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Film --- anno 1900-1999 --- China --- Motion pictures --- Cinéma --- Encyclopedias --- Encyclopédies --- S17/2000 --- S26/1600 --- S27/1600 --- -Motion pictures --- -#SBIB:011.AANKOOP --- #SBIB:309H1300 --- #SBIB:309H01 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- China: Art and archaeology--Film --- Taiwan--Film, photography --- Hong Kong--Film --- Filmwezen: algemene werken --- Communicatiewetenschap: encyclopedieën, woordenboeken, naslagwerken, bibliografieën --- History and criticism --- Encyclopedias. --- Cinéma --- Encyclopédies --- #SBIB:011.AANKOOP
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The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years.This Encyclopedia meets the nee
Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Cinéma
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Film --- Motion pictures --- Motion picture industry --- Cinéma --- Censorship. --- History --- Censure --- Histoire --- Industrie --- #SBIB:309H1314 --- film --- censuur --- filmcensuur --- Verenigde Staten --- Canada --- Mexico --- twintigste eeuw --- Rusland --- Sovjet-Unie --- film en politiek --- Turkije --- Groot-Brittannië --- Hong Kong --- Shanghai --- kolonialisme --- postkolonialisme --- Ierland --- Hollywood --- Nigeria --- Italië --- België --- 791.43 --- Filmwezen: politieke, juridische, ethische, ideologische aspecten --- Cinéma --- Censorship --- België --- Groot-Brittannië --- Italië --- 098.1 --- 098.1 Verboden boeken --- Verboden boeken --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema
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Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
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