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art history --- History --- Art styles --- Minimal --- Iconography --- Art --- Apfelbaum, Polly --- Lachowicz, Rachel --- Whiteread, Rachel --- Hatoum, Mona --- Matzko, Claudia --- Zittel, Andrea --- Leirner, Jac --- anno 1900-1999 --- anno 2000-2099 --- anno 1990-1999 --- Minimal art --- Art, Modern --- Women artists --- Exhibitions. --- Exhibitions --- vrouwelijke kunstenaar

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Art styles --- Iconography --- Art --- Sculpture --- Painting --- assemblages [sculpture] --- installations [visual works] --- happenings --- relief [sculpture techniques] --- art [discipline] --- painting [image-making] --- color [perceived attribute] --- performance art --- literature [documents] --- photocollages [photographic compositions] --- textile materials --- eroticism --- dots --- sculpting --- pasta [food] --- Kusama, Yayoi --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1900-1999 --- Japan

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Art and literature --- Conceptual art --- Surrealism --- Surrealist artists --- Art et littérature --- Art conceptuel --- Surréalisme --- Surréalistes --- Exhibitions --- Expositions --- Réseaux sociaux --- Magritte, René, --- Broodthaers, Marcel --- Magritte, René --- Art et littérature --- Surréalisme --- Surréalistes --- Réseaux sociaux --- Magritte, René, --- Exhibitions. --- Magritte, René

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Lavishly illustrated, this volume includes thematic essays and commentaries on works by this Brazilian, who has made some of the most politically telling and aesthetically seductive works in modern art.

Conceptual art --- Meireles, Cildo, --- kunst --- twintigste eeuw --- kunst en politiek --- Meireles Cildo --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- Brazilië --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Exhibitions --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Meireles, Cildo

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The Artwork of Robert Therrien is defined by contradictions. Occupying an ambiguous zone between abstraction and figuration, it is extremely refined and formalized, yet his objects and images also make reference to commonplace, even clichéd motifs - a snowman, a cloud, a Dutch door, a bird in flight, a stack of plates. In the perfection of their proportions and the simplicity of their forms these works - sculptures, reliefs, and two-dimensional pieces - partake of a cool objectivity. Their narrative associations, however, give them the intimacy of personal history. They possess a wholesome familiarity, yet their often huge size gives them an uncanny, disquieting quality. In this volume, which accompanies the exhibition Robert Therrien and examines the artist's works of the past decade, curator Lynn Zelevansky explores the transformation of forms that has been the hallmark of Therrien's artistic process and situates his work within contemporary art practice. Essayist Thomas Frick discusses the work vis-à-vis the formalist tradition in art and examines the paradoxical nature of its abstract and figurative aspects. In the volume's third and final essay art historian Norman Bryson investigates the visceral effect of Therrien's sculpture on the viewer, relating its effects to the corporeal invasions and restitutions found in animated cartoons. Therrien has exhibited only rarely, and there has been relatively little substantial writing about his art. Robert Therrien is the most comprehensive publication to date on the unique work of this imoortant contemporary artist.

sculpting --- Sculpture --- beards --- art [fine art] --- installations [visual works] --- services [sets] --- still lifes --- Iconography --- Art --- Therrien, Robert --- United States --- art [discipline] --- United States of America