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Die italienischen Opernbühnen Londons fungierten im 19. Jahrhundert als wichtigster Markt der internationalen Opernwelt. Die tragenden Säulen dieses Systems bildeten internationale Sängerstars. Das Buch analysiert im Zeitraum von 1806 bis 1867 unterschiedliche Aspekte des Sängerwesens. Faktoren wie der Zusammensetzung des Londoner Opernpublikums, der Gestaltung von Sängerverträgen und der gängigen Adaptions- und Einlagearienpraxis kommt ein besonderes Augenmerk zu.
Carl von Linné. --- Human-Animal Studies. --- Naturalien. --- Naturgeschichte. --- Netzwerke. --- Praktiken. --- Sammlungen. --- Wissensgeschichte. --- MUSIC / Genres & Styles / Opera. --- Italian opera --- London --- nineteenth century --- singers --- singers contracts --- court proceedings --- Her Majesty’s Theatre --- Royal Italian Opera House Covent Garden --- adaptation of operas --- substitution of arias --- opera audience --- opera market --- Italienische Oper --- 19. Jahrhundert --- Sänger --- Sängerverträge --- Gerichtsprozesse --- Adaptionspraxis --- Einlagearienpraxis --- Opernpublikum --- Opernmarkt --- Gesang --- Libretto --- Paris
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This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and the tradition of the adaptation of operas to the likes of the London market as well as the substitution of arias.
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This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and the tradition of the adaptation of operas to the likes of the London market as well as the substitution of arias.
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This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and the tradition of the adaptation of operas to the likes of the London market as well as the substitution of arias.
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