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This study of the language of insult charts abuse in classical Athenian literature that centres on the mouth and its appetites, especially talking, eating, drinking, and sexual activities. Attic comedy, Platonic dialogue, and fourth-century oratory often deploy insulting depictions of the mouth and its excesses in order to deride professional speakers as sophists, demagogues, and women. Although the patterns of imagery explored are very prominent in ancient invective and later western literary traditions, this is the first book to discuss this phenomenon in classical literature. It responds to a growing interest in both abusive speech genres and the representation of the body, illuminating an iambic discourse that isolates the intemperate mouth as a visible emblem of behaviours ridiculed in the democratic arenas of classical Athens.
Classical Greek literature --- Literary rhetorics --- Athens --- Invective --- Invective in literature. --- Greek literature --- Rhetoric, Ancient. --- Literatur. --- Beleidigung (Motiv) --- History and criticism. --- Beleidigung (Motiv). --- Invective in literature --- Rhetoric, Ancient --- Abuse, Verbal --- Insults --- Insults, Verbal --- Verbal abuse --- Vituperation --- Satire --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- History and criticism --- Rhetoric --- Athens (Greece) --- Intellectual life. --- Language and languages --- Arts and Humanities --- History
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This study explores a previously uncharted area of ancient literary theory and criticism: the ancient landscapes (such as the Ilissus river in Athens and Mount Helicon) that generate metaphors for distinguishing styles, which dovetail with ancient conceptions of metaphor as itself spatial and mobile. Ancient writers most often coordinate stylistic features with country settings, where authoritative performers such as Muses, poets, and eventually critics or theorists view, appropriate, and emulate their bounties (for example springs, flowers, rivers, paths). These spaces of metaphor and their elaborations provide poets and critics with a vivid means of distinguishing among styles and an influential vocabulary. Together these figurative terrains shape critical and theoretical discussions in Greece and beyond. Since this discourse has a remarkably wide reach, the book is broad in scope, ranging from archaic Greek poetry through Roman oratory and 'Longinus' to the reception of critical imagery in Proust and Derrida.
Literature, Ancient --- Metaphor in literature. --- Landscapes in literature. --- Place (Philosophy) in literature. --- Littérature ancienne --- Métaphore dans la littérature --- Paysages dans la littérature --- Lieu (Philosophie) dans la littérature --- History and criticism --- Histoire et critique --- Metaphor in literature --- Landscapes in literature --- Place (Philosophy) in literature --- Landscape in literature --- History and criticism&delete& --- Theory, etc --- E-books --- Theory, etc.
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"This book argues for a new way of reading tragedy that attends to how bodies in the ancient plays pivot between subject and object, person and thing, living and dead, and so serve as vehicles for confronting the edges of the human. At the same time, it explores the ways in which Greek tragedy pulls up close to human bodies, examining their physical edges, their surfaces and parts, their coverings or nakedness, and their postures and orientations. Drawing on and advancing the latest interplays of posthumanism and materialism in relation to classical literature, Nancy Worman shows how this tragic enactment may seem to emphasize the human body, but in effect does something quite different. Greek drama instead often treats the body as a thing that has the status and implications associated with other objects, such as a cloak, an urn, or a toy for a dog. Tragic Bodies urges attention to key scenes in Greek tragedy that foreground bodily identifiers as semiotic materializing. This occurs when signs with weighty symbolic resonance distil out on the dramatic stage as concrete sites for contention and conflation orchestrated through proximity, contact, and sensory dynamics. Reading the dramatic script in this way pursues the felt knowledge at the body's edges that tragic representation affords, a consideration attuned to how bodies register at tragedy's unique intersections-where directive and figurative language combine to highlight visual, tactile, and aural details."--
Drama --- Thematology --- Classical Greek literature --- drama [discipline]
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Well before Aristotle's Rhetoric elucidated the elements of verbal style that give writing its persuasive power, Greek poets and prose authors understood the importance of style in creating compelling characters to engage an audience. And because their works were composed in predominantly oral settings, their sense of style included not only the characters' manner of speaking, but also their appearance and deportment. From Homeric epic to classical tragedy and oratory, verbal and visual cues work hand-in-hand to create distinctive styles for literary characters. In this book, Nancy Worman investigates the development and evolution of ideas about style in archaic and classical literature through a study of representations of Odysseus and Helen. She demonstrates that, as liars and imitators, pleasing storytellers, and adept users of costume, these two figures are especially skillful manipulators of style. In tracing the way literary representations of them changed through time—from Homer's positive portrayal of their subtle self-presentations to the sharply polarized portrayals of these same subtleties in classical tragedy and oratory—Worman also uncovers a nascent awareness among the Greek writers that style may be used not only to persuade but also to distract and deceive.
Greek language --- -Greek literature --- -Balkan literature --- Byzantine literature --- Classical literature --- Classical philology --- Greek philology --- Classical languages --- Indo-European languages --- Style --- History and criticism --- Greek literature --- Style. --- History and criticism. --- -Style
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This book brings together a collection of original essays that engage with cultural geography and landscape studies to produce new ways of understanding place, space, and landscape in Greek literature from the fifth and fourth centuries BCE. The authors draw on an eclectic collection of contemporary approaches to bring the study of ancient Greek literature into dialogue with the burgeoning discussion of spatial theory in the humanities. The essays in this volume treat a variety of textual spaces, from the intimate to the expansive: the bedroom, ritual space, the law courts, theatrical space, the poetics of the city, and the landscape of war. And yet, all of the contributions are united by an interest in recuperating some of the many ways in which the ancient Greeks in the archaic and classical periods invested places with meaning and in how the representation of place links texts to social practices.
Space and time --- Landscapes --- Cultural geography --- Space in literature. --- History --- Civilization. --- Cultural geography. --- Social aspects --- Ancient --- General. --- Social aspects. --- To 146 B.C. --- Greece --- Greece. --- Civilization --- Human geography --- Countryside --- Landscape --- Natural scenery --- Scenery --- Scenic landscapes --- Nature --- Space of more than three dimensions --- Space-time --- Space-time continuum --- Space-times --- Spacetime --- Time and space --- Fourth dimension --- Infinite --- Metaphysics --- Philosophy --- Space sciences --- Time --- Beginning --- Hyperspace --- Relativity (Physics)
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Thematology --- Social geography --- Greece
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In the Graeco-Roman world, the cosmic order was enacted, in part, through bodies. The evaluative divisions between, for example, women and men, humans and animals, "barbarians" and "civilized" people, slaves and free citizens, or mortals and immortals, could all be played out across the terrain of somatic difference, embedded as it was within wider social and cultural matrices.This volume explores these thematics of bodies and boundaries: to examine the ways in which bodies, lived and imagined, were implicated in issues of cosmic order and social organisation in classical antiquity. It focuses on the body in performance (especially in a rhetorical context), the erotic body, the dressed body, pagan and Christian bodies as well as divine bodies and animal bodies. The articles draw on a range of evidence and approaches, cover a broad chronological and geographical span, and explore the ways bodies can transgress and dissolve, as well shore up, or even create, boundaries and hierarchies. This volume shows that boundaries are constantly negotiated, shifted and refigured through the practices and potentialities of embodiment.
Human body in literature --- Human body --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Body, Human, in literature --- Human figure in literature --- Social aspects --- Human body in literature. --- Corps humain --- Corps humain dans la littérature --- Aspect social --- Ancient Greek Literature. --- Body (Cultural Concepts). --- Classical Latin Literature. --- History of Ancient Arts.
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