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Occupy, Commons and other social experiments show: New collectivities are invented and tested. Gesa Ziemer enriches this debate through the insight that in the process, the reinterpretation of old forms of joint action can play an essential role. By looking at complicities in art, science and economy, ongoing collectivization is exposed. Complicity means the committing of an act together, so the definition of criminal law. But for a long time now the concept has also been targeted at legal collective actions - mainly in innovative environments. Individuals act jointly in an intensely affective way - albeit only temporarily, bindingly in common - but still individually, inventively - and at the same time in a goal-oriented manner.
Paperback / softback --- Art --- Collectives --- Cultural Studies --- Culture --- Diagnosis of Our Time --- Economy --- Individual --- Public --- Science --- Social Relations --- Society --- Sociology of Art --- Sociology of Culture --- Work --- 700 --- 1510: Hardcover, Softcover / Geisteswissenschaften allgemein --- Arbeitsgruppe --- Teamtheorie --- Kollektivismus --- (Produktform)Paperback / softback --- (DDC Deutsch 22)700 --- (VLB-WN)1510: Hardcover, Softcover / Geisteswissenschaften allgemein --- Arbeitsgruppe. --- Teamtheorie. --- Kollektivismus. --- Accomplices (International law) --- International criminal law --- Complicity; Collectives; Public; Work; Individual; Art; Science; Economy; Social Relations; Society; Culture; Cultural Studies; Sociology of Art; Sociology of Culture; Diagnosis of Our Time --- Art. --- Collectives. --- Cultural Studies. --- Culture. --- Diagnosis of Our Time. --- Economy. --- Individual. --- Public. --- Science. --- Social Relations. --- Society. --- Sociology of Art. --- Sociology of Culture. --- Work.
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How have digital technologies affected the truth claim of photography? What has been the artistic response to the technological and societal transformations the digital revolution has brought about? Claus Gunti explores the widespread implications of the digital in the work of renowned photographers of the Düsseldorf School, Thomas Ruff, Andreas Gursky and Jörg Sasse, stretching from ties to conceptual art to the development of a globalized visual culture. The study provides a model for understanding the digital revolution in photography and shows that it ought to be understood beyond a strictly technological perspective.
760.5 --- Düsseldorf School --- 767 --- digitale fotografie --- digitale kunst --- fotogeschiedenis --- Becher, Bernd --- Becher, Hilla --- the Becher protocol --- Ruff, Thomas --- Gursky, Andreas --- Sasse, Jörg --- fotografie, verzamelen - musea - tentoonstellingen --- fotografie, bijzondere technieken in de fotografie --- (Produktform)Paperback / softback --- (Zielgruppe)Fachpublikum/ Wissenschaft --- Art --- Digital --- Culture --- Computer --- Germany --- Düsseldorf School --- Thomas Ruff --- Andreas Gursky --- Jörg Sasse --- Art History of the 21st Century --- European Art --- Visual Studies --- Fine Arts --- (DDC Deutsch 22)700 --- (DDC Deutsch 22)750 --- (VLB-WN)1744: Hardcover, Softcover / Medien, Kommunikation/Medienwissenschaft --- Photography --- image processing --- digital imaging --- digital photography [digital camera]
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