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"The “phantom heroine”—in particular the fantasy of her resurrection through sex with a living man—is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin’s elegantly written and meticulously researched new book.Zeitlin’s study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies.The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers—that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance." -- Publisher's description.
Chinese literature --- Gender identity in literature --- Ghosts in literature --- S11/0710 --- S13A/0402 --- S16/0195 --- History and criticism --- China: Social sciences--Women: general and before 1949 --- China: Religion--Mythology (incl. pantheon, ghosts, myths and legends) --- China: Literature and theatrical art--Thematic studies --- Gender identity in literature. --- Ghosts in literature. --- History and criticism.
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Chinese fiction --- History and criticism --- Pu, Songling --- Criticism and interpretation.
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Singing --- Voice (Philosophy) --- Voice --- Music --- Philosophy --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Speaking --- Human sounds --- Language and languages --- Throat --- Diaphragm --- Elocution --- Larynx --- Speech --- Singing and voice culture --- Vocal culture --- Beatboxing --- Throat singing --- Philosophy and aesthetics --- Physiological aspects --- Performance --- Conferences - Meetings
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S02/0200 --- S11/0200 --- China: General works--Civilization and culture --- China: Social sciences--General works --- Social sciences --- Law --- Medicine --- Sciences sociales --- Droit --- Médecine --- Case studies --- Methodology --- Cases. --- Case studies. --- Cas, Etudes de --- Méthodologie --- Jurisprudence --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Clinical sciences --- Medical profession --- Human biology --- Life sciences --- Medical sciences --- Pathology --- Physicians --- Health Workforce
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Chinese literature --- Mass media and culture --- Littérature chinoise --- Médias et culture --- History and criticism --- Histoire et critique --- S12/0215 --- S16/0150 --- S15/0200 --- S02/0200 --- S01/0600 --- S01/0800 --- -Mass media and culture --- Culture and mass media --- Culture --- China: Philosophy and Classics--Philosophy of language --- China: Literature and theatrical art--General works --- China: Language--General works --- China: General works--Civilization and culture --- China: Bibliography and reference--Books, printing, editing and paper --- China: Bibliography and reference--"Festschrifte" and other works of a miscellaneous nature --- Mass media and culture. --- History and criticism. --- Littérature chinoise --- Médias et culture --- Chinese literature.
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Case studies fascinate because they link individual instances to general patterns and knowledge to action without denying the priority of individual situations over the generalizations derived from them. In this volume, an international group of senior scholars comes together to consider the use of cases to produce empirical knowledge in premodern China. They trace the process by which the project of thinking with cases acquired a systematic and public character in the ninth century CE and after. Premodern Chinese experts on medicine and law circulated printed case collections to demonstrate efficacy or claim validity for their judgments. They were joined by authors of religious and philosophical texts. The rhetorical strategies and forms of argument used by all of these writers were allied with historical narratives, exemplary biographies, and case examples composed as aids to imperial statecraft.The innovative and productive explorations gathered here present a coherent set of interlocking arguments that will be of interest to comparativists as well as specialists on premodern East Asia. For China scholars, they examine the interaction of different fields of learning in the late imperial period, the relationship of evidential reasoning and literary forms, and the philosophical frameworks that linked knowledge to experience and action. For comparativists, the essays bring China into a global conversation about the methodologies of the human sciences.Contributors: Chu Honglam, Charlotte Furth, Hsiung Ping-chen, Jiang Yonglin, Yasuhiko Karasawa, Robert Sharf, Pierre-Étienne Will, WuYanhong, Judith T. Zeitlin.
Medicine --- Law --- Social sciences --- Methodology.
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