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African Americans --- African Americans in popular culture. --- African Americans in art. --- Human body --- Body image --- Anthropometry --- Skeletal remains --- Physical anthropology --- Body size --- Negritude --- Afro-Americans in popular culture --- Popular culture --- Afro-Americans in art --- Negroes in art --- Race identity. --- Social aspects. --- Ethnic identity

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To talk about race feels dangerous. How do we enter this difficult challenge? How has theatre both provoked and confronted this "problem"? Throughout history, theatre has staged the fascination, anxieties, and concerns surrounding racial difference. This thought-provoking text introduces key ideas about race and critical race theory, before tracing their relationships with theatre and performance. Spanning ancient Athens to the present day, the book explores topics such as cultural difference in the Elizabethan period, the appeal of blackface minstrelsy in the nineteenth and early twentieth centuries, and the later controversies related to colorblind casting, along with other contemporary concerns such as "post-race" theatre.

Race in the theater. --- Relations interethniques --- Race in the theater

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Everything you need to know about Kant's Critique of Pure Reason in one volume.The Critique is one of the most written-about texts in the history of philosophy, however, it is also notoriously difficult to read. Burnham and Young unravel Kant's text passage-by-passage, making the reading and appreciation of the primary work achievable. Designed to be read alongside Kant, this approach will be helpful for students and lecturers alike.

Causation. --- Knowledge, Theory of. --- Reason. --- Mind --- Intellect --- Rationalism --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- Causality --- Cause and effect --- Effect and cause --- Final cause --- Beginning --- God --- Metaphysics --- Necessity (Philosophy) --- Teleology --- Kant, Immanuel,

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"This collection of interviews with and by Suzan-Lori Parks offers unprecedented insight into her work, method and dramaturgy, as well as being an important commentary on contemporary theater and playwriting, from jazz and opera to politics and cultural memory. Suzan-Lori Parks in Person contains 18 interviews, some previously untranscribed or specially undertaken for this book, as well as commentaries on her work by major directors and critics, including Liz Diamond, Richard Foreman and Leah Gardiner. These contributions combine to honor the first African American woman to receive the Pulitzer Prize in drama, and explore her ideas about theater, history, race, and gender. Material from a wide range of sources chronologically charts Parks' career from the 1990s to the present. This is a major collection with immediate relevance to students of American/African-American theater, literature and culture. Parks' engaging voice is brought to the fore throughout, making the book essential for undergraduates as well as scholars"--

Parks, Suzan-Lori --- Criticism and interpretation. --- פרקס, סוזן־לורי