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Onder het motto less is more ontwierp de Duits-Amerikaanse architect Ludwig Mies van der Rohe (1886-1969) vooral gebouwen en meubels die gekenmerkt worden door eenvoudige, heldere vormen en het veelvuldige gebruik van glas, staal en beton. Van der Rohe stond onder invloed van de strakke, modernistische kunststroming Bauhaus, wat onder meer af te lezen valt van zijn intussen klassiek geworden Barcelonastoel en het Farnsworth House in Plano, Illinois. Als bezieler van de Internationale Stijl was Van der Rohe ook de geestelijke vader van de 'standaardwolkenkrabber', zoals de Seagram Building in New York, in feite niet veel meer dan een blokvormig, met glas opgevuld, stalen raamwerk. Als zodanig heeft Van der Rohe een onmetelijke invloed gehad op de skyline van zowat elke wereldstad.
Architectuur --- Design --- Mies van der Rohe, Ludwig --- 1886 - 1969 --- Van Der Rohe, Mies. --- architectuur --- architecture [discipline] --- Architecture --- bouwkunst --- 72 MIES VAN DER ROHE, LUDWIG --- 72.036 <43> --- 72.036 <73> --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72.036 <43> Moderne bouwkunst. Architectuur van de 20e eeuw--Duitsland voor 1945 en na 1989 --- Moderne bouwkunst. Architectuur van de 20e eeuw--Duitsland voor 1945 en na 1989 --- 72 MIES VAN DER ROHE, LUDWIG Architectuur. Bouwkunst--MIES VAN DER ROHE, LUDWIG --- Architectuur. Bouwkunst--MIES VAN DER ROHE, LUDWIG --- Van der Rohe, Mies --- 20e eeuw --- Duitsland --- Verenigde Staten --- Archief --- Digitalisering --- Godsdienst --- Cultuur
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How photography shaped modern architecture. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture—transforming how we see the world and how we act on it.
Photography --- photography [process] --- fotografie --- Architecture --- hedendaagse architectuur --- Architectural photography --- Architecture and photography. --- Architecture, Modern --- History --- Modern [style or period] --- architecture [object genre] --- Photographie d'architecture --- Histoire
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Architecture --- Richter, Dagmar --- Architecte --- Architecture contemporaine --- Urbaniste
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Architecture --- Architecture, Modern --- History --- Themes, motives
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, Architecture against Democracy analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, Architecture against Democracy presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent “nationalist international.” As new forms of nationalism and authoritarian rule proliferate across the globe, this timely collection offers fresh understandings of the role of architecture in the opposition to democracy.
Architecture --- Democracy and architecture --- Political aspects --- Democracy and architecture. --- Political aspects. --- Démocratie et architecture --- Aspect politique
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A compact overview of one of the world's greatest architects--Miles van der Rohe. The introductory essay explores the architect's life and work, touching on family and background as well as collaborations with other architects. The body presents Miles van der Rohe's most important works in chronological order, with descriptions of client and/or architect wishes, construction problems (why some projects were never executed), and resolutions. Features approximately 120 images, including photographs, sketches, drawings, and floor plans.
Architecture, Modern --- Architects --- Architecture --- Architectes --- Architects. --- Architecture, Modern. --- Mies van der Rohe, Ludwig, --- Criticism and interpretation. --- 1900-1999 --- Germany.
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"Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, Architecture against Democracy analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. An architectural history of the recent "nationalist international," this timely collection offers fresh understandings of the role of architecture in the opposition to democracy"--
Architecture --- Democracy and architecture. --- Political aspects.
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Ideologically opposed, technologically cooperative—an original account of US and USSR industrialization between the world wars. Between 1917 and 1945, a tide of hyperindustrialization washed over the United States and the Soviet Union. While the two countries remained ideologically opposed, the factories that amassed in Stalingrad, Moscow, Detroit, Buffalo, and Cleveland were strikingly similar, as were the new forms of modern work and urban and infrastructural development that supported this industrialization. Drawing on previously unknown archival materials and photographs, the essays in Detroit-Moscow-Detroit document a stunning two-way transfer of technical knowledge between the United States and the USSR that greatly influenced the built environment in both countries, upgrading each to major industrial power by the start of the Second World War. The innovative research presented here explores spatial development, manufacturing, mass production, and organizational planning across geopolitical lines to demonstrate that capitalist and communist built environments in the twentieth century were not diametrically opposed and were, on certain sites, coproduced in a period of intense technical exchange between the two world wars. A fresh account of the effects of industrialization and globalization on US and Soviet cultures, architecture, and urban history, Detroit-Moscow-Detroit will find wide readership among architects, urban designers, and scholars of architectural, urban, and twentieth-century history.
Architecture and society --- Industrial buildings --- Technology transfer --- History --- Aménagement urbain --- Union Soviétique --- Etats-Unis --- Entre-deux-guerres --- Architecture industrielle --- URSS
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