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Art --- anno 1400-1499 --- anno 1500-1599 --- Art, Renaissance --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Renaissance art --- Technique&delete& --- History --- Technique --- Art, Primitive
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The first of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1100-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.
Art --- anno 1200-1499 --- anno 1100-1199 --- anno 1500-1599 --- Art, Medieval --- Art, Renaissance --- Medieval art --- Renaissance art
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Sculpture --- anno 1400-1499 --- anno 1500-1599 --- Netherlands
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Speaking Sculptures in Late Medieval Europe explores medieval sculptors' motif of the open mouth. The speech mode, as it is called in this book, is more than an illusionistic device or an affective ploy to foster the emotional response of the viewer. Here it is shown to have a deeper significance as an agent of engagement and persuasion. Through the evocation of sound, speaking sculptures fostered imaginatively an aural relationship between the sculpture and the viewer. Exploring a wide range of geographies, this work demonstrates that the speech mode in sculpture was not an isolated phenomenon but a familiar device in many areas of Late Gothic Europe. By highlighting 14th-, 15th- and early 16th-century examples, as well as key 13th-century precedents, Speaking Sculptures in Late Medieval Europe explores the uses and purposes of this silent rhetoric, and the agency it implies within the period eye and the period ear of pre-Reformation Catholic Europe.
Sculpture --- speech [communication function] --- Late Medieval --- rhetoric [proposals] --- anno 1200-1499 --- Europe --- sculpture [visual works] --- Gothic [Medieval]
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Art --- anno 1400-1499 --- anno 1500-1599 --- Art and society --- Art, Renaissance.
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Art, Renaissance --- Art --- anno 1400-1499 --- anno 1500-1599 --- Renaissance art
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Art --- History --- anthologies --- patrons [philanthropists] --- cultuurgeschiedenis --- kunstliteratuur --- bronnenonderzoek --- Renaissance --- anno 1500-1599
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