Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"There has been a growing awareness that ambiguity is not just a necessary evil of the language system resulting, for instance, from its need for economy, or, by contrast, a blessing that allows writers to involve readers in endless games of assigning meaning to a literary text. The present volume contributes to overcoming this alternative by focusing on strategies of ambiguity (and the strategic avoidance of ambiguity) both at the production and the reception end of communication. The authors examine ways in which speakers and hearers may use ambiguous words, structures, references, and situations to pursue communicative ends. For example, the question is asked what it actually means when a listener strategically perceives ambiguity, which may happen both synchronically (e.g. in conversations) as well as diachronically (e.g. when strategically ambiguating biblical texts in order to make them applicable to moral lessons). Another example is the question whether ambiguity awareness increases the strategic use of ambiguity in prosody. Moreover, the authors not only enquire into effects of ambiguous meanings but also into the strategic use of ambiguity as such, for example, as a response to censorship or as a means of provoking irritation. This volume brings together several contributions from linguistics, literary studies, rhetoric, psychology and theology, and aims at providing a systematic approach to the strategic production and perception of ambiguity in a variety of texts and contexts"--

Ambiguity.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Shakespeare, William

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Les jeux de mots peuvent être considérés comme un véritable phénomène d'interface. Ils apparaissent à la fois dans la communication "idienne et dans la littérature, et peuvent avoir des fonctions diverses: ils peuvent être distrayants et comiques, déguiser un sujet tabou ou encore influencer la manière dont on perçoit le caractère du locuteur. Une autre caractéristique fondamentale des jeux de mots est celle de servir à la réflexion sur la langue et sur la communication. Les jeux de mots font apparaître des caractéristiques du langage littéraire dans la communication "idienne, et incitent à analyser les œuvres littéraires selon une perspective linguistique. Les deux premiers volumes de la série The Dynamics of Wordplay visent à réunir des contributions linguistiques et littéraires sur les techniques du jeu de mots et ses relations aux innovations linguistiques en général. Ces réflexions sont complétées par une série d'études de cas qui analysent l'usage du jeu de mots chez différents auteurs et dans différents contextes historiques. Ainsi, partant de situations de communication très variées, les contributions permettent de reconsidérer la dynamique du jeu de mots dans toutes ses facettes.

Literary recreations --- French language --- Puns and punning --- Plays on words --- Discourse analysis --- Language and languages in literature. --- Plays on words. --- Semantics. --- Mots d'esprit et jeux de mots --- Sémantique --- Langage et langues dans la littérature --- Sémantique --- Langage et langues dans la littérature --- Puns and punning. --- Puns and punning in literature. --- Punning --- Homonyms --- Paronyms --- Linguistic Innovation. --- Metalinguistic Reflection. --- Wordplay. --- Literary recreations - Congresses --- French language - Discourse analysis - Congresses --- Puns and punning - Congresses --- Plays on words - Congresses

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Despite various poststructuralist rejections of the idea of a singular author-genius, the question of a textual archetype that can be assigned to a named author is still a common scholarly phantasm. The Romantic idea that an author created a text or even a work autonomously is transferred even to pre-modern literature today. This ignores the fact that the transmission of medieval and early modern literature creates variances that could not be justified by means of singular authorships. The present volume offers new theoretical approaches from English, German, and Scandinavian studies to provide a historically more adequate approach to the question of authorship in premodern literary cultures. Authorship is no longer equated with an extra-textual entity, but is instead considered a narratological, inner- and intertextual function that can be recognized in the retrospectively established beginnings of literature as well as in the medial transformation of texts during the early days of printing. The volume is aimed at interested scholars of all philologies, especially those dealing with the Middle Ages or Early Modern Period.

LITERARY CRITICISM / European / General. --- Authorship as a Theoretical Concept. --- Premodern Authorship. --- Premodern Literature.