Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The institutionalization of contemporary art, seen on a global scale, has only just begun. Despite an increase in global art production, and in the number of biennials, contemporary art has yet to find its footing in the museums outside the West- a phenomenon likely to affect the future of the museum. While migration is the issue in artists' circles, public museums as local institutions are confronted with the challenge of globalization. While migration is the issue in artists' circles, public museums as local institutions are confronted with the challenge of globalization. The reciprocal impact of contemporary non-Western art and local museums all over the world is the main focal point of this book. It assembles a group of art critics, anthropologists, and museum curators who address the identity of the museum and its change from a variety of viewpoints that reflect their different backgrounds. The critical essays were written for two international conferences, while other texts were chosen for their significance as exemplary analyses for the present situation."--Cover.

Art and globalization --- Art, Modern --- Art museums --- #SBIB:39A5 --- #SBIB:316.7C311 --- #SBIB:316.7C324 --- Globalization and art --- Globalization --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Contemporary art --- Modernism (Art) --- Kunst, habitat, materiële cultuur en ontspanning --- Cultuurbeleid: internationaal --- Culturele infrastructuur: musea --- Galleries and museums --- Art and globalization - Congresses --- Art, Modern - 21st century - Congresses --- Art museums - Congresses

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Manfred Mohr is regarded as a pioneer of digital art—he was one of the first painters of the 20th century who turned towards the computer as a medium of artistic production. His work took its definitive turn at the end of the 1960s after Mohr’s encounter with Pierre Barbaud, one of the forerunners of computer-based composition in France. Mohr began to experiment with computers, and as early as 1971, the Mus.e d’Art Moderne de la Ville de Paris showed his computer-generated drawings in a solo show. The textbook offers insight into the early work of Manfred Mohr through a selection of essays, letters and interviews from the years 1963 –1979. The documents are exemplary for the early artistic debate surrounding computer technology, for the battles with new terms and models as well as the positioning of this new genre within the field of art. Manfred Mohr (*1938) lives in New York. The ZKM in Karlsruhe presented a retrospective in 2013, and likewise in 2013 Mohr received the ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art.

Drawing, German --- Mohr, Manfred,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

New forms for the exhibition and documentation of performance have been developed and tested at ZKM Karlsruhe based on the question of the presentability of historical live performance art pieces. Works by Marina Abramovic, Graciela Carnevale, Simone Forti, Anna Halprin, Channa Horwitz, Sanja Ivekovic, Adrian Piper and Yvonne Rainer, which are today considered revolutionary milestones of performance, are reinterpreted with the assistance of the attendant artists and in dialogue with performers of the younger generation. This publication documents this process in the exhibition space in a richly illustrated photo section and combines it with a fundamental theoretical reassessment of the topic, with thirteen essays exploring the position of current research on performance in the area of dance and visual art.0Exhibition: ZKM, Karlsruhe, Germany (08.03.-29.04.2013). 0.

Performance art --- Dance

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Geometry in art --- Pentagon in art --- Caris, Gerard, --- Criticism and interpretation.