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Periodical
Film history : an international journal.
Authors: ---
ISSN: 15533905 08922160 Year: 1987 Publisher: New York : London : London : Bloomington, IN : Bloomington, IN : Taylor & Francis, John Libbey John Libbey ; Indiana University Press Indiana University Press

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Abstract

Film History publishes original research on the international history of cinema, broadly and inclusively understood. Its areas of interest are the production, distribution, exhibition, and reception of films designed for commercial theaters as well as the full range of nontheatrical, noncommercial uses of motion pictures; the role of cinema as a contested cultural phenomenon; the technological, economic, political, and legal aspects of film history; the circulation of film within and across national borders; and the relations between film and other visual media and forms of commercial entertainment.


Book
The silvering screen
Author:
ISBN: 9781442686045 1442661984 1442686049 9781442661981 1442611049 9781442611047 9781442611047 1442611049 9781442640795 1442640790 Year: 2011 Publisher: Toronto, Ontario

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Popular films have always included elderly characters, but until recently, old age only played a supporting role on screen. Now, as the Baby Boomer population hits retirement, there has been an explosion of films, including Away From Her, The Straight Story, The Barbarian Invasions, and About Schmidt, where aging is a central theme. This book is a sustained discussion of old age in cinema. It brings together theories from disability studies, critical gerontology, and cultural studies, to examine how the film industry has linked old age with physical and mental disability. The author further examines Hollywood's mixed messages, the applauding of actors who portray the debilitating side of aging, while promoting a culture of youth, as well as the gendering of old age on film. The book makes an attempt to counter the fear of aging implicit in these readings by proposing alternate ways to value getting older.


Book
French literature on screen
Authors: ---
ISBN: 1526133156 9781526133151 9781526133168 1526133164 9781784995171 1784995177 Year: 2019 Publisher: Manchester

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This collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian's Oh. (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France's literary representations in the history of global cinema.

Keywords

French literature --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism. --- Film adaptations --- History --- History and criticism --- Rezeption --- Literatur --- Französisch --- French literature. --- Motion pictures. --- 24.32 history of film art. --- 18.25 French literature. --- Bibel --- Philemonbrief --- <> Brief an Philemon --- Phlm --- Philem --- Philm --- Phm --- Film --- Flm --- Fm --- Epistula ad Philomenem --- <> letter to Philemon --- Epître à Philémon --- Epistle to Philemon --- Paulus --- France. --- France (Provisional government, 1944-1946) --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- Film Studies --- Film Theory & Criticism --- PERFORMING ARTS / Film / History & Criticism --- Cultural studies --- Farans --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Pʻŭrangs --- Adaptation. --- American Film. --- British Film. --- Film History. --- Film Studies. --- French Film. --- French Literature. --- Industry Studies. --- National Cinema. --- Silent Film.

The warrior's camera : the cinema of Akira Kurosawa
Author:
ISBN: 0691031606 0691008590 0691214182 0691010463 Year: 1991 Publisher: Princeton : Princeton University Press,

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Abstract

The Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language film, helped ignite Western interest in the Japanese cinema. Seven Samurai and Yojimbo remain enormously popular both in Japan and abroad. In this newly revised and expanded edition of his study of Kurosawa's films, Stephen Prince provides two new chapters that examine Kurosawa's remaining films, placing him in the context of cinema history. Prince also discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas. Providing a new and comprehensive look at this master filmmaker, The Warrior's Camera probes the complex visual structure of Kurosawa's work. The book shows how Kurosawa attempted to symbolize on film a course of national development for post-war Japan, and it traces the ways that he tied his social visions to a dynamic system of visual and narrative forms. The author analyzes Kurosawa's entire career and places the films in context by drawing on the director's autobiography--a fascinating work that presents Kurosawa as a Kurosawa character and the story of his life as the kind of spiritual odyssey witnessed so often in his films. After examining the development of Kurosawa's visual style in his early work, The Warrior's Camera explains how he used this style in subsequent films to forge a politically committed model of filmmaking. It then demonstrates how the collapse of Kurosawa's efforts to participate as a filmmaker in the tasks of social reconstruction led to the very different cinematic style evident in his most recent films, works of pessimism that view the world as resistant to change.

Keywords

791.44 --- J6839 --- J6800.80 --- Filmproductie. Filmindustrie --- Japan: Media arts and entertainment -- cinema --- Japan: Performing and media arts -- history -- Gendai (1926- ), Shōwa period, 20th century --- Kurosawa, Akira --- -Criticism and interpretation --- 791.44 Filmproductie. Filmindustrie --- Kurosawa, Akira, --- Heize, Ming, --- Kurosava, Akira, --- Kurōcāvā, Akirā, --- 黑沢明, --- 黑澤明, --- 黒沢明, --- 黒澤明, --- Kūrūsāvā, Ākīrā, --- کوروساوا، آکيرا, --- Criticism and interpretation. --- 黑沢明 --- Film. --- Cine --- Producción y dirección --- Kurosawa, Akira. --- Crítica e interpretación. --- Bibel --- Japan. --- American Western. --- Ashikaga era. --- Bakhtin, Mikhail. --- Buddhism. --- Chaplin, Charles. --- Dersu Uzala. --- Dodeskaden. --- Drunken Angel. --- Eisenstein, Sergei. --- Godard, Jean-Luc. --- Gorky, Maxim. --- Hayasaka Fumio. --- Hojoki. --- Ikiru. --- Kagemusha. --- Leone, Sergio. --- Madadayo. --- Marxism. --- Nakadai Tatsuya. --- Neo-Confucianism. --- Noh theater. --- Oda Nobunaga. --- Oguni Hideo. --- Peckinpah, Sam. --- Ran. --- Red Beard. --- Sengoku period. --- Shimura Takashi. --- Takeda Shingen. --- Tokugawa period. --- haiku. --- individualism. --- karma. --- satori. --- Philemonbrief --- <> Brief an Philemon --- Phlm --- Philem --- Philm --- Phm --- Film --- Flm --- Fm --- Epistula ad Philomenem --- <> letter to Philemon --- Epître à Philémon --- Epistle to Philemon --- Paulus --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Akira, Kurosawa --- Heize, Ming --- Kurosava, Akira --- Kurōcāvā, Akirā --- Kūrūsāvā, Ākīrā --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- Kirosawa Akira --- Kurusava, Akira --- 黒沢明 --- 黒澤, 明 --- 黒澤明 --- Filmregisseur --- Regisseur --- 1910-1998 --- I͡Aponii͡ --- KUROSAWA, AKIRA (1910-...) --- ANALYSE CINEMATOGRAPHIQUE

Passions and deceptions : the early films of Ernst Lubitsch
Author:
ISBN: 0691008787 9780691008783 0691031975 0691222053 Year: 1992 Publisher: Princeton, N.J. : Princeton University Press,

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A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career.

Keywords

Lubitsch, Ernst --- Silent films --- Films muets --- History and criticism --- Histoire et critique --- Lubitsch, Ernst, --- Criticism and interpretation --- History and criticism. --- Criticism and interpretation. --- Film. --- Motion picture producers and directors --- Films. --- Silent films. --- Histoire et critique. --- Lubitsch, Ernst. --- Critique et interpretation. --- Bibel --- Germany. --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Philemonbrief --- <> Brief an Philemon --- Phlm --- Philem --- Philm --- Phm --- Film --- Flm --- Fm --- Epistula ad Philomenem --- <> letter to Philemon --- Epître à Philémon --- Epistle to Philemon --- Paulus --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- 德国 --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Герман Улс --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Angel. --- Anna Boleyn. --- Austernprinzessin, Die. --- Berger, Ludwig. --- Bergkatze, Die. --- Blind Husbands. --- Boese, Carl. --- Bourget, Jean-Loup. --- Buchanan, Jack. --- Buchowetzki, Dimitri. --- Capra, Frank. --- Carmen. --- Chevalier, Maurice. --- Colbert, Claudette. --- Corliss, Richard. --- Danton. --- Davidson, Paul. --- Design for Living. --- Dingelmann, Wilhelm. --- Doane, Mary Ann. --- Dreier, Hans. --- Durgnat, Raymond. --- Ebert, Friedrich. --- Eisenstein, Sergei. --- Eisner, Lotte. --- Fall, Leo. --- Forbidden Paradise. --- Ford, John. --- Froelich, Carl. --- Fräulein Seifenschaum. --- Genuine. --- Grafe, Frieda. --- Gregor, Ulrich. --- Hallelujah. --- Hasenclever, Walter. --- Hintertreppe. --- HufF, Theodore. --- If I Had a Million. --- Intolerance. --- Iser, Wolfgang. --- Jacobs, Lewis. --- Janson, Victor. --- Kracauer, Siegfried. --- Lang, Fritz. --- Lombard, Carole. --- Monsieur Beaucaire. --- Negri, Pola. --- Ossis Tagebuch. --- Oswalda, Ossi. --- Porten, Henny. --- Rausch. --- Réveillon. --- Shearer, Norma. --- Tannenbaum, Eugen. --- Lubitsch, Ernesto --- Filmregisseur --- Schauspieler --- Filmproduzent --- Drehbuchautor --- Berlin --- Los Angeles- Bel Air, Calif. --- Oswalda, Ossi --- 29.01.1892-30.11.1947 --- 1892-1947 --- Europe

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