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Dekyndt, Edith ; Gaisumov, Aslan ; Grzymala, Monika ; Knowles, Tim ; Laet, Maria ; Sze, Sarah ; Vermeersch, Pieter ; Wlodarczak, Gosia ; Wolseley, John

performance art --- line drawings [drawings] --- sculpture [visual work] --- charcoal sticks --- installations [visual works] --- mixed media --- gouache [paint] --- video art --- ceramics [object genre] --- paper [fiber product] --- books --- drawings [visual works] --- sound sculpture --- Art --- pencils [drawing and writing equipment] --- hedendaagse kunst --- Dekyndt, Edith --- Gaisumov, Aslan --- Grzymala, Monika --- Knowles, Tim --- Laet, Maria --- Sze, Sarah --- Vermeersch, Pieter --- Wlodarczak, Gosia --- Wolseley, John --- sculpture [visual works] --- studio ceramics --- hedendaagse kunst. --- Dekyndt, Edith. --- Gaisumov, Aslan. --- Grzymala, Monika. --- Knowles, Tim. --- Laet, Maria. --- Sze, Sarah. --- Vermeersch, Pieter. --- Wlodarczak, Gosia. --- Wolseley, John.

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Arp, Hans (Jean) ; Artaud, Antonin ; Bacon, Francis ; Beckmann, Max ; Bonnard, Pierre ; Fautrier, Jean ; Flanagan, Barry ; Fuseli, Henry S. Füssli ; Giacometti, Alberto ; Hamilton Mortimer, John ; John, Gwen ; Penone, Giuseppe ; Reynolds, Joshua ; Rigby, Elizabeth

Drawing --- Gesture in art --- Motion in art --- Dessin --- Gestes dans l'art --- Mouvement dans l'art --- Catalogs. --- Exhibitions. --- Exhibitions --- Catalogues --- Expositions --- Tate Britain (Gallery) --- Tate Gallery (Londen) --- tekeningen --- Tekenkunst ; 18de tot 20ste eeuw ; uit de Tate collectie --- 741(091) --- (069) --- Tekenkunst ; geschiedenis --- (Musea. Collecties) --- Selected from the Tate Collection by Avis Newman ; Curated and Edited by Catherine De Zegher --- kunst --- tekenkunst --- kunsttheorie --- kunstgeschiedenis --- Agar Eileen --- Andre Carl --- Arp Jean --- Aylesford Heneage Finch --- Bacon Francis --- Beardsley Aubrey --- Beckmann Max --- Blake William --- Bonnard Pierre --- Brancusi Constantin --- Breton André --- Broodthaers Marcel --- Cage John --- Cézanne Paul --- Cozens Alexander --- Crotti Jean --- Dance George --- Dance-Holland Nathaniel --- Degas Edgar --- Denham John Charles --- Duchamp Marcel --- Epstein Jacob --- Fabro Luciano --- Fautrier Jean --- Flanagan Barry --- Flaxman John --- Fontana Lucio --- Fuseli Henry --- Gabo Naum --- Giacometti Alberto --- Goncharova Natalia --- Gris Juan --- Hamilton Richard --- Hepworth Barbara --- Hesse Eva --- Inchbold John William --- John Gwen --- Johns Jasper --- Latham John --- Léger Fernand --- LeWitt Sol --- Lissitzky El --- Magritte René --- Manzoni Piero --- Masson André --- Marden Brice --- Mesens E.L.T. --- Michaux Henri --- Mortimer John Hamilton --- Newman Barnett --- Ottley William Young --- Palermo Blinky --- Penone Giuseppe --- Picabia Francis --- Reynolds Joshua --- Rigby Elizabeth --- Ruscha Edward --- Schwitters Kurt --- Seba Albert --- Stothard Thomas --- Thornhill James --- Turner Joseph Mallord William --- Twombly Cy --- Warhol Andy --- Woodward George Montard --- Wright Joseph --- achttiende eeuw --- negentiende eeuw --- twintigste eeuw --- Arp Hans --- 741.03 --- drawing and drawing techniques --- hedendaagse kunst --- Modern [style or period] --- Contemporary [style of art] --- moderne kunst --- anno 1900-1999 --- drawing techniques --- drawing [image-making] --- Mesens E.L.T --- Tate Gallery --- National Gallery, British Art --- Tate Gallery, London --- National Gallery of British Painting, Modern Foreign Painting and Modern Sculpture --- Tate Modern (Gallery)

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Les 22 et 23 janvier 2011, Anne Teresa De Keersmaeker a interprété son solo Violin Phase au MoMA (The Museum of Modern Art) de New York. Violin Phase est l'un des quatre volets de Fase, four movements to the Music of Steve Reich, une pièce créée en 1981. Anne Teresa De Keersmaeker a dansé cette chorégraphie dans le sable, traçant ainsi progressivement un grand motif circulaire sur le sol du Marron Atrium. Les représentations ont cadré dans l'exposition On Line: Drawing through the Twentieth Century, organisée par Connie Butler et Catherine de Zegher. L ouvrage permet d immortaliser cette performance en offrant une série de photos exceptionnelles qui saisissent les mouvements de la danseuse et la composition construite par sa danse, le tout introduit par une présentation écrite de Catherine de Zegher et Erin Manning.

Academic collection --- Exhibitions --- Moderne dans --- De Keersmaeker, Anne Teresa --- Painting --- anno 1800-1899 --- Choreography --- Belgium --- Pictorial works --- Romanticism --- Netherlands --- romantiek. --- Verzameling Rademakers. --- Rademakers, Jef. --- 19de eeuw. --- Nederlanden. --- 21.02 history of painting. --- Particuliere verzamelingen. --- Romantiek. --- Schilderijen. --- Rademakers, Jef, --- anno 1800-1899. --- Nederland. --- Vlaanderen (België).

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Hesse, Eva

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Catherine De Zegher is directeur van het Museum voor Schone Kunsten te Gent, maar voordien werkte zij overal ter wereld als curator van tentoonstellingen, zoals “Inside the visible” en “Persistent Vestiges”. In deze reeks essays levert ze een bijdrage voor ons begrip van kunst, meer bepaald met de artistieke expressie van een aantal kunstenaressen waar ze de voorbije jaren mee samenwerkte. Er gaat veel aandacht uit naar de totstandkoming en esthetische praktijken, en ze legt ook de politiek-historische context bloot die aan de grondslag van een bepaald werk ligt. Het unieke van elke artiest en elk project is dan ook van groot belang. De invloed van het feminisme en daaraan gekoppelde intellectuele revolutie van de jaren 60 tot in de jaren 80 leidde tot nieuwe kunstuitingen (o.m. body art, performance, media en bewegende beelden, conceptkunst, gebruik van audiovisuele elementen). Deze anthologie is een kroniek van het feministisch gedachtegoed en ‘actie via de kunst’ over de laatste 25 jaar: “It is what these artists contribute through their individual artistic practices to one collective understanding of the complexity of art in relation to history, subjectivity, and its own materialities and transformations in which the symbolic, imaginary and political effects of gender as hierarchy and gender difference as imaginative resource are in play.”

Aesthetics --- Sociology of the family. Sociology of sexuality --- Art --- Sculpture --- Painting --- Theatrical science --- Poetry --- Thematology --- Feminism --- Feminist art --- Gender --- International --- Artists --- Writers --- Book --- Dancing --- Newman, Avis --- Keersmaeker, de, Anne Teresa --- Gego --- Nicodemus, Everlyn --- Gill, Simryn --- Atkins, Anna --- Bloch, Pierrette --- Grzymala, Monika --- Kot'átková, Eva --- Spero, Nancy --- Janssens, Ann Veronica --- Shettar, Ranjani --- Wright, Judith --- Maiolino, Anna Maria --- Tuerlinckx, Joëlle --- Hatoum, Mona --- Verhaeghe, Ria --- Hesse, Eva --- Rosler, Martha --- Lichtenberg-Ettinger, Bracha --- Iglesias, Cristina --- Gallagher, Ellen --- Vicuña, Cecilia --- Klint, Hilma A.F. --- Kunz, Emma --- Mehretu, Julie --- Martin, Agnes