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Jananne al Ani; Francis Alys; Uri Ancarani; Oreet Ashery; Ed Atkins; Judith Barry; Gretchen Bender; Dara Birnbaum; Black Audio Film Collective; Brad Butler; Olga Chernysheva; James coleman; Minerva; Cuevas; Stan Douglas; Olafur Eliasson; VALIE EXPORT; Harun Farocki; Omer Fast; Morgan Fisher; Hollis Frampton; Melanie Gilligan; Joana Hadjithomas; Gary Hill; Susan Hiller; William Kentridge; Anja Kirchner; Steve McQueen; Jumana Manna; Karen Mirza; Rabih Mroué; Otolith Group; Nam June Paik; Luther Price; Yvonne Rainer; R.V.Ramani; Pipilotti Rist; Ben Rivers; Tyan Trecartin; Trinh T. Minh-Ha; Bill Viola

Motion in art --- Technology and the arts --- Arts and globalization --- Space (Art) --- Motion in art. --- Technology and the arts. --- Arts and globalization. --- 778.5.01 --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Beeldende kunst en bewegend beeld --- Videokunst ; video-installaties --- Beeldende kunst en nieuwe media --- Kunst en technologie --- Kunst en beweging --- Kunst en globalisering --- Experimentele film --- Body Art --- Site specific art --- Space (Art). --- Mouvement --- Technologie et arts --- Art et mondialisation --- Art vidéo --- Dans l'art --- performance art --- installations [visual works] --- art theory --- new media art --- site-specific works --- body arts [discipline] --- moving images --- video art --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Black Audio Film Collective --- Viola Bill --- Trinh T. Minh-ha --- Trecartin Ryan --- Rivers Ben --- Rist Pipilotti --- Ramani R.V --- Rainer Yvonne --- Price Luther --- Paik Nam June --- Otolith group --- Mroué Rabih --- Mirza Karen --- Manna Jumana --- McQueen Steve --- Kirschner Anja --- Kentridge William --- Hiller Susan --- Hill Gary --- Hadjithomas Joana --- Gilligan Melanie --- Frampton Hollis --- Fisher Morgan --- Fast Omer --- Farocki Harun --- VALIE EXPORT --- Eliasson Olafur --- Douglas Stan --- Cuevas Minerva --- Coleman James --- Chernysheva Olga --- Butler Brad --- 791.43 --- 7.038/039 --- 791.41 --- 7.01 --- kunsttheorie --- filmtheorie --- Birnbaum Dara --- Bender Gretchen --- Barry judith --- Atkins Ed --- Ashery Oreet --- Ancarani Yuri --- Alÿs Francis --- al-Ani Jananne --- performances --- lichamelijkheid --- body art --- video-installaties --- installaties --- kunst en film --- kunst --- film --- Kunst --- installaties [kunstwerken] --- videokunst [kunstwerken] --- performances [live] --- plaatsspecifieke werken --- bewegende beelden --- lichaamskunst --- nieuwe mediakunst --- Technologie et arts. --- Art et mondialisation. --- Art vidéo. --- Dans l'art.

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Depuis le milieu des années 1990, Joana Hadjithomas & Khalil Joreige (nés en 1969, vivent et travaillent à Beyrouth et Paris) élaborent une œuvre riche et multiforme qui embrasse les champs de la photographie, des arts plastiques, du cinéma de fiction et du documentaire. En 2008, ils ont présenté au Festival de Cannes Je veux voir, un long‐métrage de fiction avec Catherine Deneuve et Rabih Mroué ; en mai 2013, ils ont sorti le film documentaire The Lebanese Rocket Society : l'étrange histoire de l'aventure spatiale libanaise.Leur approche multiple de la création donne naissance à une esthétique singulière où les questions du visible et du caché, des relations entre la fiction et la réalité tiennent une place primordiale. Le processus d'enquête et de mise au jour, les représentation de données historiques, culturelles et politiques sont au cœur de leur démarche. Ils expliquent : « Tout notre travail se fonde à la frontière d'un réel où se pose continuellement la question du territoire, de sa délimitation (celui de l'art, celui de la vie personnelle), la question du corps social et du corps individuel dans une société communautaire, dans un temps où il est de plus en plus difficile de se poser en individu vecteur de la pensée et de la possible opposition, de dire “je”, de dire “je suis cet être‐là avec ses contradictions ; je suis là et, plus encore qu'un individu, je suis un sujet politique singulier”. »

Internet --- Aspect social. --- Hadjithomas, Joana, --- Joreige, Khalil, --- Exhibitions.

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Enter the New York art scene of the 1970s and '80s with fresh eyes. Award-winning author and curator, Omar Kholeif, weaves us through the many worlds of Sonia Balassanian, an Iranian American artist of Armenian descent who came to renown with her political art in the 1980s and early '90s. In these pages, the author delves into poetry and Lyrical Abstraction, as well as collage and portraiture developed in response to the American hostage crisis in Iran. Travel from the exhibition halls of MoMA, New York, to the monasteries of rural Armenia.

7.071 --- kunst --- kunstenaars --- Verenigde Staten --- Iran --- twintigste eeuw --- installaties --- schilderkunst --- videokunst --- kunst en politiek --- mixed media --- abstractie --- lyrisch-abstracte kunst --- Balassanian Sonia --- LGBTQIA+ --- Art --- paintings [visual works] --- collages [visual works] --- drawings [visual works] --- prints [visual works] --- sculpture [visual works] --- installations [visual works] --- multimedia works --- poetry --- video art --- political art --- portraits --- Balassanian, Sonia

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Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online grieving; and from the mediation of visual culture to the thickening of the digital sphere. Accompanying an ambitious exhibition conceived by the Sharjah Art Foundation and volume editor and curator Omar Kholeif, the book is a work of art and a labor of love, emulating the labyrinthine corridors of the exhibition itself. Created by a group of writers, artists, designers, photographers, and publishers, Art in the Age of Anxiety calls upon us to consider what our collective future will be and how humanity will adapt to it.

Art and technology --- Art and society --- Art and the Internet --- Information technology --- Social aspects

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Art --- art [discipline] --- technology [general associated concept] --- cities --- political art --- identity --- landscapes [environments] --- Rakowitz, Michael --- Gates, Theaster --- Cao Fei --- Denny, Simon --- Hadjithomas, Joana --- Issa, Iman --- Joreige, Khalil --- Madani, Tala --- Manna, Jumana --- Nkanga, Otobong --- Paglen, Trevor --- Panayiotou, Christodoulos --- Qureshi, Imran --- Richards, James --- Sarkissian, Hrair --- Shah, Tejal --- Steyerl, Hito --- Thomas, Hank Willis --- Trecartin, Ryan --- Villar Rojas, Adrián --- Wa Lehulere, Kemang --- Xu Zhen --- Yiadom-Boakye, Lynette --- Abu Hamdan, Lawrence --- Al Maria, Sophia --- Andrade, de, Jonathas --- Lee Kit --- Henrot, Camille --- Tanaka, Koki --- Magdy, Basim --- Ulman, Amalia --- Guan, Xiao --- Zhou Tao --- Cheng, Ian --- Kambalu, Samson --- Novitskova, Katja --- Satterwhite, Jacolby --- Bridle, James --- Makhacheva, Taus --- Linder, Adam --- Jie, Cui --- Crespo, Andrea --- Bailey, Jeremy --- Dullaart, Constant --- Phillipson, Heather --- Blas, Zach --- Hempton, Celia --- Abbas, Nadim --- Williams, Amanda --- Cahill, Zachary --- Barrada, Yto --- GCC --- Assemble --- DIS --- The Propeller Group