Listing 1 - 10 of 15 | << page >> |
Sort by
|
Choose an application
Choose an application
Fotojournalistiek --- Fotografie --- Journalistiek --- Beeldcommunicatie
Choose an application
Fotojournalistiek --- Fotografie --- Journalistiek --- Beeldcommunicatie
Choose an application
Sinds 1955 bekroont de jaarlijkse World Press Photo Contest de beste visuele journalistiek van het jaar. Het World Press Photo Yearbook 2020 toont de nieuwste winnaars - de meest opvallende beelden en meeslepende verhalen uit 2019. Dit jaar kreeg het boek een nieuw design, dat werd onthuld na de bekendmaking van de winnaars. De winnaars van de 2020 Photo Contest en de Digital Storytelling Contest 2020 - inclusief de winnaar van de World Press Photo of the Year en de drie andere grote prijzen - werden bekend gemaakt op de avond van 16 april 2020 en gepresenteerd aan ons wereldwijde publiek via een breed scala aan online- en mediakanalen.https://www.lannoo.be/nl/world-press-photo-2020
Fotojournalistiek --- Fotografie --- Journalistiek --- Beeldcommunicatie
Choose an application
Choose an application
Photography --- Photojournalism --- Awards.
Choose an application
Choose an application
Within the forms coined to be portals, Only blinking made it stay unfolds in an autonomous body of work cherry-picking under the escapist's gaze. A search for purpose and significance, finding its footing in the all-consuming current of everyday life. Portals appear and reappear throughout. Shifting from method to motif. Becoming mirrors for reflection and a filtered window through which the world is looked at. Undergoing an ever-changing connection, and the facets attempting to make it real. Looking longer, and overlooking. The fragile quality of the tangible object. Revisiting and reinterpreting. Shaping and reshaping. Blinking being the means by which it’s saved from sinking further back. A reflective, opinion-based essay becomes the framework behind the artistic front, attempting to define authorship and the concepts that make up the signature. Anecdotal entries entangle themselves with a stream of consciousness. Marking the beginning of a work in process.
Choose an application
one can see the past as a jar; the jar has a lid on and all these memories and scenarios live in peace in the jar, sometimes multiplying and sometimes dwindling through time. But what happens when you take the jar, and you open it? One can take out a memory and bring it to the present where you can relive the memory as it comes to exist in what we call the present, would this memory be the same as it was in the jar? Or would the future take it and perish it since it no longer lives in the safety of the jar? With this, I would want to explore my own jar, see what lives in peace within since I have always felt at home in these moments that have come to exist in this jar. These moments have become my home, my comfort, but what is the definition of home and comfort? Is it a place? Is it a person, an emotion perhaps? Or is it within yourself, in the realm of the subconscious mind where the jar exists? With this, I am going to open my jar of memories by going back to the places where I created found memories that I “live” in daily.
Choose an application
‘Mother’ ‘Mother’ Is an experimental short film directed and created by Helena Di Troia. The short-film serves as a poetic and complete artistic reflection of Helena’s personality. The used imagery is born from complex emotions and poetry that represent a creative extraction of Helena’s internal conflict and poetical view on life bound to the ideologies of motherhood and womanhood. The film portrays a young woman with the desire to become a mother as she contemplates herself and her own beautiful feminine body which at the same time hinders her from carrying a child. By presenting my film, she aspires to creates an intimate moment with the public. A moment in which her purest self is presented for the viewer in order to tell a truth. A truth that arises from the power of film and a fictional reflection on non-fictional events from her personal frame of experiences. Presenting an artwork that gifts the viewer a possibility to transcend their life as a moment of reflection, leading to the capacity of imaging the horrors of another life. To open their mind, to share things that can not be talked about in other experiences and to eventually empathise with other individuals or organisms. Helena believes that it is possible to recycle complex emotions like grief into to a creative form of expression and that this can ultimately contribute to the well-being of the creator. She sees film as the ultimate artistic pantheon that expands interior conflicts into an artwork with the capacity of being understood by a wider public. With ‘Mother’, she wants to present a story that carries an emotional message about life, suffering, longing, love and letting go. She wants to conjure the the viewers empathy. This empathy could result into a new insight on the topic, to clash through the dubiousness, misconceptions and taboo-like atmospheres surrounding infertility and its accompanying lifestyle and to make this topic more addressable.
Listing 1 - 10 of 15 | << page >> |
Sort by
|