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Nineteenth-century music review.
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ISSN: 14794098 Year: 1940 Publisher: Cambridge Cambridge Cambridge university press. Heffer

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Music and metaphor in nineteenth-century British musicology
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ISBN: 0754600874 Year: 2000 Volume: *1 Publisher: Aldershot Burlington Ashgate

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Evolution and Victorian musical culture
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ISBN: 9781107020443 9781139103985 1139103989 9781108328265 1108328261 1107020441 Year: 2017 Publisher: Cambridge Cambridge University Press

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Music and performance culture in nineteenth-century Britain : essays in honour of Nicholas Temperley
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ISBN: 1317092384 1317092376 1280689544 9786613666482 1409439801 9781409439806 9781409439790 1409439798 9781315596655 9781317092360 9781317092377 9781138253780 1315596652 Year: 2012 Publisher: Farnham, Surrey : Burlington, VT : Ashgate,

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This is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. An introduction explores Nicholas Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions.


Book
Evolution and Victorian musical culture
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ISBN: 1108325866 1108327060 1108327265 110832746X 1108326862 1108328261 1139103989 1107020441 Year: 2017 Publisher: Cambridge : Cambridge University Press,

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This engaging book explores the dynamic relationship between evolutionary science and musical culture in Victorian Britain, drawing upon a wealth of popular scientific and musical literature to contextualize evolutionary theories of the Darwinian and non-Darwinian revolutions. Bennett Zon uses musical culture to question the hegemonic role ascribed to Darwin by later thinkers, and interrogates the conceptual premise of modern debates in evolutionary musicology. Structured around the Great Chain of Being, chapters are organized by discipline in successively ascending order according to their object of study, from zoology and the study of animal music to theology and the music of God. Evolution and Victorian Musical Culture takes a non-Darwinian approach to the interpretation of Victorian scientific and musical interrelationships, debunking the idea that the arts had little influence on contemporary scientific ideas and, by probing the origins of musical interdisciplinarity, the volume shows how music helped ideas about evolution to evolve.

Representing non-Western music in nineteenth-century Britain
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ISBN: 1580462596 9781580462594 9781580466943 158046694X Year: 2007 Publisher: Rochester, NY : University of Rochester Press,

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Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate non-Western music within the intellectual culture of nineteenth-century Britain. It covers many crucial issues -- race, orientalism, otherness, evolution -- and explores the influence of important anthropological theories on the perception of non-Western music. The book also considers a wide range of other writings of the period, from psychology and travel literature to musicology and theories of musical transcription, and it reflects on the historically problematic term "ethnomusicology." Representing Non-Western Music discusses such theories as noble simplicity, monogenism and polygenism, the comparative method, degenerationism, and developmentalism. Zon looks at the effect of evolutionism on the musical press, general music histories, and histories of national music. He also treats the work of Charles Samuel Myers, the first Britain to record non-Western music in the field, and explores how A. H. Fox Strangways used contemporary translation theory as an analogy for transcription in The Music of Hindostan (1914) to show that individuality can be retained by embracing foreign elements rather than adapting them to Western musical style. Bennett Zon is Reader in Music and Fellow of the Institute of Advanced Study, Durham University UK and author of Music and Metaphor in Nineteenth-Century British Musicology (Ashgate, 2000).


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Representing non-Western music in nineteenth-century Britain
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ISBN: 158046694X Year: 2007 Publisher: Rochester, NY : University of Rochester Press,

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Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate non-Western music within the intellectual culture of nineteenth-century Britain. It covers many crucial issues -- race, orientalism, otherness, evolution -- and explores the influence of important anthropological theories on the perception of non-Western music. The book also considers a wide range of other writings of the period, from psychology and travel literature to musicology and theories of musical transcription, and it reflects on the historically problematic term "ethnomusicology." Representing Non-Western Music discusses such theories as noble simplicity, monogenism and polygenism, the comparative method, degenerationism, and developmentalism. Zon looks at the effect of evolutionism on the musical press, general music histories, and histories of national music. He also treats the work of Charles Samuel Myers, the first Britain to record non-Western music in the field, and explores how A. H. Fox Strangways used contemporary translation theory as an analogy for transcription in The Music of Hindostan (1914) to show that individuality can be retained by embracing foreign elements rather than adapting them to Western musical style. Bennett Zon is Reader in Music and Fellow of the Institute of Advanced Study, Durham University UK and author of Music and Metaphor in Nineteenth-Century British Musicology (Ashgate, 2000).

The English plainchant revival
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ISBN: 0198165951 Year: 1999 Publisher: New York ; Oxford Oxford University Press

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Periodical
Music in nineteenth-century Britain
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Year: 2000 Publisher: Aldershot Ashgate

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Digital
Representing non-Western music in nineteenth-century Britain
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ISBN: 9781580466943 Year: 2007 Publisher: Rochester, NY University of Rochester Press

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Keywords

Music --- Great Britain

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