, realism, walt whitman, abraham lincoln, honore daumie, emile zola, edouard manet, gustave courbet, photography, artists, writers, creativity, literature, poetry, aesthetics, cultural, political, interpretation, revolution, slavery, manifest destiny, impressionism.
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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
French literature --- Motion pictures --- History and criticism. --- France --- In literature. --- In art. --- In motion pictures. --- jean fornasiero --- sonya stephens --- the artwork of the baudin expedition to australia (1800-1804): nicolas-martin petit's 1802 portrait of an aboriginal woman and child from van diemen's land --- french culture --- nicole starbuck --- jane southwood --- ben mccann --- annie ernaux's phototextual archives: ecrire la vie --- french literature --- the return of trauner: late style in 1970s and 1980s french film design --- french photography --- john west-sooby --- framing the eiffel tower: from postcards to postmodernism --- colonial vision --- french voyager-artists --- aboriginal subjects and the british colony at port jackson --- an artist in the making: the early drawings of charles-alexandre lesueur during the baudin expedition to australia --- framing new holland or framing a narrative? a representation of sydney according to charles-alexandre lesueur --- Édouard Manet --- Paris
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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
French literature --- Motion pictures --- History and criticism. --- France --- In literature. --- In art. --- In motion pictures. --- jean fornasiero --- sonya stephens --- the artwork of the baudin expedition to australia (1800-1804): nicolas-martin petit's 1802 portrait of an aboriginal woman and child from van diemen's land --- french culture --- nicole starbuck --- jane southwood --- ben mccann --- annie ernaux's phototextual archives: ecrire la vie --- french literature --- the return of trauner: late style in 1970s and 1980s french film design --- french photography --- john west-sooby --- framing the eiffel tower: from postcards to postmodernism --- colonial vision --- french voyager-artists --- aboriginal subjects and the british colony at port jackson --- an artist in the making: the early drawings of charles-alexandre lesueur during the baudin expedition to australia --- framing new holland or framing a narrative? a representation of sydney according to charles-alexandre lesueur --- Édouard Manet --- Paris
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Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergère, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock.
75.07 --- Schilderkunst ; Manet ; Bar au Folie Bergère ; 1882 --- Schilderkunst ; Frankrijk ; 19de eeuw ; Edouard Manet --- Schilderkunst ; Impressionisme --- Manet, Edouard 1832-1883 (°Parijs, Frankrijk) --- Schilderkunst ; schilders --- Painting --- Historiography. --- CDL --- 75.071 MANET --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Historiography --- Manet, Edouard, --- Manet, Édouard, --- Chabrier, Emmanuel, --- Manė, Eduard, --- Manet, Éduard, --- מאנה, אדוארד, --- Criticism and interpretation. --- Manet, Edouard --- Criticism and interpretation --- Manet, Edouard, - 1832-1883. - Bar at the Folies-Bergáere. --- Manet, Edouard, - 1832-1883 - Criticism and interpretation. --- Painting - Historiography. --- Manė, Eduard --- Manet, Éduard --- ART / History / General. --- Alphonsus Liguori. --- Atelier. --- Autumn. --- Bar. --- Bundle of Asparagus. --- Danse Macabre. --- Dictionnaire. --- Hamlet. --- History of Art. --- Illuminations. --- Jesus. --- Luncheon on the Grass. --- Manet’s Sources. --- Nana. --- Olympia. --- Philosophy of Right. --- Quiet. --- Screen. --- The Courtauld Collection. --- The Railroad. --- The Surprised Nymph. --- White Girl. --- Woman with a Parrot. --- amateurs. --- comestibles. --- compotier. --- consommations. --- corrida. --- coulisses. --- difference. --- doppelganger. --- en point. --- feminist. --- grand magasin. --- guinguettes. --- habit noir. --- historical. --- incommunicable. --- individual experience. --- lorgnette. --- maquillage. --- mirror image. --- model. --- modernity. --- natures mortes. --- petit-bourgeoise. --- physical explanation. --- postmodern. --- prima facie. --- promenoir. --- reflects. --- representation. --- seize mai. --- serveuse. --- tache. --- turbulence. --- vanitas.
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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
French literature --- Motion pictures --- History and criticism. --- France --- France --- France --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- In literature. --- In art. --- In motion pictures. --- jean fornasiero --- sonya stephens --- the artwork of the baudin expedition to australia (1800-1804): nicolas-martin petit's 1802 portrait of an aboriginal woman and child from van diemen's land --- french culture --- nicole starbuck --- jane southwood --- ben mccann --- annie ernaux's phototextual archives: ecrire la vie --- french literature --- the return of trauner: late style in 1970s and 1980s french film design --- french photography --- john west-sooby --- framing the eiffel tower: from postcards to postmodernism --- colonial vision --- french voyager-artists --- aboriginal subjects and the british colony at port jackson --- an artist in the making: the early drawings of charles-alexandre lesueur during the baudin expedition to australia --- framing new holland or framing a narrative? a representation of sydney according to charles-alexandre lesueur --- Édouard Manet --- Paris
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