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Bauhaus Imaginista is a major international project marking the centenary of this fascinating and popular school, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life, and was active in the fields of architecture, performance, design and visual art. Its original teachers included such renowned figures as Paul Klee, Wassily Kandinsky, Laszlo Moholy-Nagy and Josef Albers. 0Placing a rare emphasis on the international dissemination and reception of the Bauhaus, this book accompanies a touring exhibition, and presents four chapters that extend from Bauhaus education to the school's diverse history beyond Europe. Rethinking the Bauhaus school from a global perspective, it sets the school's entanglements against a century of geopolitical change. The reader is taken to art and design museums, campus galleries and art institutes in India, Japan, China, Russia, Brazil and the United States, as well as Berlin.

Art, German --- Art --- Study and teaching --- History --- Bauhaus --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- Art, Primitive --- Art, German - 20th century - Exhibitions. --- Art - Study and teaching - Germany - History - 20th century --- Art - Study and teaching --- Art, German - 20th century.

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architectuur --- ruimtelijke ordening --- Environmental planning --- Architecture --- architecture [discipline] --- comprehensive plans [reports] --- Algiers --- Morocco --- Architecture, Modern --- Modernism (Aesthetics) --- Modernisme (Esthétique) --- Aesthetics. --- Esthétique --- Colonial cities --- Modern Architecture --- Architecture, Colonial --- Decolonization --- 71.037 --- Koloniale architectuur ; 20ste eeuw : Modernisme --- Postkoloniale architectuur --- Marokko --- Algerije --- Ecochard, Michel --- Loos, Adolf --- Osfour, Mohamed --- Darsi, Hassan --- 711.4 --- 72.036 --- 72.01 --- Sovereignty --- Autonomy and independence movements --- Colonization --- Postcolonialism --- Colonial architecture --- Modern architecture --- Cities and towns, Colonial --- Colonial towns --- Cities and towns --- Geschiedenis van de stedenbouw ; 1900 - 1950 --- Gemeentelijke planologie. Stadsplanning. Stedenbouw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- 711.4 Gemeentelijke planologie. Stadsplanning. Stedenbouw --- Modernism (Aesthetics). --- Modernisme (Esthétique) --- Esthétique --- Colonial revival (Architecture) --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect

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Gülsün Karamustafa (b. 1946) is regarded as one of the most important artists of the second half of the 20th century in Turkey, where her work has been a decisive influence on younger generations of Turkish artists since the 1990s. Internationally her work has been shown in numerous exhibitions. Now, after the first retrospective of her work at SALT Istanbul in 2013, the Hamburger Bahnhof will stage a comprehensive solo exhibition of her work in a museum setting, introducing her work to a wider public.

Karamustafa's oeuvre stretches from the mid-1970s to the present day and encompasses various media, including painting, installation, performance art, and video. Her work focuses on questions of migration, politically-induced nomadism, pop culture, feminism and gender, and often provides a critical analysis of the Western view of Middle-Eastern countries. Rendered in a variety of media, these subjects permeate all phases and forms of her artistic work and are of unmistakable relevance to current debates.

The exhibition at the Hamburger Bahnhof – Museum für Gegenwart – Berlin, curated by Melanie Roumiguière, illustrates how these themes have recurringly interlaced with each other over the decades: the approximately 110 works are deliberately displayed not according to chronology, but rather by theme, thus revealing the underlying and ongoing dialogue between them. In addition to well-known major works, such as the installation Mystic Transport (1992), the video work Memory of a Square (2005), and the Prison Paintings from the 1970s, the exhibition Chronographia also features many works that have rarely gone on display before. Key works from the 1990s, such as Kültür: A Gender Project from Istanbul (1996) and NEWORIENTATION (1995) will be presented for the first time since their initial showing decades ago. Along with a work created especially for the show, other more recent works such as Porters Loading (2013) and The Monument and the Child (2010) represent the artist's current practice.

Art --- installations [visual works] --- easel paintings [paintings by form] --- Contemporary [style of art] --- Karamustafa, Gülsün --- Turkey

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BAVO --- Hirschhorn, Thomas --- Mik, Aernout --- Osten, Marion von