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Visual artist Stan Douglas explores the turbulent history of 1970s Portugal, a time when the nation both freed itself from a dictatorship and relinquished its colonial holdings. The book features three works. The first, a video installation titled 'The Secret Agent', follows a story written by Joseph Conrad in 1907. Douglas keeps the plot characters but transports the narrative to Lisbon, soon after the Carnation Revolution. 'Disco Angola', a series of staged historic photos in New York and Angola, juxtaposes the city's hedonistic nightlife with the African nation's brutal civil war. Finally, 'Luanda-Kinshasa' is a six-hour-long film comprising eleven jazz songs from the legendary 30th Street Studio. Exhibition: Wiels, Brussels, Belgium (09.10.2015-10.01.2016).

Films d'espionnage --- Spionagefilms --- Spy films --- kunst --- Canada --- fotografie --- Angola --- 77.071 DOUGLAS --- 791.471 DOUGLAS --- 7.071 DOUGLAS --- Congo --- Portugal --- Conrad Joseph --- kunst en literatuur --- dekolonisatie --- kolonialisme --- Afrika --- kunst en politiek --- video-installaties --- installaties --- scenario's --- film --- video --- videokunst --- Exhibitions --- Kunst --- Fotografie --- Kunst en literatuur --- Dekolonisatie --- Kolonialisme --- Kunst en politiek --- Video-installaties --- Installaties --- Scenario's --- Film --- Video --- Videokunst --- Exhibitions. --- Kunst. --- Canada. --- Fotografie. --- Angola. --- Congo. --- Portugal. --- Conrad Joseph. --- Kunst en literatuur. --- Dekolonisatie. --- Kolonialisme. --- Afrika. --- Kunst en politiek. --- Video-installaties. --- Installaties. --- Scenario's. --- Film. --- Video. --- Videokunst. --- Photography, Artistic --- Video installations (Art) --- Douglas, Stan, --- Motion pictures --- Production and direction --- Catalogs --- Photography, Artistic - Exhibitions --- Video installations (Art) - Canada - Exhibitions --- Douglas, Stan, - 1960- - Exhibitions --- Douglas, Stan, - 1960 --- -Photography, Artistic --- -Exhibitions.

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Amateur is the first comprehensive publication about Wendelien van Oldenborgh’s moving image works, and their accompanying installations. Developed over the past ten years of her practice, these works explore communication and interaction between individuals, often against the backdrop of a unique public location, in order to cast attention on repressed, incomplete, and unresolved histories. Through the staging of these encounters on film, van Oldenborgh enables multiple perspectives and voices to coexist, and brings to light political, social, and cultural relationships and how they are manifested through social interactions.

The publication is generously illustrated and brings together a wealth of texts by artists, curators, and writers who have been key interlocutors with van Oldenborgh, and who each offer in-depth observations and reflections on a work from her oeuvre. These authors include Nana Adusei-Poku, Ricardo Basbaum, Frédérique Bergholtz, Eric de Bruyn, Binna Choi, David Dibosa, Denise Ferreira da Silva, Avery F. Gordon, Tom Holert, Nataša Ilić, Charl Landvreugd, Sven Lütticken, Anna Manubens, Ruth Noack, and Grant Watson.

kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.071 VAN OLDENBORGH --- 791.471 VAN OLDENBORGH --- video-installaties --- videokunst --- video --- kunst en film --- film --- van Oldenborgh Wendelien --- Nederland --- video artists --- multimediakunst --- Oldenborgh, van, Wendelien --- MAD-faculty 16 --- hedendaagse beeldhouwkunst --- van Oldenborgh, Wendelien